What Evidence Confirms The Identities Of Ancient Weapons One Piece?

2025-08-26 15:57:04 152

4 Answers

Knox
Knox
2025-08-29 16:30:32
I tend to keep this short and focused: the world of 'One Piece' gives us three types of evidence. First, live demonstration — Shirahoshi as Poseidon who commands Sea Kings, shown directly in the 'Fish-Man Island' arc. That’s the clearest, undeniable proof. Second, physical documentation — the Pluton blueprints in Water 7 which are recognized and then destroyed to prevent misuse; their existence proves a weapon-form existed historically. Third, ancient inscriptions — Poneglyphs and scholars like those on Ohara name the weapons, and Nico Robin can read those names.

Beyond that, the World Government’s harsh suppression of historical research and their secrecy around those names is indirect but persuasive evidence: they wouldn’t act like that if the threats were purely mythical. Uranus is still unknown, which keeps things interesting and open to theorycrafting.
Bella
Bella
2025-08-31 02:11:29
I still get a little chill thinking about the moment the story actually showed physical proof of one of those legendary things. In 'One Piece' the clearest, most on-the-nose confirmation is Poseidon: Shirahoshi on 'Fish-Man Island'. The moment she cries out and the Sea Kings respond, it isn’t rumor anymore — other characters react in real time, the island’s history lines up, and the power is demonstrated on-screen/page with witnesses. That single scene turned a myth into reality for everyone in the world of the story.

For Pluton the evidence is a bit different and more forensic. We get blueprints and talk: Water 7 and the shipwright circles bring up a set of designs described as Pluton-class — a ship capable of mass destruction. Franky’s involvement, the blueprints appearing in the plot, and ultimately their deliberate destruction confirm that such a weapon concept really existed. Then there are the Poneglyph inscriptions and the archaeologists (and Nico Robin) who read names like 'Pluton', 'Poseidon', and 'Uranus' in ancient texts. Those inscriptions are big deal evidence because they come from the lost history itself.

Uranus? Still a mystery. The world’s paranoia — the way the World Government violently suppressed Ohara, hunted down knowledge, and keeps extreme secrecy around anything that mentions those names — acts like indirect evidence. When an entire power structure treats something as existential, I take that as strong in-universe confirmation that those weapons aren’t just legends. Still, Uranus’ exact nature is left to speculation, which keeps the theorycrafting fun.
Mila
Mila
2025-08-31 18:18:31
I like breaking this down like a detective. First: primary-confirmation is demonstration. Shirahoshi is explicitly revealed as Poseidon because she actually controls Sea Kings in public, with multiple witnesses. That’s direct, observable proof within the narrative.

Second: documentary proof. The Water 7 arc gives us explicit blueprints and discussion about 'Pluton' as a ship-weapon. Those blueprints function like a smoking gun — characters see them, react to them, and the story treats them as incontrovertible technology from the past, which Franky ultimately destroys to prevent misuse. That sequence proves the weapon-class existed in some physical form.

Third: corroborating historical records. Poneglyphs and the lost scholars of Ohara leave inscriptions naming the ancient weapons; Nico Robin can read them. The World Government’s extreme measures to erase that history (and its clear fear around these names) serve as contextual proof that the ancient weapons were real, not just myths. Finally, Uranus remains unknown: the narrative gives us names and suppression, but not a fully revealed artifact or person for that one yet.
Ruby
Ruby
2025-09-01 07:17:07
I still get giddy talking about the layers of proof in 'One Piece' — it’s like archaeology mixed with pirate conspiracy. The most concrete piece of evidence is Shirahoshi being Poseidon: she literally summons Sea Kings and everyone present reacts. That’s a public demonstration, and it turns a long-standing myth into a person everyone in the world can potentially verify.

Then you have the tangible-but-dangerous kind of proof: blueprints. In Water 7 we see plans identified as Pluton, and those plans are treated with fear by powerful factions. Franky destroying the blueprints later is a plot beat that simultaneously confirms their authenticity and raises the stakes by eliminating easy proof. Combine that with Poneglyph inscriptions — which directly list names like 'Pluton', 'Poseidon', and 'Uranus' — and you get a triangulation of sources: physical plans, living proof, and written records from the Void Century.

Fan theories fill the gaps for Uranus: some people expect another person like Poseidon, others expect a sky-based device, and some tie the ancient weapons to Joy Boy and the larger True History. Vegapunk’s later interest in ancient tech and hints dropped in later chapters only make me itch to re-read everything, hunting for breadcrumbs. The mix of demonstrated power, documentary clues, and the World Government’s overreactions make the case that these weapons are real — we just don’t have all the pieces yet.
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Is Tom Connected To The Ancient Weapons In 'One Piece'?

3 Answers2025-06-08 13:00:21
I've been following 'One Piece' for years, and Tom's connection to the Ancient Weapons is one of those brilliant Easter eggs Oda loves to drop. As the shipwright who built Gol D. Roger's Oro Jackson, Tom had access to knowledge most couldn't dream of. The Pluton blueprints he later gave to Iceburg weren't just any schematics—they were the countermeasure to an Ancient Weapon. His role wasn't direct, but he was a linchpin in keeping the balance. What fascinates me is how his craftsmanship tied into the bigger picture—his ships carried legends, and his legacy shaped the fate of the world through Franky and Water 7.

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4 Answers2025-08-26 21:06:22
I still get a little thrill thinking about the phrase "ancient weapons" whenever I flip open 'One Piece'—it’s one of those mysteries that feels like a slow-burn horror-mystery crossed with pirate fantasy. Canonically, we know about three names: Pluton, Poseidon, and Uranus, but Oda's habit of teasing and misdirection makes me suspect there are layers we haven't seen yet. On the practical side, I think there are at least a few possibilities: (1) fully unknown objects hidden away on lost islands or beneath the Red Line, (2) living weapons like Poseidon—i.e., beings or species that function as weapons, and (3) ancient technologies or systems (think energy sources, island-sized mechanisms, or even biological weapons) that don't fit our modern idea of a weapon but can be used to reshape the world. Vegapunk and the World Government’s secrecy over the Void Century suggest the tech and knowledge were either suppressed or fragmented. I like imagining one or two more ‘‘weapons’’ being revealed as social/biological forces rather than cannons or bombs: an ancient system that controls climate, or a race of tamed sea creatures that can reset ocean currents. Oda loves to flip expectations—Poseidon turned out to be a person—so keep your eyes open for things that look like ‘‘history’’ but operate like armaments. I’ll be re-reading the Poneglyph clues with a cup of coffee, because that’s half the fun: finding hints and arguing about them with friends late into the night.

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Where Are The Ancient Weapons One Piece Hidden In The Grand Line?

4 Answers2025-08-26 19:11:14
My nerdy side lights up whenever this topic comes up, so here’s the clearest rundown I can give from what the manga and anime have shown so far. Poseidon is the easiest to pin down: she’s Shirahoshi, the giant mermaid princess living on Fish-Man Island. That’s explicitly revealed in the Fish-Man Island arc, and it’s canonical that Poseidon is a living weapon who can command Sea Kings. Pluton is tied to Water 7—Tom and the shipwrights built that warship during the Void Century, and the blueprints were preserved by the Water 7 shipwright lineage. The World Government’s interest in those blueprints is what led to Tom’s execution and a lot of secrecy around Pluton. Uranus remains the big mystery. Oda hasn’t given us a confirmed location or form for it, and theories range wildly: a weapon in the sky (maybe linked to sky islands), something hidden in or beneath Mariejois, or even a person like Poseidon. My gut says Oda will make Uranus thematically different from the other two—something unexpected that ties into the Void Century and the Final War in ways we can’t fully guess yet.

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4 Answers2025-08-26 04:46:01
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Can Ancient Weapons One Piece Destroy Islands In The Series?

4 Answers2025-08-26 02:45:32
I get a little giddy whenever this topic comes up, because 'One Piece' dropped the line about ancient weapons so casually but with huge implications. In-universe, the clearest case is 'Pluton' — the blueprints that Tom built and that later show up in Water 7 are explicitly described as a warship with the power to destroy an island. That bit of dialogue from the shipwrights and the way the World Government reacted makes it pretty canonical: Pluton can level an island if used as intended. 'Poseidon' is messier. It isn’t a bomb — it’s a living weapon: a descendant of the mermaid queen who can command Sea Kings. We’ve seen those creatures sink ships and cause massive coastal devastation in the Fish-Man Island arc, and if a Sea King or a coordinated group of them were ordered to attack an island’s shores or foundations, the damage could be catastrophic. 'Uranus' remains the wildcard; Eiichiro Oda hasn’t explained it yet, so we only have theories. So yes — at least one ancient weapon in 'One Piece' is explicitly capable of destroying islands, while the others could probably do similar-scale damage depending on how they’re used. The scary part is how the series hints that their combined use or strategic deployment could reshape the world map, which is why the World Government guards the Poneglyphs so jealously.

How Do Ancient Weapons One Piece Connect To The Void Century?

4 Answers2025-08-26 05:12:33
I still get chills thinking about how the ancient weapons tie into the Void Century in 'One Piece' — it's like a giant puzzle where a few pieces flash gold every now and then. At the heart of it, the weapons (Pluton, Poseidon, and the mysterious Uranus) feel like the legacy of the lost Ancient Kingdom: either tools they used to protect themselves or instruments that helped them wield enormous power. The World Government rose right after that period, and their whole system of erasing history — Poneglyph censorship, outlawing certain studies — screams that whatever happened back then involved something the victors wanted hidden. When I read about Tom building Pluton and then learning the blueprints became taboo, or when Nico Robin deciphers Poneglyphs pointing to weapons and locations, the pattern is clear: the Poneglyphs were made to preserve truths the Ancient Kingdom couldn't shout out loud. Poseidon being a living power tied to a mermaid princess — able to command Sea Kings — feels both like technology and a covenant, which connects emotionally to Joy Boy and the promises recorded in those stones. So for me, the weapons are narrative anchors that link the tangible (huge destructive capability) to the intangible (a silenced history). They explain why the World Government is paranoid, why knowledge-holders like Ohara were targeted, and why the Straw Hats' quest to reach 'Laugh Tale' threatens the status quo.

Which Crew Members Seek Ancient Weapons One Piece And Why?

4 Answers2025-08-26 18:15:13
There’s something about the secrecy around 'One Piece' that always hooks me, and when it comes to ancient weapons, several groups and individuals stand out as the ones hunting them — for very different reasons. The World Government (and the shadowy figures behind it) is the most obvious: they want absolute control. From Tom getting persecuted for building Pluton to the Government’s obsession with erasing the Void Century, you can see why they'd want Pluton, Poseidon, or Uranus under their thumb — weapons that could rewrite power balances and silence challengers. Vegapunk’s research also puts him in the middle; he studies ancient tech, likely under Government oversight, so he’s a key player even if he’s not a typical hunter. Then there are pirates who crave the power these weapons represent. Blackbeard is the poster child for that kind of ambition — he took Whitebeard’s fruit and now aggressively hunts for more power and the Road Poneglyphs. He’d love an ancient weapon because it’s a direct shortcut to dominating seas and rivals. On the flip side, people like Franky/Tom and Nico Robin interact with this history differently: Franky guarded (and ultimately destroyed) Pluton’s plans to prevent misuse, and Robin wants the truth of the Void Century rather than weapons themselves. So the hunt is split — the Government for control, power-hungry pirates for domination, and a few caretakers/historians who either prevent use or seek knowledge. Each motive colors how the story of the weapons unfolds, and that tension is what makes those arcs so gripping to me.
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