Don’t stress too much about a strict order, honestly. They’re all standalone, so you can jump in anywhere. But if you’re a completionist, the publication sequence is: 'Three Wishes', 'The Last Anniversary', 'What Alice Forgot', 'The Hypnotist’s Love Story', 'Big Little Lies', 'Truly Madly Guilty', 'Nine Perfect Strangers', 'Apples Never Fall', and 'The Last Resort'. I’d argue starting with 'Big Little Lies' isn’t a bad idea—it’s the gateway drug for most of us. You can always circle back to the earlier ones later.
I see a lot of people saying to skip the early ones. I disagree. 'Three Wishes', while simpler, has this heartbreaking and hilarious take on triplet sisters that really sticks with me. The dynamics feel real. If you skip it, you’re missing a piece of her heart. Chronological order ensures you don’t dismiss these gems.
If you’re an audiobook listener, just queue them up in your app by publication date. Problem solved. Caroline Lee’s narration is phenomenal across the board. Hearing her voice change slightly for each book, adapting to the tone, is its own reward. She is Liane Moriarty’s voice for many of us. So maybe the order is less important than the consistent narrator.
The library waitlists for her newest book are always crazy. So my ‘order’ has always been dictated by availability. I read whatever my hold comes in for first. It’s a chaotic method, but it works. I ended up reading 'Truly Madly Guilty' before 'Big Little Lies'. Did it matter? Not really. The barbecue still stressed me out.
2026-07-23 18:44:12
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Sometimes reading an author’s debut last lets you appreciate their growth. Sometimes reading it first lets you fall for their potential. There’s no wrong path, only different kinds of appreciation. I’d almost recommend leaving one of the mega-hits for the middle, as a palate cleanser between the deeper cuts.
If you're someone who likes to see an author's craft improve, go chronological. 'Three Wishes' (2003) is good, but you can tell she's finding her feet. By the time you get to 'Big Little Lies' (2014), the plotting is incredibly tight, and the social observations are razor-sharp. The journey is part of the fun. You watch her move from more straightforward chick-lit adjacent stories to these intricate, multi-POV societal dissections. It’s a masterclass in career development. Just be prepared that the first couple are lighter—not worse, just different in scope and ambition.
Don't overthink it. Her books are popular because they're accessible and addictive. 'The Husband's Secret' has the most 'I need to know what happens next' momentum from page one, in my opinion. It's a one-sitting kind of book if you have the time.