Which Heroes Get Major Character Growth In My Hero Academia Book 5?
Halfway through the manga now, Deku's struggle stands out, but curious about Bakugo, Todoroki, and Kirishima's biggest emotional turning points in this volume specifically.
For a different angle, look at the growth in their combat pragmatism. Midoriya is still breaking his bones, but he's starting to think on his feet more, using his surroundings and collaborating instinctively. Iida, for all his mistakes, shows a ferocity and speed we hadn't seen before, even if it's misdirected. Todoroki seamlessly blends his quirk uses. They're becoming less like students practicing and more like actual heroes in a crisis, which is a form of character growth often overlooked in favor of emotional arcs.
2026-08-05 00:10:09
13
RealBee
Active Reader
Librarian
Can we talk about the soundtrack for this arc in the anime? Because the music that plays during Momo's moment of triumph absolutely elevates the character growth. Sometimes a scene hits different when you have the perfect score behind it.
2026-08-05 02:24:54
13
Ivan
Story Finder
Mechanic
Midoriya's physical growth is tied to an intellectual breakthrough. Gran Torino makes him realize he's been thinking of One For All as an 'on/off' switch for his whole body, which is why it shatters him. The concept of spreading the power evenly, like stepping into a bath, is a simple metaphor that unlocks everything. It's growth through understanding, not just through training montages. He becomes a smarter fighter, which is a more interesting development than just a stronger one.
2026-08-05 08:29:42
15
MilesRay
Novel Fan
Engineer
It's a transition from school-life arcs to the darker, villain-centric stuff. So the character growth is about hardening them for the real world. Their bruises and failures here are inoculations against the greater shocks to come. They're learning to fall in a controlled environment so they can get back up when it really matters.
2026-08-05 19:45:32
4
OtisWard
Ending Guesser
Cashier
Stain himself acts as a dark mirror for their development. His twisted version of a 'true hero'—someone utterly selfless and pure—challenges their motivations. Midoriya has to ask if he's selfless for the right reasons. Iida has to confront his selfish vengeance. Todoroki has to consider if he's using his power for himself or for others. By defining what they are NOT (i.e., not like Stain), they come closer to defining what they ARE. The villain directly facilitates their introspection.
2026-08-07 02:57:30
2
すべての回答を見る
コードをスキャンしてアプリをダウンロード
関連書籍
Five Alphas, One Destiny
Dancing Pen
0
1.1K
They’re not just powerful. They’re possessive, obsessive, and sinfully dangerous.
The dark-eyed leader who speaks in growls.
The scarred fighter with a touch like fire.
The silver-tongued flirt who tastes my fear—and wants more.
The shadow who watches me like prey.
And the broken one who swore he’d never love again… until me.
********
I was never supposed to exist.
Born under a cursed eclipse, I was hidden away, raised as a human, and told to live small. But fate doesn’t forget. And when I turn twenty-one, five powerful alphas show up at my door—each claiming I’m theirs.
They say I’m the key to saving the packs from war.
They say I’m the chosen mate of five.
But they don’t know the full truth.
I’m not here to be their salvation—I might be their destruction.
Olivia Jamerson spent years stewing in hidden rage for the person behind all her high-school ridicule and embarrassment. That person was none other than Joshua Taylor, son of the football coach and the famed bully of Westminster High. Students feared him, his friends revered him and teachers were sick of him.
Two years after graduation and leaving town, Olivia had changed her whole appearance and character so much that no one could recognize her. Drowning in the sea of New Yorkers, Olivia finally felt that she had left her past behind and become a whole new person.
At least that was the case until she bumped into the unlikeliest person she expected to meet in the big city—her old bully. Despite being annoyingly hotter than she remembered, the only thing that bothered her was that he was disturbingly nice, but worst of all, he did not remember her. Things turn a whole lot crazier when she finds out that Joshua has amnesia and when he starts flirting with her as if they did not have a complicated past.
A big city, sparks and tension, and two people—one with bitter memories of their relationship and one with a blank canvas eager to fill it with potential memories.
Will their tragic past catch up to them and will their horns lock once again? Will Olivia hold on to her grudges and lock him out of her life once again, or will she open her heart to the new and improved Joshua?
I am dead.
Only before my death do I realize that I am the sidekick in a tragic coming-of-age story, while my best friend Tinsley Wood is the female lead.
I am destined to be disgraced and meet a miserable end, all to highlight her innocence, kindness, and endless good luck.
When I open my eyes again, I am reborn on the very first day Tinsley asks me to take the blame for her.
What happens when the tormented female lead in a novel wakes up and decides to get together with the second male lead?
Coincidentally enough, I'm transmigrated into the body of this tormented female lead!
My mom, Olivia Taylor, is a selfless and devoted teacher who is admired by everyone at school.
But I know better.
When I apply for financial aid, she tells me that other students need the money more than I do and says I should learn to care for my classmates.
When I win a writing competition, she awards the prize money to Myra Davis, the girl who has made my life a misery, and tells me not to get too full of myself.
When I submit my college applications, she secretly rewrites them and offers the spot to the same girl.
In the end, Myra pushes me from a rooftop.
Mom says I am rotten to the core and deserve to be taught a lesson. Then she marries into Myra's family and becomes her stepmother.
When I open my eyes again, I find myself reborn on the very day I apply for financial aid.
In a drought-ravaged apocalypse, I kept our entire apartment block alive with my “watermaker” ability.
But when I grew weak, my neighbors shattered my limbs and turned me into a living water source.
Later, when raiders stormed in, they dragged me out to take the blade for them, only to realize that even my severed arms could still produce water.
So, they shouted about “saving humanity,” then shoved me into the crowd and fled in the chaos.
People rushed forward one after another, tearing at my flesh.
But I didn’t die.
What was left of me fell into the hands of a monster, and I was subjected to inhuman torment day after day.
Ten years later, when the apocalypse finally ended, that monster tossed me into an incinerator.
Only then did I die.
When I opened my eyes again, I had returned to the moment I first awakened my ability, just as my neighbor knocked on the door, begging for water.
A practical way to see it: he goes from a solo act to a team player. During the cavalry battle, he's still aloof, just using his power as a tool. By the time the festival ends and they're preparing for the next term, there's a sense he's part of the group. He's not offering strategic advice or jokes, but he's present. For someone with his level of social isolation, that's huge growth. It's the beginning of him building a support system outside his toxic family, which is vital for any hero's resilience.
Man, if you’re asking who gets the biggest glow-ups later in 'My Hero Academia', my brain immediately goes to Izuku Midoriya—because his whole arc is basically one long power-up montage. He starts as a quirkless kid and ends up inheriting One For All, but the real twist is that One For All isn’t just raw strength anymore. Over time he slowly learns to access other holders’ quirks—things with cool names like Blackwhip and Float—and then has to train his body and mind to use them without breaking himself. Watching him learn to string those abilities together (and wrestle with the consequences of pushing his limits) is what hooked me in the later arcs.
Beyond Deku, there are a bunch of characters who get major upgrades in very different ways. Katsuki Bakugo becomes smarter about tactical uses of Explosion and upgrades his gear so his power feels more refined, not just louder. Shoto Todoroki’s growth is more psychological; he starts blending his fire and ice far more naturally and becomes a genuinely balanced powerhouse. On the villain side, Tomura Shigaraki undergoes an alarming transformation into a much more dangerous threat thanks to external augmentations and All For One’s meddling, which raises the stakes for everyone. I also love how characters like Ochaco, Tokoyami, Momo, Iida, and Kirishima evolve through training and clever application of their quirks—some get technical improvements, some gain new techniques, and some get gear or strategy upgrades that make them feel fresh.
So yeah, between inherited quirks, hard training, smarter gear, and narrative power spikes for villains, the series keeps delivering satisfying upgrades. I still get chills thinking about the moment each character first shows a new move in battle—especially when it’s paired with a personal breakthrough.
Oh, book eight! That's the Sports Festival arc in manga volume form, right? The primary hero focus is obviously Izuku Midoriya, but we also see Shoto Todoroki's huge emotional backstory unleashed during their fight. Katsuki Bakugo gets major villain energy, even though he's a hero student—his ruthless aggression and win-at-all-costs mentality put him in an antagonistic light. The hero side also spotlights Tenya Iida dealing with his brother's injury, which sets up his own character arc. Ochaco Uraraka gets her moment against Bakugo, showing her determination and strategic mind.
Honestly, the real 'villain' focus is internal: Todoroki's struggle with his father's legacy and his own power is the core conflict.
The art of the sacrifice play. He perfects it. He's always been willing to break himself, but now he's learning to make that sacrifice count. Throwing himself at Muscular isn't just suicide; it's a calculated (if desperate) gambit to create an opening, to distract, to save a second for Kota to run. He's learning the terrible calculus of heroism where your own body is the primary currency.