Who Are The Key Characters In Which Witch Is Which Book?

Soleil Summer is a rather ordinary 17 year old School girl, a bit shy and unassuming … at least until her world is turned upside down. First she meets the very handsome Luca, the New boy in school … and she also can’t help but notice the alluring King of the vampire goths. And then of course there is the fact that on her 18th birthday a coven of witches comes to knock on her door. Soleil is a witch, fated to kill the werewolves, what she doesn’t know is that her beloved Luca is a wolf and her mate, a mate she has to kill to break the ancient curse. And in the background the dark one, an immense evil power lurks, and he has his eyes on Soleil. This is a full series of 3 books in one … each New book starts with a chapter marked 1. Warning: Every chapter starting with *The vampire* may contain violent murders and kinky sex

Princess Chloe's son, Elliot, finds that his mate is a childhood friend that he has loved since childhood. Elisabeth was abandoned and left for dead by her biological mother as soon as she was born. Queen Winnie raised her to be a white witch, knowing her biological mother is Dahlia, Queen of the dark witch coven. Elisabeth and Elliot are going to have to work together, with the help of The Alliance, to kill Dahlia before she drains Elisabeth's and her siblings' magic to use for her own evil purposes.

I choose you; I branded you; you are Mine! His wolf calls her his Luna, but Xavier hates witches. Still, they are bound by the past, by fate, and maybe something more. Elina is a small-town witch who is ready to graduate and see the world, but when she starts having dreams about the Alpha of the largest pack in town, her world turns upside down. Mine! He screams at her, but she does not want to be his. "I will not spend my life living amongst dogs." Xavier is hot-tempered and the next Alpha of the Chehalis pack; he has his life all planned out and his luna already chosen. Are is she? Because his wolf calls another woman his queen, and it's the mouthy little witch he can't stop thinking about.

The Good Witch was born unlike her family. She wants to help people and she finds a few friends that help her along the way. Each adventure is a new challenge. She hopes to one day free her family from the curse they placed on themselves. For these are the stories of the Good Witch.

The era of witches is gone forgotten but for a few that has lived through it. A teenage girl will discover her powers in a most unlikely manners. In a world predominantly governed by humans, how will our squad fare?

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.