How Does The Artist As Monster: The Cinema Of David Cronenberg Analyze His Films?

2025-12-11 16:15:15 280

4 Answers

Ulysses
Ulysses
2025-12-13 00:33:51
What stood out to me in this analysis was how it treats Cronenberg’s work as a rebellion against conventional storytelling. The book posits that his films reject tidy resolutions, opting instead for chaotic, visceral endings that linger like a bad dream. Take 'Dead Ringers'—it’s dissected not just as a tale of twin gynecologists but as a metaphor for artistic duality, the tension between creation and destruction. The writing’s academic but accessible, and it made me appreciate how his 'body horror' isn’t just gore; it’s existential dread wearing human skin.
Hannah
Hannah
2025-12-13 06:20:46
The book’s strength lies in how it avoids dry film theory—it feels like a conversation with someone who’s as obsessed with Cronenberg’s work as you are. It highlights how his early shorts foreshadowed themes in 'Scanners' and 'Shivers,' painting him as a director who’s been refining the same nightmares for decades. The section on 'A History of Violence' arguing it’s his most subversively 'normal' film stuck with me. A must-read for fans who want to go beyond the surface-level squick.
Evelyn
Evelyn
2025-12-16 15:14:01
I picked up this book after rewatching 'Naked Lunch,' and wow, did it reframe that movie for me. The text unpacks Cronenberg’s films as acts of transgression, where the boundaries between artist and art blur. One chapter compares the director’s approach to Kafka—both expose the absurdity of control, whether over bodies or bureaucracies. The analysis of 'eXistenZ' as a commentary on virtual reality’s erosion of identity felt eerily prescient. It’s not light reading, but if you’ve ever wondered why his films unsettle you so deeply, this connects the dots.
Vivian
Vivian
2025-12-16 16:46:11
Reading 'The Artist as Monster: The Cinema of David Cronenberg' felt like peeling back layers of a bizarre, fascinating onion. The book dives deep into Cronenberg's obsession with bodily transformation and psychological decay, framing him as a modern-day Frankenstein who doesn’t just create monsters but embodies them through his filmmaking. It’s not just about analyzing 'Videodrome' or 'The Fly'—it’s about how Cronenberg’s own artistic struggles mirror the grotesque metamorphoses on screen.

The author argues that Cronenberg’s films aren’t merely shock tactics; they’re deeply personal explorations of vulnerability. The way the book ties 'Crash' to questions about eroticism and technology made me rethink how I view his later works. It’s a dense read, but by the end, you’ll see his filmography as one long, unsettling self-portrait.
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