Enterprise Publishing Blair Ne

It hurts when you have someone in your heart, but you can't have them in your arms. ____________ She loved him unconditionally. Because love never applies conditions. Yet, it is so painful. Her love for him was unlimited. The pain was unbearable, but the outcome will be remarkable, that's what her love is… Her lips were always expressing her live for him, even though she knows it will never be reciprocated. Still, she was always expressing her love and she knew he will never melt. His cold heart will never love her. But what will be the last thing that will break his heart or remain the same??? Will she manage to win his heart or she will remain unloved? So guys this is my new story and let's meet both of them, what will be their relationship. What will happen to them in the future?? Don't judge… Just read and comment…

Emerald Greenfield is an 18 year-old girl whose suffering from depression. That time, she gave up and decided to kill herself to be able to get rid of the pain within her. But the young girl doesn't have any idea that God abandoned her. She woke up inside the burning hell filled with sufferings where everything around her makes her feel scared. Emerald eventually viewed a tall, handsome man wearing a black coat and golden chains around him. "W-Who are you? And where am I?" She trembled as she got to stare at his red flaming eyes. "My name is Lucifer, and I'm the demon king. And from now on, you'll be mine," he smirked.

Surrounded by handsome billionaires, Chyna bet her heart on Lenox but ended up with an unusual deal with Gian—the billionaire owner of Styx Limited. But she made the mistake of breaking the sacred rules that neither of them should fall in love. Haunted by the past, Chyna decides to go back to Costa Galaxia, the place where she met Gian. It’s been years since Chyna was left broken. But she is ready to face her heartbreaker now and show him that she’s over him. Armed with her list of "ways of moving on," she goes on a long vacation in Costa Galaxia. Wrong move. Because the moment she sees Gian again, she ends up rekindling the flame she’s had for him for years. And worse, the feeling seems mutual. And worse still, the hot CEO is in a serious relationship with another woman.

Moving into a new school, Vivienne Alfonso thought she had escaped her miserable student life. But she was wrong. Things get worse when she entangled with Raylie Zaico. He was the famous hotheaded king of Titans—the most popular boy group in Brixton University. And what’s makes things more complicated was Raylie started to like her, while she likes his friend named Thore. Will she end up winning Thore? Or will she end up falling into Raylie’s bursting charm?

Noong unang beses na nakita ni Euphie ang lalaki, naisip niya: Love at first sight ba iyon? O isang nakatalagang soul mate? Pag-uwi niya, nakita niya ang isang lumang larawan ng isang matangkad at guwapong lalaki. Naglakbay siya pabalik sa panahon sa larawan, nakilala ang lalaking iyon, at natagpuan ang sagot sa tanong na iyon. Inisip niya ang lahat, ang kanyang kasintahan.

Stanley Edwards, people claimed he mirrored a Russian man and had the heart of steel. He was an executioner who mercilessly took the lives of twenty women over a period of eight years. He is released from prison, can he get a whole new life? After he meets the love of his life, how will he protect their love? Is he still the grim executioner?

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.