How Does The Ten Years Late Trope Affect Character Development In Fiction?

After the SAT, I come across a post online. Someone posts, "If you could make a choice all over again, which major would you choose this time?" The comments are filled with people wishing they had chosen a different major. They all have their own regrets. One response stands out from the rest. "I would choose literature. That way, he and I wouldn't have missed out on the four years we should have spent together because of that unwanted baggage." I chuckle and am about to scroll past when I suddenly notice the profile picture and username. They are identical to those of my childhood sweetheart, Winter Andersen. I click into the profile. Everything matches her current account exactly, except that the age is ten years older. My heart sinks to my stomach. This has to be her ten years in the future. No wonder I am the only one celebrating when we are admitted to the same major. No wonder she zones out for so long after seeing my best friend, Simon Brown, receive his acceptance letter from the literature department. It turns out I am the unwanted baggage responsible for so many of her regrets and disappointments. Since that is the case, I quietly press "Accept" on the admission offer written entirely in a foreign language. I shall end this mistake ten years ahead of schedule.

In seven years of marriage, Dominic had brought up divorce seventeen times. Every single time ended in an ugly scene, because I couldn't stand Serena taking my place. She was the sister of Lucas, his late right-hand man, yet she'd climbed into his bed. I'd openly thrown her out during a Family council and had her name added to the exile list behind his back. Because of me, she was ambushed on the way into exile and lost the use of both legs, confined to a wheelchair for the rest of her life. Dominic should have hated me. But he suddenly stopped asking for a divorce. He even let me sit beside him again at Family councils, where everyone respectfully addressed me as Donna. As if everything had gone back to the way it was. Until the day I couldn't help but ask him why he wouldn't divorce me anymore. He finally told me the truth. "I got a phone call from myself, ten years in the future. "He told me that if I went through with the divorce, I'd be destroyed. Because you'd tie her up in a car and burn her alive." He looked at me, nothing but exhaustion in his eyes. "I already owe her a pair of legs. I can't owe her a life too. "As for you... "This is the life we've got. Let's just leave it at that." With that, he wheeled Serena past me without another glance. In that moment, I felt like a clown. A life spent chasing him for answers. Suddenly, I didn't want it anymore.

Famous author, Valerie Adeline's world turns upside down after the death of her boyfriend, Daniel, who just so happened to be the fictional love interest in her paranormal romance series, turned real. After months of beginning to get used to her new normal, and slowly coping with the grief of her loss, Valerie is given the opportunity to travel into the fictional realms and lands of her book when she discovers that Daniel is trapped among the pages of her book. The catch? Every twelve hours she spends in the book, it shaves off a year of her own life. Now it's a fight against time to find and save her love before the clock strikes zero, and ends her life.

When my husband learns of his first love's death, he jumps from the cruise ship where we are spending our honeymoon, ending his life. Only then do I realize he has never gotten over Clara Levine. Reborn back to his teenage years, he resolutely lets go of my hand and walks toward his first love. I watch them leave together, then turn and walk away. From that moment on, our lives become nothing more than two parallel lines that will never meet. Ten years later, we run into each other at a banquet in Oceanus City. He has become a rising star among the elite, with Clara appearing on his arm, intimately holding onto him. When he sees me accidentally wander into the banquet, he can't help but give me advice. "Stop obsessing over me. Even if you wait for me for ten years, I still won't fall in love with you." I ignore him and pull my son out from the corner where he's sneaking cake. His eyes suddenly turn bloodshot as he grabs my hand tightly. "How dare you try to make me jealous on purpose? Didn't you say you would only love me for your entire life?" he says.

I am not a mermaid but with only a simple touch, I can make someone forget about me. I am not a time traveler, but I am very prone to waking up to other people's bodies, a different scenario, and a different timeline. If someone will ask me who I am, my only answer will be... I am someone lost in time.

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.