What Class Is Shinso In

Look, I agree that some classes feel like they're moving at the pace of a snail. When I get bored, I try multi-tasking. I'll be there in the class, but also maybe doodling related notes about what they teach. Helps me remember stuff better. Or I scribble down cool dialogue ideas for my comic characters. Another way I stave off boredom is by thinking about the latest anime episode, breaking it down frame by frame. It's like revisiting the whole episode, and before you know it, class is over.

When I'm bored in class, I love to doodle random characters from my favorite anime like 'My Hero Academia' or 'Attack on Titan'. Sometimes, I even create my own original characters, mixing traits from different shows. It's a fun way to pass time and unleash my creativity without needing much. I might also sketch small fantasy creatures or cool vehicles. Doodling is perfect for quick bursts of inspiration; it keeps my mind engaged while I listen (or pretend to) to the lecture.

After 'X-Men: First Class', the next movie is 'The Wolverine', which premiered in 2013. It follows Logan as he travels to Japan and confronts his past while dealing with a new threat. This film dives deeper into Logan's character and explores his struggles with immortality and loss. Then comes 'X-Men: Days of Future Past', released in 2014. It cleverly blends the original cast with the younger versions from 'First Class', creating a unique storyline involving time travel. We see a powerful narrative that addresses the consequences of past decisions and hints at themes of redemption, all while keeping the action thrilling and engaging. Following that is 'X-Men: Apocalypse', which came out in 2016. This installment introduces a new villain, Apocalypse, and shows how the X-Men come together to stop him from destroying the world. It’s a mix of epic battles and character development as the team navigates their growing powers and responsibilities. After 'Apocalypse', we have 'Dark Phoenix' in 2019, which attempts to adapt one of the most famous comic arcs. The film explores Jean Grey's transformation and the consequences it has on her relationships with the rest of the X-Men team. While it has mixed reviews, it still provides insights into character struggles and the themes of power and control. Additionally, there's the standalone film 'Logan', also released in 2017. This one is set in a future where mutants are almost extinct. It's a gritty and emotional film that focuses on an older Logan taking care of Professor X and a young mutant girl named Laura. It brilliantly portrays themes of legacy, sacrifice, and the struggles of aging, making it a standout in the franchise. These films build upon the themes established in 'X-Men: First Class', expanding the universe and giving fans plenty of character arcs and plots to savor. Each movie brings something fresh while connecting back to the core of what makes the X-Men stories so compelling.

In 'The Outsiders', the theme of social class is woven into every interaction, every fight, and every moment of camaraderie. The Greasers and the Socs aren’t just rival gangs—they’re symbols of a deeply divided society. The Greasers, living on the East Side, are constantly reminded of their lower status through their tattered clothes, run-down homes, and the way they’re treated by authority figures. The Socs, on the other hand, flaunt their privilege with expensive cars, fancy clothes, and a sense of entitlement that makes them seem untouchable. What struck me most was how Ponyboy’s perspective evolves. He starts by seeing the world in black and white—Greasers are good, Socs are bad. But through his friendship with Cherry and the tragic events that unfold, he realizes that pain and struggle aren’t exclusive to one side. Cherry’s confession that 'things are rough all over' hits hard because it shatters the illusion that wealth equals happiness. The novel doesn’t just highlight the divide—it shows how both groups are trapped by their circumstances, unable to break free from the roles society has assigned them.

In 'The Secret History', the Greek class isn’t just a course—it’s a gateway to a world that feels both ancient and intoxicatingly alive. Julian Morrow, the professor, doesn’t just teach Greek; he crafts an atmosphere of elitism and exclusivity that seduces the students. For Richard, the narrator, it’s a way to escape his mundane life and step into a realm of beauty and intellectualism. The class becomes a microcosm of obsession, where the lines between morality and desire blur. What makes it significant is how it shapes the group’s identity. They’re not just students; they’re initiates into a secret society, bound by their shared pursuit of the sublime. The Greek language and literature become tools for their self-mythologizing, allowing them to justify their actions as part of a higher, almost divine purpose. The class is where they first begin to see themselves as separate from the rest of the world, untouchable and above ordinary laws. Ultimately, the Greek class is the catalyst for the novel’s central tragedy. It’s where the group’s hubris is born, where they learn to rationalize their darkest impulses under the guise of intellectual pursuit. The class doesn’t just teach them Greek—it teaches them how to destroy themselves.

'Great Expectations' dives deep into the tangled web of social class and ambition, and it’s impossible not to feel the weight of these themes. Pip’s journey from a humble blacksmith’s apprentice to a gentleman is a rollercoaster of hope, disillusionment, and self-discovery. His initial shame about his roots, especially Joe, reflects how society ingrains class consciousness. The allure of wealth and status blinds him to the genuine love and loyalty around him, like Joe and Biddy. Miss Havisham and Estella, with their cold disdain for the lower class, embody the toxic effects of class prejudice. Pip’s ambition, fueled by his mysterious benefactor, becomes a double-edged sword—it elevates him socially but alienates him emotionally. The novel’s brilliance lies in how it shows that true worth isn’t tied to wealth or status but to character and integrity. For those who enjoy exploring class dynamics, 'Pride and Prejudice' offers a fascinating parallel, though with a more romantic lens. Ultimately, Pip’s realization that Magwitch, a convict, is his benefactor shatters his illusions about class and ambition. It’s a humbling moment that forces him to reevaluate his values. Dickens masterfully critiques the Victorian obsession with social climbing, showing how it corrupts and isolates. Pip’s redemption comes not from wealth but from reconnecting with his roots and embracing humility. The novel’s message is timeless: ambition without moral grounding is hollow, and true happiness lies in authenticity and human connection.

In 'Pride and Prejudice', social class is the invisible hand that shapes every interaction, decision, and relationship. The Bennet family’s lower gentry status is a constant source of tension, especially for Mrs. Bennet, who is obsessed with marrying her daughters into wealth. Elizabeth Bennet’s initial disdain for Mr. Darcy stems from his aristocratic arrogance, while his eventual love for her challenges the rigid class boundaries of their time. Darcy’s proposal to Elizabeth is a turning point, not just for their relationship but for the novel’s commentary on class. His confession that he loves her 'against his will, against his reason, and even against his character' highlights the societal pressure to marry within one’s rank. Elizabeth’s rejection of him is a bold statement against these norms, asserting that personal worth transcends social standing. The novel also explores how class affects other characters. Mr. Collins’s obsequiousness to Lady Catherine de Bourgh underscores the power dynamics of the era, while the scandal involving Lydia and Wickham reveals the precarious position of women without wealth or connections. Ultimately, 'Pride and Prejudice' suggests that while class is a powerful force, it is not insurmountable, and true love and integrity can bridge even the widest social divides.

In 'The Outsiders', the exploration of social class is raw and unflinching. The Greasers and the Socs aren’t just rival gangs—they’re symbols of a divided society. The Greasers, with their tattered jeans and greased hair, are the working-class kids, constantly scraping by. The Socs, on the other hand, are the privileged elite, cruising in Mustangs and throwing parties. But what struck me most was how the novel shows that pain and struggle don’t discriminate. Ponyboy’s realization that 'things are rough all over' hits hard. It’s not just about the fights or the money—it’s about how these kids are trapped in cycles they didn’t create. Johnny’s death, Dally’s self-destruction, and even Ponyboy’s own journey highlight how class shapes their lives but doesn’t define their humanity. The novel doesn’t offer easy answers, but it forces you to see the humanity on both sides of the divide. What’s even more powerful is how the book uses small moments to show the impact of class. Cherry Valance’s confession that she could fall for a Greaser but wouldn’t because of societal expectations is heartbreaking. It’s not just about love—it’s about how class dictates even the most personal choices. The novel doesn’t romanticize poverty or villainize wealth; it just lays bare the systems that keep people apart. And in the end, it’s Ponyboy’s writing that becomes a way to bridge that gap, to tell the stories that society tries to silence. 'The Outsiders' isn’t just a story about class—it’s a call to see beyond it.