Dirty Mind Poems Novels & Stories

My name is Margaret Turner. After my daughter, Sarah McDowell, becomes pregnant, I am shocked to find that I can hear the thoughts of the baby in her womb. "Grandma, please don't let Mommy get the prenatal checkup! If they learn I'm a girl, Dad will make her get rid of me. I don't want to die!" I can't believe what I'm hearing. Knowing that my son‑in‑law, Jeremy O'Brien, works at a hospital and can use his connections to learn the baby's gender, I do everything in my power to keep Sarah from being examined. But three months later, doctors confirm that Sarah's baby has a congenital deformity and is fated to be born disabled. Sarah is devastated, and guilt consumes me. Suddenly, I hear my granddaughter's voice again. "It's all because of Dad. He cheated with that nurse and returned home soaked in her cheap perfume. As soon as Mommy breathed it in, I was fated to come into the world deformed. Poor Mommy…" Rage explodes inside me. Without a second thought, I storm into Jeremy's workplace, determined to catch him in the act. I don't expect to walk in on a critical heart surgery he is performing. My intrusion throws the room into chaos, and the patient dies on the operating table. The patient's family loses control, and they cause a violent scene in the hospital. In the mayhem, Jeremy is killed on the spot. When Sarah learns what I've done, she is consumed by rage and declares she wants nothing more to do with me. At that moment, my granddaughter's voice echoes in my mind once more. "Mommy is heartbroken and needs time to heal. Grandma, please don't make things worse. Mommy will be okay after she rests." Hearing this, I force myself to stay calm. But that very night, word arrives that Sarah has thrown herself into a river and ended her life. Shattered by grief, I eventually make the same tragic choice. As my final breath fades, my granddaughter's chilling laugh echoes in my ears. When I open my eyes again, I find myself back on the day her voice first crept into my mind.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.

I quit and dipped. City threw a parade. Only Jenna Blake—my oh-so-gifted junior who claimed she could "see through killers' eyes"—lost it. At her celebration banquet, she went full drama queen: "I owe everything to Kate Mercer. Please, bring her back!" I laughed. Cold. Not happening. Last time around, I was the hotshot detective. But every clue I found? She dropped it first like she read my mind. People started saying I was washed. So I went all in—three months, no sleep, cracked a massive trafficking ring. Led the raid myself. She beat me there. Again. Place was cleaned out. Boom. She's the city's golden girl. I'm the clown with no game. Pressure got ugly. My head snapped. I died chasing the last scumbag. Then—bam. I woke up. Same day. Raid morning. Round two.

It's nighttime, and I'm on the toilet with my phone. I fire up Battleborn Arena, ready to grind a few ranked matches. But an unknown number flashes on-screen and cuts me off. Annoyed, I decline the call, and a WhatsApp message pops up immediately. "Run! Edgar just snapped. He's going to kill us all!" My hands tremble. Edgar Maguire… Isn't he already dead?

My dad died in a car crash. On the seventh day after his death, I hear him whisper in my ear, "Amara, save your brother. There are cracks in the old stone bridge at the village entrance... It will collapse... He will die." I immediately call my brother, Asher Langford, and he takes a different route out of the village. But that afternoon, the police report that a murder took place on that road. The victim is Asher. My sister-in-law, Delia Winslow, and I bury him in tears. On the seventh day after my brother's death, I hear my dad's voice again. "Amara, keep an eye on Jasper. Don't go to the back of the hill. The dead trees there attract lightning... There will be a thunderstorm in three days." That night, Delia locks my nephew, Jasper Langford, inside the house. But three days later, Jasper falls from a window on the 12th floor. Delia goes insane after losing her husband and son consecutively in such a short time. Holding back my grief, I leave my own son, Billy Calloway, with my husband, Felix Calloway, and help Delia lay Jasper to rest. On the seventh day after Jasper's death, I see my dad holding Billy's hand and looking back at me with a sorrowful expression. He says, "Amara... There are spirits looking for substitutes in the reed marsh in the village. Take care of Billy. Don't go..."

Detective Jack Malone stumbles into a nightmare when he raids an illegal biotech lab—only to find a silver-eyed woman, Subject 42, caged like an animal. Her name is Vesper, her memories fragmented by drugs, her calm demeanor unsettling. As Jack rescues her, he uncovers a web of corruption that reaches his own police force. A sudden tornado forces them into an underground shelter, where Vesper’s body betrays her: injected with experimental serum, she burns with unnatural heat, and Jack’s ethics shatter in the dark. But salvation twists into betrayal. Jack discovers Vesper is no victim—she’s the architect of the experiments, and he’s her chosen pawn. When she turns the tables, torturing him with his own guilt and the wreckage of his personal life, Jack must confront a harrowing truth: some monsters are made, not born. Their deadly dance culminates in a choice—vengeance or redemption—that will redefine justice, love, and the thin line between humanity and monstrosity. *Patient 42* is a dark, pulse-pounding thriller where desire and deception collide, and the most dangerous experiment is the human heart.

I took time off work and flew out to be my best friend's maid of honor. The moment my plane landed, she picked me up and took me straight to the hotel. Not long after we got to the room, she handed me a shopping bag. Inside was the newest phone on the market, a bottle of luxury perfume, and a check for ten thousand dollars. She said with a bright, excited smile, "It's your bridesmaid gift. Even if I'm getting married, you're still the most important person in my life." My eyes filled with tears right there. The next morning, I woke up before sunrise. I put on my bridesmaid dress and went to find her. She was sitting in front of the vanity mirror. Stylists were moving around her, busy with her hair and makeup. When she saw me, she turned with a huge smile and waved me over, her face glowing with excitement. But the moment I stepped closer, her expression changed. It was like she had just seen something disgusting. "Get out." Her voice was low, but the disgust in it was clear. "Disappear from my sight. Right now." I froze where I stood.

I'm the female protagonist of a spicy novel. One day, the system tosses me into an innocuous novel to be reformed. What a joke! I turn to the male protagonist. "Hi there. Want to make out?" He has me thrown behind bars and accuses me of molesting him. Much later, he does even naughtier things than the male protagonists in spicy novels do.

The buzzing of my phone in the middle of the night jolted me awake. On the other end of the line came a voice I could never forget. It was my daughter! However, she died three years ago!

I was getting married—but I didn't tell my parents. It was my fifth wedding. The last four? Total disasters, thanks to them. Every time, they claimed something was "wrong" with the wedding car and somehow scared the guy off. First was my college boyfriend. We were solid—four years strong. My parents pushed for marriage... then ditched the idea on the big day because his car wasn't "fancy" enough. Second groom? My boss. He pulled up in a shiny new car they actually approved—until they didn't. Yanked me right out. Third time, they set me up with someone themselves. The guy brought ten cars to play it safe. Didn't matter. They shut it down before I even stepped outside. Fourth time? Same story. I kept wondering—what was so cursed about these cars? Why push me to get married, only to destroy it every single time? This year, I was trying again. Wedding number five. This time, I was pregnant—with the son of the country's richest man. I didn't tell my parents. Thought I'd finally outsmarted them. But just as I was about to get in the car... I saw them sprinting toward me.