Alright, so the ending of Brent Weeks's trilogy – we're talking 'The Way of Shadows', 'Shadow's Edge', and 'Beyond the Shadows' – does tie things up, but it’s a bit of a messy bow. The central conflict with the Godking is resolved through a sort of divine loophole: Dorian uses his prophetic powers to basically trick the Godking into possessing him, then Dorian sacrifices himself to trap them both in a magical gemstone. It’s clever, I guess, but it felt a little convenient after all that build-up. The whole Ezra/Kylar father-figure situation gets settled when Kylar realizes he has to let go of that vengeance to be his own man, and he ends up using the ka'kari to heal Logan's wife, Jenine, which was a nice full-circle moment for his character.
Where it really stumbles for me is Vi. Her whole arc is about escaping abuse and finding agency, and then the finale marries her off to Logan for political stability? After all that intense focus on her and Kylar's messed-up but deep connection, it just lands with a thud. It resolves a political conflict by creating a personal one that never feels properly addressed. The last scene with Kylar walking away alone, having given up the Black Ka'kari, is poignant, but it left me wondering if the cost for 'peace' was some of the characters' core identities.