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Which Fairy Tales End With And They Lived Happily Ever After?

My little niece asked me which classic fairy tales truly have that iconic 'happily ever after' ending, since some original stories are surprisingly dark.
2026-07-28 14:38:54
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11 Answers

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Yoli Betz
Yoli Betz
Many of the classic fairytales, such as 'Cinderella', 'Snow White' and 'Sleeping Beauty', end with the line ‘and they lived happily ever after’. This is how the majority of the ‘princess’ stories by the Brothers Grimm and Charles Perrault end. However, the original Grimm tales were much darker before they were sanitized for children and often ended very differently to the ‘happily ever after’ that we are used to. Some modern stories are now playing with our expectations of these classic tales and the ending that we so often take for granted. An example of this is ‘Royal Masquerade - The Prince And Cinderella’, which changes the classic Cinderella story by having the Cinderella character already disguise herself and then form a connection with the prince who is also hiding his face. The ‘happily ever after’ of the two of them is therefore earned by them rather than simply being granted by magic and a lost shoe.
2026-08-02
Kate
Kate
The words ‘and they lived happily ever after’ are one of the most delightful signals that a tale has finished folding its arms together and taken a deep breath of satisfaction. The ending of this type of tale has become a hallmark of many European fairy-tale collections, and often is found at the end of well-known stories that children have grown up with in printed editions. When we read classic Perrault fairy-tales such as ‘Cinderella’ and ‘Puss in Boots’, for example, we can expect the very end of the story to read ‘and they lived happily ever after’. The tales of the Brothers Grimm also tend to end happily in many of the retold stories, and in most English translations of the originals. The stories are: ‘Snow White’, ‘Rapunzel’, ‘Rumpelstiltskin’, ‘Hansel and Gretel’ and ‘The Frog Prince’.

However, not every story has a happy ending. Hans Christian Andersen’s famous story of The Little Mermaid does not have a happy ending in the original story and in some translations there is even a spiritual ending to the mermaid’s tale. Some of the Grimms’ stories are even darker in their original forms. For example, the story of Bluebeard has a very grim ending in some versions and Little Red Riding Hood meets with her death in some of the tales. However, many of these stories have been rewritten for children and have happy endings, such as the Disney versions of Sleeping Beauty and Beauty and the Beast. Other stories such as Jack and the Beanstalk and The Twelve Dancing Princesses are included in many children’s story anthologies because they have a happy ending and a good moral for the readers.

But then again, what the phrase really conveys to the reader is hope. The phrase tells the reader that after the wild ride of the story, the danger has finally subsided and the story’s protagonist(s) are returning to a life of normalcy and order. This ‘happy end’ is thus a big part of what oral storytellers wanted to leave their listeners with, i.e. the safety of their homes and, in fairy-tales in particular, the notion that by behaving well, good things will happen to them. (In other versions of stories, the happy ending is even delayed until the very last line, and can sometimes be qualified or even ironical.) As for me, I love the happy ending of classic fairy-tales, even when they’re not entirely earned. There’s just something so cozy about coming home to a tale after all that excitement and emotion. I also get a lot of fun from comparing different versions of the same tale, often by reading Perrault and Andersen side by side with the Grimms, and then following their various adaptations into comics, films and novels.
2026-07-29
Malcolm
Malcolm
As a child, I devoured picture books and got a charge from ending a story with the right ending to collect. Here are some of the classic stories and fairy tales that include “and they lived happily ever after” at the end. I can recommend “Cinderella”, “Snow White”, “Sleeping Beauty”, “Beauty and the Beast” and “The Frog Prince” as all of these end with a wedding or the characters being reunited.

Other stories, from folk tale to fairytale, often include that optimistic ending in a more Victorian or Perrault-esque style, such as the happy ending of ‘Puss in Boots’, ‘Jack and the Beanstalk’ or even some versions of ‘Rapunzel’. Note however that original regional versions of these stories can differ markedly from the above examples and while the Grimm brothers’ tales are often darker than their adapted versions, the Danish author Hans Christian Andersen is notorious for ending his children’s stories on a more sombre note, with a moral rather than simply happy ending. The examples of cosy children’s stories that use the phrase ‘and they lived happily ever after’ listed above are my personal favourites for bedtime reading.
2026-07-31
Ruby
Ruby
It’s so sweet as a bedtime story that most of the fairy tales are read to the end where it says “and they lived happily ever after”. I have a few favorites that almost always end this way: Cinderella, Snow White, Sleeping Beauty, and Beauty and the Beast – all of them are stories of reunions, weddings, lifting of a curse. The Frog Prince is another exception of a happy end.

And whereas some stories deviate from the standard happy ending (e.g. Andersen’s ‘The Little Mermaid’ is heartbreakingly sad), in most comfort stories you will read versions that lead to a happy ending. You can read different versions of a fairy tale and I prefer the versions that give me a warm feeling before I go to bed.
2026-08-01
Quinn
Quinn
A look at the language history of story telling and how ‘and they lived happily ever after’ became a story ending favored by Western story tellers in the 17th–19th centuries. A look at some of the stories that traditionally end in this manner such as ‘Cinderella’ (Perrault’s version and many Grimm fairy tales), ‘Sleeping Beauty’ (Perrault’s version of the story and subsequent versions), and ‘Snow White’ (translated stories and subsequent media). “Beauty and the Beast” and “The Frog Prince” are two examples of stories of this type that follow a similar structure to those listed above.

It’s also become something of a genre marker. Many of the European tales that tale collectors translated and rearranged for moral ends were given endings that seemed satisfactory and happy for their readers, while other stories from the same traditions (oral) ended in quite ambiguous terms. The end of ‘Puss in Boots’, ‘Jack and the Beanstalk’, the many folk-hero stories (for example ‘William Wallace’) and so on is that the hero secures wealth and lives happily ever after. By contrast, ‘The Little Mermaid’, ‘The Red Shoes’ etc end unhappily. Are these tales meant to comfort or to warn?
2026-08-01

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