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1985

It’s end of October 1985 and the crumbling river town of Dubois, Iowa is shocked by the gruesome murder of one of the pillars of the community. Detective David Carlson has no motive, no evidence, and only one lead: the macabre local legend of “Boris Orlof,” a late night horror movie host who burned to death during a stage performance at the drive-in on Halloween night twenty years ago and the teenage loner obsessed with keeping his memory alive. The body count is rising and the darkness that hangs over the town grows by the hour. Time is running out as Carlson desperately chases shadows into a nightmare world of living horrors. On Halloween the drive-in re-opens at midnight for a show no one will ever forget. ©️ Crystal Lake Publishing

17 Chapters

Found By The Lycan King

#BOOK2 OUT NOW!! Check ‘LOST QUEEN’ Adriana, the alpha’s illegitimate daughter was hated and bullied by everyone for her birth and not having a wolf. On the night of her eighteenth birthday, she overheard her father talking to her brothers about giving her up to the Lycan king, in order to form a peace treaty. Xander is nothing like she expected, but one thing is certain, everything thing she has heard about him being ruthless is true. When the secret her father has vowed to take to his grave is now out in the open, Adriana realizes not having a wolf is the least of her problems. Will Xander stand for all his mate is made of when he finds out the truth about her, or will he discard her and treat her like every other woman he has been with? NOTE: This book is a Duet and the part two will be released in September. It is highly recommended that you read this first.

8.3

166 Chapters

Harvey York's Rise to Power

Taken in as a son-in-law, he led a miserable life. The moment he gained power, both his mother-in-law and sister-in-law kneeled down in front of him.His mother-in-law begged him, “Please don’t leave my daughter.”His sister-in-law said, “Brother-in-law, I was wrong…”

8.6

7286 Chapters

Winning His Ex-Wife Back

Treated like a piece of trash by her husband whom she was forced into an arranged marriage with, Aliya tried to make her marriage work, despite her husband's cruel attitude toward her. She thought she could eventually change his mind from hating her, however, she realized along the line that some things are better left the way they are, to avoid destruction. Since she couldn't keep up with her husband promiscuous lifestyle and hurting her emotionally, Aliya decided to escape from this hell of a marriage when she was pregnant, but things changed with her husband as soon as she left, as the young man realized he couldn't do without her. Will she come back to the man that treated her like a piece of trash before? Will she find happiness and peace in her marriage even if she decided to come back?

8.8

148 Chapters

Loathed by the Alpha

She was not his first choice.But he is her Alpha.***Rose Williams presented as an Omega and has been hated by everyone around her for that. She's also reminded that she's worthless, a toy for Alphas every single day. Her only hope was to turn twenty-one and settle down with Zain, an Alpha who promised to love and cherish her. Aiden Russo is a Pack Alpha-the cruellest one the Moonlight Pack has ever seen. If rumours were to believe he's ruthless, cold and doesn't care for omegas. To complete his ownership, he needs a Luna. By some unfortunate turn of events, Rose is married to the Alpha Aiden, who doesn't show any interest in her. Will she be able to win over his heart? Or forever be loathed by the Alpha?***

9.7

144 Chapters

Reborn Through Fire

Kisa Becker loved Gilbert Kooper with great care. In Gilbert's mind, however, she was a cunning and evil plotter.After marrying him, she believed if she played the role of Mrs. Kooper well, she could eventually win his heart. Little did she expect that man to send her to prison, where a fire burned her years of infatuation with him into ashes.When the two met again after her near-death experience, Gilbert realized her affection for him had long gone. And now it was his turn to be distraught.

8.2

1616 Chapters

Who Are The Main Antagonists In '1985'?

4 answers2025-06-14 22:18:10

In '1985', the main antagonists aren’t just individuals but the oppressive system itself—Big Brother and the Party. They’re a faceless, omnipresent force, crushing dissent with surveillance, propaganda, and brutal force. Winston’s boss, O’Brien, embodies this menace, initially posing as a rebel only to betray him with chilling calm. The Thought Police lurk in shadows, turning neighbors into snitches, making trust impossible.

The real horror lies in how the Party warps truth, erasing history and rewriting reality until resistance feels futile. Even love, Winston’s last refuge, is weaponized against him. The antagonists aren’t defeated; they’re inevitable, a machine grinding hope into dust. Orwell paints tyranny not as villains twirling mustaches but as a bureaucratic nightmare, sterile and inescapable.

What Dystopian Technologies Appear In '1985'?

4 answers2025-06-14 22:40:53

In '1985', the dystopian technologies are chillingly plausible extensions of our own world. The most pervasive is the two-way telescreen—an omnipresent surveillance device that broadcasts propaganda while monitoring citizens’ every word and gesture. Its unblinking gaze turns homes into panopticons, erasing privacy entirely. The Thought Police employ advanced psychological profiling and neural scanning to detect dissent before it’s even spoken, crushing rebellion in its infancy.

Language itself becomes a weapon with Newspeak, a stripped-down lexicon designed to eliminate rebellious thoughts by making them impossible to articulate. Memory holes—high-speed incinerators—erase inconvenient historical records, rewriting reality on demand. Even the proletariat’s mundane lives are manipulated through synthetic music and vapid entertainment engineered to suppress curiosity. What terrifies isn’t just the technology’s brutality, but how seamlessly it blends into daily life, making oppression feel mundane.

Does '1985' Feature A Rebellion Like In '1984'?

4 answers2025-06-14 22:09:27

In '1985', the rebellion isn't as overt or organized as in '1984'. While '1984' showcases Winston's doomed defiance against the Party, '1985' leans into subtler resistance. The protagonist navigates a dystopia where control is more psychological—think whispered doubts, hidden books, and fleeting alliances rather than outright revolt. The regime here crushes dissent before it coalesces, making rebellion feel like a spark smothered in rain.

What's fascinating is how '1985' mirrors real-world authoritarianism: resistance isn't grand speeches or barricades but small acts—a skipped loyalty pledge, a secret note. The tension simmers under the surface, making the stakes feel personal, not epic. It's less about overthrowing the system and more about preserving one's humanity in cracks the system hasn't sealed yet.

Why Is '1985' Compared To Classic Dystopian Novels?

4 answers2025-06-14 19:53:31

'1985' draws inevitable comparisons to classic dystopias like '1984' and 'Brave New World' because it amplifies their themes with modern paranoia. While Orwell focused on totalitarian surveillance, '1985' explores digital omnipresence—governments tracking citizens through smartphones, algorithms predicting dissent before it happens. Its protagonist isn’t just watched; their emotions are mined and manipulated via social media, a chilling evolution from telescreens. The novel also mirrors Huxley’s obsession with pleasure as control but swaps soma for viral entertainment that pacifies with memes instead of drugs.

What sets '1985' apart is its ambiguity. Classic dystopias often depict clear oppressors, but here, corporations and politicians blur together in a shadowy symbiosis. Resistance isn’t led by rebels but by hackers who weaponize absurdity, flooding systems with nonsense until the machine chokes. The prose thrums with dark humor, like watching a dictatorship collapse because it accidentally doxxed its own spies. It’s less about grim inevitability and more about the chaos of fighting back in a world where truth is just another app notification.

How Does '1985' Critique Modern Surveillance Society?

4 answers2025-06-14 17:17:30

'1985' serves as a chilling mirror to our modern surveillance society, exposing the insidious ways control masquerades as security. The novel's omnipresent telescreens and Thought Police aren't just relics of dystopian fiction—they parallel today's facial recognition, data mining, and social media tracking. What's terrifying is how willingly we trade privacy for convenience, much like Oceania's citizens accept surveillance for perceived safety. The constant rewriting of history in the book echoes our era of misinformation, where algorithms curate 'truth' based on clicks.

The protagonist's paranoia feels eerily familiar; every smart device in our homes could be a telescreen, listening. '1985' warns that surveillance isn't just about cameras—it's about the normalization of being watched until resistance feels futile. The Ministry of Truth's manipulation of language ('doublethink') finds its counterpart in modern corporate speak and politicized rhetoric. The critique isn't subtle: when observation becomes expectation, freedom erodes silently, not with a bang but with a login prompt.

Is '1985' A Sequel Or Prequel To '1984' By George Orwell?

4 answers2025-06-14 04:34:17

'1985' isn't an official sequel or prequel to George Orwell's '1984'. While '1984' is a standalone dystopian masterpiece, '1985' refers to Anthony Burgess's satirical response novel, '1985', which critiques Orwell's vision while offering its own bleak predictions. Burgess's work mirrors Orwell's themes—oppression, surveillance—but twists them with his signature dark humor and linguistic flair. It's less a continuation and more a rebellious dialogue between authors.

Some fans treat '1985' as a spiritual successor, but Burgess didn't intend it as canonical. His book dissects Orwell's ideas rather than expanding the plot. The two works clash in tone: '1984' is grimly prophetic; '1985' is a chaotic, almost punkish rebuttal. If you crave more Orwellian dread, Burgess delivers—just with a side of sardonic wit.