Library

Black Authors Mystery Books

On his birthday, Ravi Lazy Arsenio asked for an original plea while blowing out candles on a birthday cake to bring down an angel in his life. When Ravi headed to his room the same day he was startled by a strange man being in his room wearing only leather trousers. The man named Raymond said that his life belonged to Ravi whose purpose of his arrival was to take care of Ravi as well as help him in all of Ravi's lazy daily life, evidenced by a large tattoo bearing Ravi's name on his chest. Ravi wants to report it to the police but undoes his intentions when he finds out there's a big secret they have to cover up about Raymond that comes out of nowhere. Plus Raymond's behavior like children under five years old who cry easily, there is something that surprises Ravi is that he has big wings, black and soft, coming out of his back. Not only that, Raymond always shoots scents that almost make Ravi lose control of himself. Raymond's arrival also makes Ravi's life more complicated than before which leads him into a big problem that Ravi never imagined. Who exactly is Raymond? What is the real purpose? What dark past did Raymond and his family try to hide from Ravi all along?

Not enough ratings

50 Chapters

WOLF DEN (BOOK:-1) The Mystery of Black Clan

//READ WOLF DEN BEFORE READING THIS BOOK// "Ok what the hell they actually want, they want to destory us hole White Clan isn't" Team ask in frustration. "Not only that" Ash said while look all of them, four of them start him with wide eyes. "Then" Rose asked. "They only don't want destory us, they want destory hole government and rule all over the World, and they want something from us, or I can say someone from us" Ash told them. "Who?" Rose asked. "Donna, their Donna and Balck Clan King partner" Ash said. "W-What" Team shutter. "Yes we have their Donna"

70 Chapters

Sme·ràl·do [Authors: Aysha Khan & Zohara Khan]

"You do know what your scent does to me?" Stefanos whispered, his voice brushing against Xenia’s skin like a dark promise. "W-what?" she stammered, heart pounding as the towering wolf closed in. "It drives me wild." —★— A cursed Alpha. A runaway Omega. A fate bound by an impossible bloom. Cast out by his own family, Alpha Stefanos dwells in a lonely tower, his only companion a fearsome dragon. To soothe his solitude, he cultivates a garden of rare flowers—until a bold little thief dares to steal them. Furious, Stefanos vows to punish the culprit. But when he discovers the thief is a fragile Omega with secrets of her own, something within him stirs. Her presence thaws the ice in his heart, awakening desires long buried. Yet destiny has bound them to an impossible task—to make a cursed flower bloom. Can he bloom a flower that can't be bloomed, in a dream that can't come true? ----- Inspired from the BTS song, The Truth Untold.

73 Chapters

Mystery Pregnancy

This story bothers on a young girl who starved get husband, for many months, disallowing him to have sex with her, because she had a baby through a C-section. She was determined to stay without sex, also because of the trauma of loosing her baby, but so much for avoiding sex, after few months, she discovers she is with child. How did she get pregnant? Her husband never touched her, and she has no memory of having sex with anyone. She encountered so many insults and suffering still the mystery was not unraveled. Find out, who is the baby daddy.

203 Chapters

Clara's Mystery

How can someone fall in love when they don't even know who they are? At the age of ten, she was left at the orphanage without any recollection of who she was and where she came from. Twenty years later, Clara now the CEO of her own security company, SST, provides top-of-the-line security systems and technology that stamps out the competition. If only they could get the biggest shipping company in the country to upgrade their outdated system. But it seems that the CEO, Sebastian Colfer, will do everything to thwart their efforts. Or so it seems. Behind his icy demeanor, he has a hidden agenda. The mystery surrounding her appearance at the orphanage keeps her busy these days, and having somebody in her life is not part of her plan. ---=--- This book is purely fictional. Any similarities with people in real life are purely coincidental. ---=--- Sitting in the back seat of the car, Clara could feel the heat emanating from his body. His legs were spread out a little too wide, and they were rubbing against her outer thigh. She tried not to let it affect her, but his arm seemed to graze hers every time the car moved, and that unnerved her a little. They were sitting a little too close if you asked her. She tried to get away from him, as far as the space could allow, but her brother won't cooperate. He scolded her to stop squirming. She was just trying to find a comfortable position that would keep their body parts from touching. Sebastian was tormenting her and she's had enough, elbowing her brother she told him to switch places with her. ‘Are you scared of me?’ Sebastian whispered.

127 Chapters

Black Luna

Pain was all she knew. And if happiness was what she was seeking, she has to uncover her hidden past and her dark secrets to achieve her goal. Will she succeed?

5.1

31 Chapters

Which Authors Write Top-Rated Femdom Romance Stories?

2 Answers2025-11-05 15:51:09

I get a kick out of tracing the threads between classic erotica and the modern femdom romance scene, so here's my take from a more bookish, long-haul-reader perspective. If you want authors who consistently show up in discussions and lists, start with Laura Antoniou — her 'The Marketplace' series is practically canonical for consensual power-exchange worlds where female masters and mistresses are central figures. It’s layered, character-driven, and treats the dynamics with a calm seriousness that appeals to people looking for romance plus psychological depth.

Another essential name is Anne Rice writing as A. N. Roquelaure; the 'Sleeping Beauty' trilogy is infamous and influential for blending fairy-tale retelling with explicit BDSM themes. It’s controversial and not for everyone, but it shaped how erotic fantasy and dominance were pictured in later decades. Tiffany Reisz’s 'The Original Sinners' books also deserve mention — they’re edgier romance with dominant women who have complex interior lives and real romantic stakes, so readers who want emotional payoff alongside kink often find her work satisfying.

If you’re hunting for more contemporary or anthology-style takes, look for editors and curators who focus on erotica and kink: anthologies and collections often surface excellent femdom stories from a variety of voices. Tristan Taormino is one figure who has curated and written around sexual expression and kink in thoughtful ways. For a classic counterpoint, Pauline Réage’s 'Story of O' is historically pivotal even though it centers on submission rather than femdom — it’s useful to read as context for how power and eroticism have been framed over time. Finally, the indie world is huge: many modern femdom romances live on digital platforms and indie imprints, so scanning tags like 'female domination', reading reader reviews, and checking content warnings helps you find consensual, romance-forward work. Personally I love when a book balances tenderness and power — the best femdom romance makes dominance feel like a language two characters learn together, and that’s what keeps me coming back.

How Do Authors Depict A Sleep Adult Scene Respectfully?

3 Answers2025-11-05 09:30:26

One blunt truth I keep coming back to is that consent has to be visible on the page even when a character is asleep. I write intimacy scenes a lot, and the moments that sit uneasily with me are the ones where sleep is used as a shortcut to avoid messy negotiation. If you're going to depict any sexual or intimate action involving a sleeping adult, make the setup explicit: was there prior, enthusiastic consent? Was this part of a negotiated fantasy, a sleepover agreement, or some kind of mutual understanding? If the parties agreed ahead of time that certain touches or waking rituals were fine, show that conversation or at least the residue of it—messages, a joke, a shared nod—so readers know everyone involved had agency.

If the scene explores a boundary being crossed, treat it like a boundary being crossed: give it weight, complexity, and consequence. I focus on the emotional fallout, the internal dissonance of the awake character, and the survivor-centered aftermath for the one who was asleep. That means no glamorizing, no voyeuristic detail, and no brushing trauma under the rug. Practical things help make it respectful: use restrained, non-exploitative language, avoid graphic descriptions of unconscious bodies, and include a content warning if the material could distress readers. I also find sensitivity readers invaluable for scenes that touch on consent, power imbalances, or past abuse. Handling sleep scenes responsibly has made my writing feel more honest and kinder to readers and characters alike.

Which Mystery Story Ideas Fit A Locked-Room Murder Plot?

5 Answers2025-11-05 18:35:23

A late-night brainstorm gave me a whole stack of locked-room setups that still make my brain sparkle. One I keep coming back to is the locked conservatory: a glass-roofed room full of plants, a single body on the tile, and rain that muffles footsteps. The mechanics could be simple—a timed watering system that conceals a strand of wire that trips someone—or cleverer: a poison that only reacts when exposed to sunlight, so the murderer waits for the glass to mist and the light refracts differently. The clues are botanical—soil on a shoe, a rare pest, pollen that doesn’t fit the season.

Another idea riffs on theatre: a crime during a private rehearsal in a locked-backstage dressing room. The victim is discovered after the understudy locks up, but the corpse has no obvious wounds. Maybe the killer used a stage prop with a hidden compartment or engineered an effect that simulates suicide. The fun is in the layers—prop masters who lie, an offstage noise cue that provides a time stamp, and an audience of suspects who all had motive.

I love these because they let atmosphere do half the work; the locked space becomes a character. Drop in tactile details—the hum of a radiator, the scent of citrus cleaner—and you make readers feel cramped and curious, which is the whole point.

Can Mystery Story Ideas Be Built From Everyday Objects?

5 Answers2025-11-05 14:13:48

A paperclip can be the seed of a crime. I love that idea — the tiny, almost laughable object that, when you squint at it correctly, carries fingerprints, a motive, and the history of a relationship gone sour. I often start with the object’s obvious use, then shove it sideways: why was this paperclip on the floor of an empty train carriage at 11:47 p.m.? Who had access to the stack of documents it was holding? Suddenly the mundane becomes charged.

I sketch a short scene around the item, give it sensory detail (the paperclip’s awkward bend, the faint rust stain), and then layer in human choices: a hurried lie, a protective motive, or a clever frame. Everyday items can be clues, red herrings, tokens of guilt, or intimate keepsakes that reveal backstory. I borrow structural play from 'Poirot' and 'Columbo'—a small observation detonates larger truths—and sometimes I flip expectations and make the obvious object deliberately misleading. The fun for me is watching readers notice that little thing and say, "Oh—so that’s why." It makes me giddy to turn tiny artifacts into full-blown mysteries.

Is There A Film Adaptation Of Books By Hilary Quinlan?

4 Answers2025-11-05 08:52:28

I get asked this kind of thing a lot in book groups, and my short take is straightforward: I haven’t seen any major film adaptations of books by Hilary Quinlan circulating in theaters or on streaming platforms.

From my perspective as someone who reads a lot of indie and midlist fiction, authors like Quinlan often fly under the radar for big-studio picks. That doesn’t mean their stories couldn’t translate well to screen — sometimes smaller presses or niche writers find life in festival shorts, stage plays, or low-budget indie features long after a book’s release. If you love a particular novel, those grassroots routes (local theater, fan films, or a dedicated short) are often where adaptation energy shows up first. I’d be thrilled to see one of those books get a careful, character-driven film someday; it would feel like uncovering a secret treasure.

What Is A Fiction Book For Young Adults Compared To Adult Books?

4 Answers2025-11-05 14:59:20

Picking up a book labeled for younger readers often feels like trading in a complicated map for a compass — there's still direction and depth, but the route is clearer. I notice YA tends to center protagonists in their teens or early twenties, which naturally focuses the story on identity, first loves, rebellion, friendship and the messy business of figuring out who you are. Language is generally more direct; sentences move quicker to keep tempo high, and emotional beats are fired off in a way that makes you feel things immediately.

That doesn't mean YA is shallow. Plenty of titles grapple with grief, grief, abuse, mental health, and social justice with brutal honesty — think of books like 'Eleanor & Park' or 'The Hunger Games'. What shifts is the narrative stance: YA often scaffolds complexity so readers can grow with the character, whereas adult fiction will sometimes immerse you in ambiguity, unreliable narrators, or long, looping introspection.

From my perspective, I choose YA when I want an electric read that still tackles big ideas without burying them in stylistic density; I reach for adult novels when I want to be challenged by form or moral nuance. Both keep me reading, just for different kinds of hunger.

Where Can I Find Comical Fanfiction For Classic Sci-Fi Books?

4 Answers2025-11-06 10:38:02

If you're hunting for a laugh-out-loud spin on 'Dune' or a silly retelling of 'The Time Machine', my go-to starting point is Archive of Our Own. AO3's tag system is a dream for digging up comedy: search 'humor', 'parody', 'crack', or toss in 'crossover' with something intentionally absurd (think 'Dune/X-Men' or 'Foundation/Harry Potter' parodies). I personally filter by kudos and bookmarks to find pieces that other readers loved, and then follow authors who consistently write witty takes.

Beyond AO3, I poke around Tumblr microfics for one-shot gags and Wattpad for serialized absurd reimaginings—Wattpad often has modern-AU comedic rewrites of classics that lean into meme culture. FanFiction.net still has a huge archive, though its tagging is clunkier; search within category pages for titles like 'Frankenstein' or 'The War of the Worlds' and then scan chapter summaries for words like 'humor' or 'au'.

If you like audio, look up fanfiction readings on YouTube or podcasts that spotlight humorous retellings. Reddit communities such as r/fanfiction and r/WritingPrompts regularly spawn clever, comedic takes on canonical works. Personally, I get the biggest kick from short, sharp pieces—drabbles and drabble collections—that turn a grave sci-fi premise into pure silliness, and I love bookmarking authors who can do that again and again.

Which Authors Are Featured On Kristen'S Archives Most Often?

3 Answers2025-11-06 15:51:14

Scrolling through Kristen's Archives feels like wandering a curated bookshelf where certain names pop up again and again. The authors I see most often are Neil Gaiman, Ursula K. Le Guin, Ray Bradbury, Octavia E. Butler, and Margaret Atwood. Those names show up because Kristen seems to favor speculative voices that blend lyrical prose with moral weight — Gaiman's mythic whimsy, Le Guin's anthropological scope, Bradbury's nostalgic futurism, Butler's incisive social probes, and Atwood's razor-sharp dystopias.

What I love about that rotation is how it creates a conversation across eras: Bradbury's mid-century visions echo into Atwood's near-future cautionary tales, while Le Guin and Butler bend the form in different directions — one more philosophical, the other more sociological. Kristen gives each author room to breathe, featuring essays, short story picks, and linked interviews. You get context: why 'The Left Hand of Darkness' still matters next to a short piece by Gaiman or a remembrance of Bradbury's small-town Americana turned eerie.

Reading that archive, I often find deep dives into themes rather than just surface fandom. There are posts that group authors by topics like ecology, gender, or myth, and the recurring authors fit those themes well. It feels like a safe, intelligent corner of the internet where classic and contemporary speculative writers are treated with equal curiosity. Personally, it makes me want to reread 'Parable of the Sower' and then follow up with some underrated Le Guin essays — satisfying and quietly thrilling.

How Do Authors Protect IP When Using Chatmeintense Tools?

3 Answers2025-11-06 07:58:08

Late-night revisions taught me one thing: guard your words like treasured sketches. I began treating AI tools as clever, hungry assistants — useful, but not trustworthy with the whole draft. Practically, my first rule is never to paste a full manuscript into an online box. Instead I use summaries, scene synopses, or stripped-down prompts that replace character names and key worldbuilding with placeholders. That way the tool helps me with style, pacing, or dialogue without seeing the full intellectual property.

On the legal and technical side I keep a paper trail: timestamped drafts, prompt logs, and the raw outputs saved locally. I also register major works before heavy public testing — it’s a small cost that buys evidence if something weird happens later. For collaborative projects I insist on written terms: NDAs, explicit clauses about who owns generated text, and a clause forbidding contributors from feeding material into third-party models. I’ve even used private deployments and local models for sensitive chapters, which avoids third-party training claims entirely.

Finally, I pay attention to provider terms. Some services explicitly say they won’t use submitted data to train their models; others don’t. Where possible I pick tools that offer an opt-out or enterprise privacy controls. Throw in invisible watermarks, consistent metadata, and small alterations on publication to distinguish any leaked text, and I sleep easier. It’s a mix of common sense, paperwork, and a few tech tricks — imperfect, but practical, and it keeps the creative spark feeling mine.

What Fun Quotes Are Great For Children'S Books?

2 Answers2025-11-06 23:33:52

Hunting for playful lines that stick in a kid's head is one of my favorite little obsessions. I love sprinkling tiny zingers into stories that kids can repeat at the playground, and here are a bunch I actually use when I scribble in the margins of my notes. Short, bouncy, and silly lines work wonders: "The moon forgot its hat tonight—do you have one to lend?" or "If your socks could giggle, they'd hide in the laundry and tickle your toes." Those kinds of quotes invite voices when read aloud and give illustrators a chance to go wild with expressions.

For a more adventurous tilt I lean into curiosity and brave small risks: "Maps are just secret drawings waiting to befriend your feet," "Even tiny owls know how to shout 'hello' to new trees," or "Clouds are borrowed blankets—fold them neatly and hand them back with a smile." I like these because they encourage imagination without preaching. When I toss them into a story, I picture a child turning a page and pausing to repeat the line, which keeps the rhythm alive. I also mix in a few reassuring lines for tense or new moments: "Nervous is just excitement wearing a sweater," and "Bravery comes in socks and sometimes in quiet whispers." These feel honest and human while still being whimsical.

Bedtime and lullaby-style quotes call for softer textures. I often write refrains like "Count the stars like happy, hopped little beans—one for each sleepy wish," or "The night tucks us in with a thousand tiny bookmarks." For rhyme and read-aloud cadence I enjoy repeating consonants and short beats: "Tip-tap the raindrops, let them drum your hat to sleep." I also love interactive lines that invite a child to answer, such as "If you could borrow a moment, what color would it be?" That turns reading into a game. Honestly, the sweetest part for me is seeing a line land—kids repeating it, parents smiling, artists sketching it bigger, and librarians whispering about it behind the counter. Those tiny echoes are why I keep writing these little sparks, and they still make me grin every time.