How Do Mystery Novel Writers Balance Suspense With Fair Clues?

I quit and dipped. City threw a parade. Only Jenna Blake—my oh-so-gifted junior who claimed she could "see through killers' eyes"—lost it. At her celebration banquet, she went full drama queen: "I owe everything to Kate Mercer. Please, bring her back!" I laughed. Cold. Not happening. Last time around, I was the hotshot detective. But every clue I found? She dropped it first like she read my mind. People started saying I was washed. So I went all in—three months, no sleep, cracked a massive trafficking ring. Led the raid myself. She beat me there. Again. Place was cleaned out. Boom. She's the city's golden girl. I'm the clown with no game. Pressure got ugly. My head snapped. I died chasing the last scumbag. Then—bam. I woke up. Same day. Raid morning. Round two.

I'm a half-baked forensic examiner whose only redeeming quality is the ability to understand animals. The crime scene is inside a lavish villa. The lady of the house lies dead on the floor with a blunt-force injury to the back of her head so deep that her bone is visible. The safe has been pried open, and a million dollars in cash has vanished without a trace. Clear shoe prints mark the backyard wall, evidence that someone has climbed over it. "This one's clear as day. This is a textbook robbery-homicide. The suspect is likely a young male, around six feet tall, has a prior theft record, and knows how to cover his tracks. Check the surveillance footage in the area and look into places where he might've moved the stolen cash." The director of the forensic science center, Egbert Woodward, has been in the profession for three decades and is a widely respected authority. The officers at the scene nod in unison and begin taking notes. I'm the only one who stares at the 30 flies circling the ceiling for a full 3 minutes before taking a step forward and piping up, "Dr. Woodward, this isn't a robbery-homicide. It's a crime of passion. The murderer is the victim's husband!"

There are three things Samara Culkin loves: her father, wearing high heels, and being a detective. But in a world where being a female officer is considered weak, she struggles to find a place where she feels truly belong. Determined to prove The Detective Tag firm that she is worth it, she sets out to solve one of the biggest cases the city of Los Angeles has ever seen. There are three things Clayton Jones likes: his car, detective skills, and the female detective who happens to catch his eye—Samara. As an expert and well-known crime officer, he is given the chance to work with her; a one-time possibility that rarely happens. The only problem is that she hates him. And he does not know why. The Detective Tag is a crime fiction with a twist of romance. Join Samara and Clayton—all the bitterness, dislikes, and romance in between—as they dive into the world of crime cases and murder investigations. Well, maybe a bit of finding love, too.

Summary: Inspector Thomas Bertrand, a methodical and respected police officer, is tasked with investigating a mysterious murder. The evidence seems to point to the assassin being a beautiful and young woman, Isabelle Dufresne. But as soon as he meets her, an irresistible attraction grows between them, a feeling that deeply unsettles him. The battle between his duty to justice and his growing emotions for Isabelle leads him into an intense inner struggle. As the investigation progresses, he discovers that nothing is as it seems and that dark forces are manipulating the truth. His heart and mind are in conflict, and the hidden truth could very well destroy him.

Alice Warren was the daughter of two famous murderers. Her fate, which was full of bad luck, finally met its end when the Le Blancs adopted her. The Le Blancs were good and kind people; they helped the poor, donated to charities, and built an organization for the orphans called UNITY. Alice was already contented with her life, but all of her beliefs and luck crumbled down when she entered Saint Clair Academy, and the series of accidents and deaths started again. Of course, it did not help that an irritating genius artist, Thomas Saint Clair, was always at her tail. Now that the number of dead bodies increased, Alice had to investigate whether the accidents were just lousy luck full of coincidence or carefully planned-out murders.

She should be putting him on cuffs yet she let him one down his neck. He smells like danger yet she fully caved in. Just one murder case before she would leave the force but it seems leaving was not an option anymore as Raymond comes barging into her life. What happens when all fingers are pointing to the one her body and heart finally craves for?. Would she put her feelings aside and let justice serve it's course? Or would she choose love from a dangerous man over everything.