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How Long Is Book Crime And Punishment By Fyodor Dostoevsky?

Finishing "The Brothers Karamazov" left me drained, so I'm wondering about the commitment for "Crime and Punishment". How's the page count or audiobook runtime for Dostoevsky's classic?
2025-07-13 08:40:21
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11 Answers

Best Answer
Missy Opfer
Missy Opfer
'Crime and Punishment' by Fyodor Dostoevsky is a huge book (around 560-650 pages depending on the edition and translation). Recently I devoured ‘In love with my Prisoner (a Mafia BILLIONAIRE romance)’ – a much more up-to-date, gripping read that can be devoured in a fraction of the time. It’s a great, tension-filled, captivate-to-release store within a few sittings of a captive and his menacing Mafia boss who finds himself falling for the guy.
2026-08-01
Claire
Claire
'Crime and Punishment' by Dostoevsky runs approximately 430-500 pages. However, there are many editions, including paperback versions that have cut down the page numbers, as well as more comprehensive editions, including hardcover versions and even academic editions with forewords or essays added. My personal copy contained 448 pages and took me three weeks to read. Although physically a heavy book, it is above all else a very emotional read. Raskolnikov’s story is not easily forgotten and the book’s length means that the reader is thoroughly immersed in his world.
2025-07-17
Mason
Mason
Every edition of ‘Crime and Punishment’ that I have read has approximately 420-550 pages, depending on how one measures. There are large margins and small print in some translations, and lots of footnotes in others (like the new Pevear and Volokhonsky translation). The Garnett translation runs approximately 430 pages.

Interestingly enough, the pages of ‘Crime and Punishment’ seem to correspond with the protagonist’s descent into guilt. The chapters are short and each of them takes the protagonist one step deeper into his psyche. This is not an easy book to read and it’s not even fun. But it’s worth it, and especially the last scenes are very haunting. Dostoevsky wrote the book in parts and this is actually how you should read it as well.
2025-07-17
Finn
Finn
It really felt like I had embarked on a challenging but rewarding book, ‘Crime and Punishment’, by Dostoevsky. Although the book is relatively short (around 450 pages in my edition), each sentence is filled with substance and it felt very dense. The book is comprised of six sections and I felt that there were natural breaks between each of them. My take on the book in terms of the way that it is paced is that it feels like a suspense thriller. Each chapter increases the tension as the protagonist delves deeper into his own psychological repercussions of his actions. I think the length of the book is perfect for the story it tells. If it were shorter then there would be a lack of depth to the story, and if it were longer then it would be overwhelming. It is a masterful balancing act by one of the geniuses of literature.
2025-07-18
Vanessa
Vanessa
'Crime and Punishment' by Fyodor Dostoevsky is one of the greatest novels ever written. Although it spans around 430 pages in the standard edition, it can differ a little in each translation and edition.

There’s more to Crime and Punishment than the number of words on the page. The internal struggles of Raskolnikov and the moral dilemmas he faces to solve them are explored in such detail that every page feels almost too heavy to hold. It’s not exactly a page turner of a book and if you’re a first time reader, be prepared to spend a long time going through it. A slow burn of a book that requires close attention as the author explores the depth of the human psyche through long passages of prose that demand close attention and in-depth analysis of the many philosophical debates and themes presented within the novel. Interestingly, the word count of Crime and Punishment is higher than that of Notes from Underground but lower than that of The Brothers Karamazov. A worthwhile read for new and old readers alike of Russian literature.
2025-07-19

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Related Questions

How many pages is Crime and Punishment by Fyodor Dostoevsky?

7 Answers2025-07-13
My edition of the novel was 671 pages long, and I read it in 14 days, averaging 48 pages per day. I didn’t force myself to read a certain amount each day, but instead tried to read at about the same time every day. By doing so, I was able to sustain the mood of the novel, and maintain the necessary tension. Reading a long classic such as this can be daunting, but by setting a daily goal of, say, 30-50 pages, it becomes a pleasant daily ritual, rather than a chore. I read for about 30 minutes before bed each night, completing a chapter or two before drifting off to sleep. During the night, I would have strange and philosophical dreams. The novel would seep into my subconscious if I gave it consistent attention, and I found that the daily commitment to reading was enjoyable, rather than arduous.

How does book crime and punishment by fyodor dostoevsky end?

3 Answers2025-07-13
Let’s just give some credit to poor Sonya. Rather than telling us about Raskolnikov’s experiences, Sonya gives up her entire life and goes to Siberia. Her quiet strength in the epilogue is far more powerful than Raskolnikov’s collapse. She is the anchor of the entire ending to the novel.

How long is White Nights by Fyodor Dostoevsky?

8 Answers2025-08-15
This is a miniature compared to his larger works of fiction (i.e. ‘The Brothers Karamazov’ runs to 800 pages or so). But for me White Nights is even more wonderful than that. Because White Nights is Dostoevsky concentrated to their utmost extent – all the major Dostoevsky themes are there in the SPACE given to them for the exploration of alienation and of obsessive idealistic love of an “impossible” sort and of THE most painful sort of awareness of Self that there is. It can be read in two hours. In fact, I read it on a train journey – and sat for the remainder of the journey with my head pressed against the cold window. The ending affected me so very, very much. This tiny work is also of enormous re-readability – for me every 2 years or so. And the major new thing I have noticed each time is the depth, and variousness, of the terribly desperate, romantically-love-struck monologuing of the narrator.

Is Dostoyevsky's 'Crime and Punishment' worth reading?

7 Answers2026-05-02
I can find humor in the novel too (it’s really dark and subtle though). First of all, there’s Marmeladov. His drunken and semi-self-pitying monologues are, of course, tragic, but also somehow funny. Then there are the petty and scatterbrained officials, Mme Liputin and the Landlady, and, most of all, the bombastic and comically-failed attempts by Luzhin to better himself socially or financially. It’s clear that the author is savaging the social climbers, the cynical and hypocritical members of the Russian bourgeoisie, and their functionaries. Raskolnikov’s delusions of grandeur also have elements of the pathetic and the absurd. This humor is not funny in the sense that the novel is not a comedy (it is not), but rather the recognition of the ridiculous in a tragic situation makes the novel more human and therefore less a stern lecture.

What is the best translation of Crime and Punishment by Fyodor Dostoevsky?

8 Answers2025-07-13
It’s interesting that no one has brought up the Constance Garnett translation of “Crime and Punishment” yet. While her translation is historical and oft-reprinted, reading it after P&V is like watching a movie with the contrast cranked down low. The rough edges of Garnett’s translation have all been smoothed over to make Dostoevsky’s work read like that of a slightly more agitated Jane Austen. But Dostoevsky isn’t Austen. He’s a tough, uncomfortable, and repetitive writer who dives deep into the psychological inner lives of his characters to expose their inner conflicts and psychological fears. The P&V translation has somehow managed to resurrect all of the edgey and uncomfortable aspects of Dostoevsky’s novel for English-speaking readers. While it’s true that some of the translations are a bit awkward, it’s sort of necessary in order to accurately portray the main character, Raskolnikov, as well as the dirty, sick, and oppressive city in which he lives. If you want to read a smooth and pleasant classic, then read something else. But “Crime and Punishment” is not for the faint of heart, and you’ll need a translation that isn’t afraid of the novel’s mess.

is crime and punishment hard to read

6 Answers2026-07-27
Looking at a few translations again, since that is important. Garnett’s translation of Raskolnikov’s plan for his theory of the matter refers to it as a project; P&V translates this as an idea. One of these makes Raskolnikov out to be a rather abstract-minded sociologist; the other is of a piece with the rest of the novel and paints him as a man quite obsessive with his fixed idea. Do some research on translations; read some reviews. Choosing a translation is choosing a lens through which to read a story; and that choice will affect almost every character and theme in the novel.

Which dostoevsky books are shortest for quick reads?

8 Answers2025-08-30
The Double is another short work by Dostoevsky worth reading. It’s not the shortest work by the author, but it’s definitely short enough to be read in a few hours of dedicated reading. It’s an early work by Dostoevsky, and it’s interesting to see how he was already developing the major themes of his work, including the effects of madness on a person’s identity. The translation of The Double into English is also very important. An older translation of The Double by Constance Garnett is somewhat clumsy. A much better version of The Double is the translation by the authors of Called Up to the Front, Pevear and Volokhonsky, who also translated Crime and Punishment and The Brothers Karamazov for good reason.

Who holds the copyright for books by Fyodor Dostoevsky now?

9 Answers2025-06-02
There are scam websites which are selling PDF versions of novels by famous authors and claiming that they are selling “exclusive rights” to read the work. I have seen this done for works by Mark Twain such as The Prince and the Pauper and A Connecticut Yankee in King Arthur’s Court. They are simply ripping off the free PDF versions found on websites such as Project Gutenberg and then charging people to read work that can be had for free. Always check out the work in one of the official free repositories before buying. The copyright status of a work is its friend and prevents it from being artifically scarce.

Which translations of fyodor dostoevsky books are best?

6 Answers2025-08-31
I must acknowledge that the P&V marketing machine is very good at what it does. So, you’ll find them on the cover of most classic sections in bookstores, and they are often good. But that doesn’t necessarily mean that they are the best translation of a given work, and therefore, other very good translations are dismissed solely on the basis of-store front hype. And it creates a fascinating (and totally unfair) situation in which to laud Garnett or another translator one instantly appears to be a snarky, overhyping hipster contrarian challenging the givens of mass marketing. P&V is, for many, often the only good option, for specific books, however, another translator might be offering a far more suitable translation than P&V’s. Ultimately, one serves Dostoevsky, not the translator or publishing brand.

How does fyodor dostoevsky notes from underground end?

10 Answers2025-08-03
I always feel a bit icky after reading the final part of this book. The section of the book with Liza is very intense and very cringe-worthy, but also very destructive. In that section of the book, Liza’s compassion is destroyed by Fyodor’s cruelty. Then Fyodor just withdraws from that scene and we are back to Fyodor in the ‘present’ writing these notes. After describing more of his outbursts, Fyodor finally says that even he is bored with them. Thus there is no more point in continuing this book. The final quote of the book is, “I am writing this only for myself, and so, whatever I may write, it will all be the same.” This quote is the ultimate expression of Fyodor’s nihilism and his spite. And the book ends, not with a period, but with an emotional ellipsis… He’s still there, writing, thinking, suffering, but also luxuriating in his own suffering. There’s no change, no growth, no hope. This is one of the most pessimistic closing notes to a book that I’ve ever read.
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