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What Did Grindelwald And Dumbledore Plan Together?

2025-08-25 17:44:12 518

3 Answers

Xander

2025-08-29 06:09:36

If you want the short, textured version: they planned to change the world by concentrating magical power and using it to dominate non-magical society. Grindelwald seduced Dumbledore with talk of the Deathly Hallows — especially the Elder Wand — and they schemed to gather artifacts and followers to create a new order supposedly 'for the greater good'. I was struck by how the books frame this as both an ideological project and a treasure hunt: power plus justification.

Their partnership dissolved after the tragic death of Ariana, which forced Dumbledore to confront the moral rot in their plan. From then on, Grindelwald’s vision hardened into outright tyranny while Dumbledore spent the rest of his life trying to atone and stop what he had almost enabled. If you’re curious, the Pensieve memories in 'Deathly Hallows' and the events hinted at in 'Fantastic Beasts' offer different angles on the same dangerous scheme — worth checking out if you like complicated villains and even more complicated friendships.

Ivan

2025-08-29 19:36:56

Something that always stuck with me about young Dumbledore and Grindelwald is how intoxicating their plan sounded on paper: they wanted to change the whole structure of the wizarding world by finding and using certain legendary objects and by seizing political power. Back when I first read the Pensieve memories in 'Harry Potter and the Deathly Hallows', the way their conversations are described made it clear they were obsessed with the idea of the Deathly Hallows — especially the Elder Wand. The Hallows were more than MacGuffins to them; they were tools to tip the balance of power toward wizards.

Their slogan — essentially "for the greater good" — masks the real ambition: a campaign to assert wizarding dominance over Muggles and reshape society under wizard rule. Grindelwald pushed the violent, supremacist edge of that idea; Dumbledore, younger and idealistic, was drawn to the intellectual argument that wizards could end suffering if they took charge. They talked about traveling, collecting power, and staging a kind of revolution rather than hiding behind the Statute of Secrecy.

What really unravels the story is how personal tragedy intervened. Ariana's death during that three-way conflict snapped Dumbledore out of the ideology and shattered the partnership. It’s a powerful cautionary tale about how brilliant arguments can drift into dangerous territory when charisma and grief mix — and why the pursuit of artifacts like the Elder Wand has consequences beyond mere treasure-hunting. If you haven’t read the relevant memories in 'Deathly Hallows' or caught the reinterpretations in the 'Fantastic Beasts' films, give them a look and you’ll see the tension between ambition and morality play out in eerily human ways.

Ulysses

2025-08-31 03:55:59

I’ve always had a soft spot for complicated friendships in fiction, and the Dumbledore–Grindelwald episode is textbook tragic. In their youth they dreamed big and dangerous: they planned to gather power — including searching for the legendary Deathly Hallows — and use it to build a new order. The phrase that keeps circling in my head is the infamous "for the greater good," which cloaked a program of wizard supremacy. They thought they could impose a just kind of leadership, but you can almost watch ideology curdle into domination.

From the sources in 'Harry Potter and the Deathly Hallows' and the glimpses in 'Fantastic Beasts', their plan combined idealistic rhetoric with concrete strategy: locate magical artifacts, consolidate power, and reshape governance so witches and wizards would no longer be constrained by fear of Muggles or by outdated rules. Grindelwald wanted open rule, Grindelwald wanted to overturn the status quo; Dumbledore, attracted to the intellectual sweep of the idea, didn’t fully grasp the moral erosion until it was too late. The tragic pivot comes with Ariana’s death — a personal blow that made Dumbledore see the human cost.

When I think about it now, the whole arc reads like a warning about radicalization and how friendships can mutate into political conspiracies. It’s also the backstory that explains why Dumbledore later stands so firmly against Grindelwald’s methods, culminating in that legendary duel in 1945. The whole thing still makes me uneasy, in a good storytelling way.

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Man, thinking about Voldemort's visit to Grindelwald in 'Harry Potter and the Deathly Hallows' still gives me chills. It wasn’t just some random detour—this was a calculated move by the Dark Lord. Grindelwald, despite being imprisoned, was the only other wizard who’d come close to wielding the kind of power Voldemort craved. He wanted the Elder Wand, sure, but deeper than that, he needed validation. Imagine being the most feared dark wizard alive and still feeling insecure because Dumbledore bested you. Grindelwald, who’d dueled Dumbledore and lost, was a living reminder of that weakness. Voldemort’s ego couldn’t handle it; he had to prove he was superior by extracting info and then killing the man who’d once been his parallel. And the irony? Grindelwald’s last act was denying Voldemort the satisfaction—lying about the wand’s location to protect Dumbledore’s legacy. That moment was less about the wand and more about two dark wizards confronting their own legacies of failure. What fascinates me is how Rowling framed this as a clash of ideologies. Grindelwald, for all his horrors, had a twisted vision of 'wizard supremacy for the greater good.' Voldemort? Pure narcissism. Their confrontation was the series’ way of showing that even monsters judge each other. Plus, it added layers to Dumbledore’s past without him being present—masterful storytelling.

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I dug through my usual places to make this useful: yes, 'Fantastic Beasts: The Crimes of Grindelwald' is widely available to buy or rent, and it commonly shows up on subscription platforms depending on where you live. If you want to own a copy outright, digital storefronts like Amazon Prime Video (buy/rent), Apple TV/iTunes, Google Play Movies, Vudu, and the Microsoft Store almost always sell it — you can get a digital purchase (usually HD or 4K where offered) or a 48-hour rental. Physical collectors’ copies are easy to find too: there are Blu-ray, 4K UHD, and standard DVD editions that often include behind-the-scenes extras and featurettes if you like bonus content. For streaming, Warner Bros. titles often appear on the platform associated with their distribution deals, so in many regions 'Fantastic Beasts: The Crimes of Grindelwald' has rotated onto Max (formerly HBO Max). In other countries it has sometimes been licensed to local streaming services or Netflix for limited windows, so whether it’s included with a subscription depends on geographic rights and timing. If you want guaranteed access without worrying about licenses changing, buying it digitally or grabbing the physical disc is the safest route. Practical tips from my own binge-and-collect habit: if you only want one watch, rent in HD for cheap. If you plan to rewatch, own a digital copy so it syncs across devices, or buy a 4K disc for the best picture (and better extras). Libraries and secondhand shops sometimes carry the Blu-ray too if you want a low-cost physical copy. Either way, the visuals and set pieces are worth it if you’re into the extended wizarding world, and having it on hand makes rewatching the whole series way more fun.

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I’ve read so many fanfics where Harry goes rogue against Dumbledore, and honestly, it’s one of those tropes that just works. A lot of writers explore the idea that Dumbledore’s 'greater good' mentality leaves Harry feeling manipulated or neglected. Like, in 'Harry Potter and the Prince of Slytherin', Harry realizes Dumbledore’s been withholding crucial info about his past, and it sparks this whole rebellion. It’s not just about defiance—it’s about agency. Harry’s spent his life being a pawn, and these stories let him seize control. Some fics take a darker turn, painting Dumbledore as outright manipulative, hiding truths about the Horcruxes or Harry’s own role in the prophecy. Others frame it as a clash of generations—Harry’s raw, impulsive anger versus Dumbledore’s calculated wisdom. Either way, it’s fascinating to see how authors twist canon to make Harry’s disobedience feel inevitable, even righteous. My favorite versions are the ones where Hermione or Sirius back him up, turning it into a full-blown revolution against the old guard.

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