11 Answers2025-08-14
There are so many books which have a ‘cinematic’ feel to them and yet for some reason they never get made into films. One hopes that this might happen at some point. The opening scene on the riverboat is so strong – one can imagine the shot of the river slowly drifting by with the children in worn clothing staring with fear in their eyes. But translating a novel into a film isn’t just about transferring some good scenes to the screen. It’s about capturing the soul of the book. And this one moves between 1939 and the present day. On the page it works but it could easily be muddled on the screen and would need a very good screenwriter to weave the two timelines together. Casting the younger Foss children would also be a challenge – one would need to find child actors who could play with the trauma of their situation without it feeling exploitative in any way. One hopes it will happen but it will have to be very good.
3 Answers2026-05-26
Movies about a Fae King? Not really. Some movies include the Tuatha Dé Danann, the mythic rulers of Celtic legend, in their stories. The Secret of Kells includes several of them, as fae adjacent characters. Another movie with a fae ruler is Hellboy II: The Golden Army. In this film Nuada, an elven prince, is a silver-tongued fae ruler who wants war. In Thor: The Dark World the dark elf Malekith tries to rule the world with cold, otherworldly tyranny.
In fact, there aren’t any definitive films about a single Fae King, largely because their wild and often unpredictable stories would not map easily onto a linear plot structure. Legendary Fae are extremely mercurial characters and perhaps cinema developers are fearful of the audiences’ inability to deal with them.
7 Answers2025-05-19
I wonder if the anthro dragon design is a problem for the film. They’re not standard Western dragons or Eastern dragons. They’re bipedal with quite expressive faces and their wings function as additional arms at times. I think this look would be difficult to animate in a believable animal-like manner and achieve sufficient ferocity whilst still being expressive. It may be that test footage did not look quite right and therefore needed reworking and thus extra time.
There are countless other behind-the-scenes decisions that go into deciding whether or not to make a movie, and it’s all mostly a series of intricately interconnected choices regarding a movie’s design, tone, and technology. Perhaps one of the largest decisions made was that the core visual style for the film just wasn’t working, and therefore the entire production of the film stalled. This concept art could give a lot of insight into why the film has yet to be released.
11 Answers2025-07-08
Has anyone noticed the element of “nostos” or “homecoming” in films? Like in the “Odyssey” where all the characters search for home in different ways. Searchers is a western about an old veteran searching for his niece, but in the end he cannot return home. Finding Nemo is a story about a father searching for his son all over the ocean. It’s a nostos story for kids too.
The ‘Iliad’ is about ‘kleos’ or glory. Films such as ‘Platoon’ and ‘Full Metal Jacket’ look at the ‘glory’ of war through the eyes of young men searching for it, hoping to find it or to even survive. So rather than watch all of the movies about the actual Trojan War, you can look at films that are thematic cousins to ‘The Iliad’. The setting of Troy is not really that important in the poems of Homer. The specific stories he wrote about expressed a deeper human experience than just a couple of specific wars.
9 Answers2025-06-24
I've dug deep into vampire lore across media, and 'Kindred' stands out as a groundbreaking novel, but it hasn't leaped to the big screen yet. The story's rich psychological depth and time-travel elements would make an incredible film, but rights and adaptation hurdles might be the reason. Fans have been clamoring for it, especially after Octavia Butler's works gained more mainstream attention. While waiting, check out 'Daughters of the Dust' for similar thematic richness—it captures the same haunting beauty of ancestral ties. Hollywood's slow to adapt complex stories like this, but with the right director, it could be a masterpiece.
9 Answers2026-07-29
Don't know of any movies, but El Shaddai is a videogame based on it. Great cell-shaded visuals. The combat is decent, but nothing on the level of Ninja Gaiden or Devil May Cry. It's pretty interesting as games go. It's on 360 and PS3. You'll probably find it pretty cheap. As always with videogames, check out gameplay footage to see if it's something worth your money.
8 Answers2025-06-25
Oh man, I would LOVE to see a scene by scene take of how the first act of this book would be set up by a screenwriter. As it stands, the first act of the book is spent really detailing out the world before the bombs go off, but a film would likely have to compact that down to explosions in media res with much quiet character establishment being lost. Typically, in an adaptation, the quiet setup of the book is the first thing to get chopped. It would be very possible to combine Josh and Robin into one character, cut the whole trip to the cabin with the survivalist and then have a more direct journey to the valley. All things that are necessary evils to the story, but really change up the rhythm of the thing.
12 Answers2026-07-27
I can confidently say that Eugene Sledge's powerful memoir 'With the Old Breed: At Peleliu and Okinawa' served as a major source for the HBO miniseries 'The Pacific'. This series, produced by Tom Hanks and Steven Spielberg, brilliantly captures Sledge's harrowing experiences as a Marine during World War II. The attention to historical detail and emotional depth makes it one of the most authentic war adaptations ever made.
What makes 'The Pacific' stand out is how it stays true to Sledge's unflinching account of combat while expanding to show other perspectives from Robert Leckie's 'Helmet for My Pillow'. The combination creates a comprehensive view of the Pacific theater. The battle scenes are brutal and visceral, exactly as Sledge described them in his book. The series doesn't shy away from showing the psychological toll of war, which was a central theme in Sledge's writing.
For those interested in seeing Sledge's story come to life, episodes 7 through 10 focus specifically on his battalion's experiences. The portrayal of Sledge by actor Joseph Mazzello is remarkably faithful to the book's depiction of a young man transformed by war. It's a must-watch for anyone who appreciates historical accuracy and powerful storytelling about the human condition during wartime.
4 Answers2025-07-12
The books of Egan Library have been well adapted to the big screen in a few cases. While The Goldfinch screen adaptation left many book fans dissatisfied, Where’d You Go, Bernadette is a beautiful film that combines humor and heart just as the novel did. A film adaptation of Jennifer Egan’s novel A Visit from the Goon Squad is being made as a series, and could be fantastic. There has been talk of a Secret History film for years and it would make Tartt fans incredibly happy. These novels have the depth to be great screen stories.
9 Answers2025-07-20
Old practical effects from that ‘Clash of the Titans’ scene. Fall was done with wires, set against a painted backdrop. It looks ghastly today but so much credit is due to the people who made it. Trying to convey a myth to the screen before the advent of CGI was never going to be an easy thing to do. I suspect these days it would be churned out as some highly polished CGI sequence, all soulless and without any of the hand-made imperfections that somehow seemed to add character to the antiquated, rough attempts to translate myth to the screen.