What Are Fan Theories About The Ending Of An Illicit Obesession?

I’ve been chewing over the ending of 'An Illicit Obesession' and there are three compact theories I keep circling back to. First, the unreliable narrator theory: the final chapters are a self-serving rewrite, and subtle inconsistencies — like mismatched timelines and vague motives — are deliberate slippages that reveal deception. Second, the loop theory: motifs recur (a sundial, a familiar song, repeated dreams) suggesting the protagonist hasn’t escaped their obsession but is trapped in a behavioral loop; the ending’s apparent departure is actually a reset. Third, the identity/cover-up theory: tiny forensic details (a scar, handwriting, a stray button) imply someone else engineered the ending to hide culpability.

I prefer the unreliable narrator reading because it gives the text a bitter, elegant sting — you realize the person telling the story is also the one most invested in its shape, and that makes the final image both haunting and believable. It keeps me thinking about the book long after I close it.

Walking out of the final scene of 'An Illicit Obesession' felt like stumbling into fog — the narration cuts, the light shifts, and you’re left clutching a few stubborn clues. I’ve spent nights turning over details, and the theory that grips me most is the idea of a deliberate double perspective: the version of events we read is filtered through an unreliable narrator who’s been rewriting their own guilt. Small things — the way certain scenes are oddly intimate yet skippable, the recurring motif of cracked mirrors, and the last-page handwriting that doesn’t quite match earlier notes — all point to a narrator who’s covering their tracks by crafting a sympathetic arc. That makes the ending less a neat resolution and more of a confession disguised as closure, which is deliciously tragic.

Another take that fascinates me is the cyclical obsession theory. The ending’s quiet scene at the train station suggests departure, but the abandoned ticket and the protagonist’s lingering glance back imply the loop continues. Evidence: the looping soundtrack motif, the burnt letters left in a drawer, and the symbolic clock that never reaches a fixed time. If you read the novel’s imagery as ritual — repeated actions meant to trap the self — then the ending becomes intentionally ambiguous to show how hard it is to break certain patterns.

My softer, almost hopeful reading is that the last moments are about choosing self-preservation over love warped into possession. The protagonist walks away physically, but emotionally they’re still tethered; the final image feels like the first cautious breath after a long hold. I like this because it leaves room for growth without cheap redemption, and honestly, I keep returning to that last, small hopeful gesture when I can’t sleep.

I loved dissecting the finale of 'An Illicit Obesession' with friends in a late-night chat, and we spun a couple of fan theories that still make me grin. One popular idea in our group is the staged memory theory: the ending isn’t reality but a reconstructed sequence made by someone trying to bury a crime. The evidence is in the oddly cinematic cutaways and how secondary characters react to offhand remarks — they flinch, like they know more than they say. That suggests an external editor shaping the protagonist’s narrative after the fact.

Another theory we couldn’t stop arguing about is the identity swap: the person walking away at the end isn’t who we think. There are repeated mentions of similar-looking siblings and a recurring scent (rosewater) linked to two different characters earlier on. Fans point to a misaligned scar description and a changed handwriting sample as clues that a switch happened. That theory turns the ending into a clever dodge — either justice is evaded, or blame is redirected.

I also love the symbolic reading: some folks think the ending intentionally refuses closure to highlight obsession’s persistence. The repeated motifs — a locked music box, rain on a rooftop, and the protagonist’s last line about 'not being ready' — all push that theme. Personally, I lean toward the memory reconstruction option because it explains all the narrative dissonance and feels satisfyingly dark, though the identity swap is such a delicious twist that I keep replaying scenes to pick up more hints.