Who Wrote Perfume: The Story Of A Murderer And When?

2025-11-10 06:52:25 290

4 Answers

Isla
Isla
2025-11-11 10:37:32
Ever stumbled upon a book so vivid it feels like you can smell the pages? That's 'Perfume: The Story of a Murderer' for me. It was penned by the German writer Patrick Süskind, and it first hit shelves in 1985. What's wild is how Süskind crafts this olfactory obsession—every paragraph practically reeks of 18th-century France. I first read it during a rainy weekend, and the way he blends horror with poetic descriptions of scents left me equal parts horrified and mesmerized. The novel’s protagonist, Grenouille, isn’t your typical villain; he’s more like a tragic artist whose medium happens to be human essence. Süskind’s background in screenwriting (he also wrote the script for 'Rossini') might explain why the scenes feel so cinematic. Fun side note: the 2006 film adaptation captures the book’s eerie beauty surprisingly well, though nothing beats the original’s lush prose.

If you dig unconventional narratives, this one’s a masterpiece. It’s not just about murder—it’s about the hunger for perfection, and how far someone might go to bottle transcendence. Süskind reportedly wrote it in total secrecy, which feels oddly fitting for a story about a man who exists in shadows.
Elijah
Elijah
2025-11-14 13:00:44
'Perfume' is that weird, gorgeous novel you recommend to friends with a disclaimer: 'It’s about a serial killer, but trust me.' Patrick Süskind’s 1985 masterpiece is less about murder and more about the madness of creation. Grenouille’s journey from orphan to perfumer-genius is hypnotic—I lost sleep reading it. Fun fact: Süskind initially refused to sell film rights because he worried visuals would ruin the book’s scent-based magic. (He eventually relented, and the movie’s not half bad.)
Samuel
Samuel
2025-11-15 18:03:20
Patrick Süskind’s 'Perfume' is one of those rare books that lingers in your mind like a stubborn fragrance. I remember loaning my copy to a friend who returned it saying, 'I kept sniffing the air while reading!' Published in ’85, it’s a historical horror novel dressed in velvet prose. Süskind’s genius lies in making scent a character—you’ll never think of your nose the same way. The way he describes Grenouille’s childhood, scraping existence from garbage and loneliness, is brutal yet weirdly beautiful. Did you know the book spent nearly a decade on German bestseller lists? It’s easy to see why; even the translation (by John E. Woods) preserves that intoxicating rhythm. For writers, it’s a masterclass in sensory detail—every street, every stench feels alive. I’d kill to read it for the first time again.
Ruby
Ruby
2025-11-16 15:02:10
I’ve got a soft spot for stories that twist reality, and 'Perfume' does it by making smells the center of everything. Patrick Süskind wrote this back in the mid-80s, and it’s still unmatched in how it uses sensory details to drive plot. The first time I read about Grenouille’s birth in a fish market, I gagged—but in a good way? Süskind’s background is fascinating too; he’s notoriously private, almost like his protagonist. The book’s success was slow at first, then exploded into this cultural phenomenon. It’s not just a thriller; it’s a meditation on obsession, art, and what makes us human. If you’re into dark, lyrical stuff like 'the secret history' or 'The Shadow of the Wind,' this’ll wreck you in the best possible way.
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