Female Chara

On the day of my wedding to Elliot Wendell, a fake heiress committed suicide. In the second year of our marriage, we ended up enemies. He hated me, the true heiress, for returning and causing Celeste Dent’s death. I hated him for loving the woman who had taken my place as an heiress for twenty years. During the ten years of our marriage, we fought each other with vicious words and wished for the other to die. Then, there was an earthquake, and he shielded me beneath him. He protected me with his back. The building collapsed, and he ended up a mangled and bloody corpse. As he lay dying, he whispered into my ear, “If I had known that she would die, I would’ve never taken you home.” “If we ever meet again, it would be better if I were your only family.” In the end, I still died in the secondary quakes. When I opened my eyes again, I found that I had gone back in time. It was the day when he brought me to the Dent family to regain my rightful place among them. Elliot suddenly changed his mind and said, “Samantha, I was wrong. You’re not the daughter the Dent family lost twenty years ago.”

Dakota Stelter and I tumbled down that steep ravine together. I lay there bleeding and broken, only to watch my boyfriend scoop her into his arms and walk away without a backward glance. He left me. In that moment, in every way that mattered. While everyone fussed over Dakota's scratches, no one even checked if I was still breathing. When I was finally rescued and recovering at the hospital, my boyfriend didn't even visit. I was hurt. So I moved on. Piece by piece, I rebuilt myself without him. But then he became distraught. Suddenly, he was sobbing, telling me he had always loved me.

In October 2025, an explosion occurs at a remote lab. An unidentified substance is leaked, and the virus makes people go insane. Anyone who is bitten by these rabid creatures becomes one of them. It's like the zombies people see in movies and video games. On the first day of the explosion, my five-year-old, Joyce Fairfield, is still at kindergarten. I risk my life to hurry there, but I can't even find her corpse when I arrive. I can only look at the surveillance footage to see her face, which is ashen with fear. I also see her mouth, "Mommy!" 15 days after the explosion, I finally traverse the city and get to my mother's home. However, all that welcomes me is a destroyed apartment and blood everywhere. 20 days after the explosion, my husband, Emmett Fairfield, calls me one last time from his office, which zombies have surrounded. He tells me not to leave the house. Less than a month after the apocalypse arrives, I lose all my family. I'm alone as I struggle to survive in this dead world. The spread of the virus triggers chaos in mankind. I exchange all my supplies to save a neighboring couple from bandits, leading them to safety in a secure zone where they can live stable lives. However, my kindness is not repaid. Three years after the explosion, the secure zone is under siege by a wave of zombies. As we retreat, my neighbors shove me underneath a car so I'll distract the zombies. Then, they make a run for it and get away. Trusted neighbors betray me. As the zombies eat away at me, I can feel death looming. All I want is to see my family again. Now, I've been reborn. I have six hours before the zombie apocalypse breaks out.

On my fifth birthday with Zachary Murdock, I sit once again in front of a full table of cold food, just like every year before. Zachary had promised, as always, to spend the day with me. And, as always, he breaks that promise. This year, it's because his childhood sweetheart wanted to shoot a set of "artistic photos". She invited him and a few of his close buddies to be part of it. Without hesitation, he ditches me again and runs straight into her arms. At 11:00 pm, his childhood sweetheart posts a photo to her social media and sets it so that only I can see it. In the picture, four men are in nothing but black briefs and Windsor-knotted ties. They kneel around her while she is draped in sheer fabric like a goddess. The caption reads, "Some people beg for crumbs, but I own the entire bakery." I take a screenshot. Then, I send it to the girlfriends of all three of Zachary’s best buddies. If they all look down on me this much, let's hope they don't end up on their knees begging me someday.

On the way to my twin boys' parent-teacher conference, I'm informed that my sons, Ricky and Micky Stallone, have already been taken home by their parents. I'm immediately worried sick about their safety. However, when I look across the road, I suddenly catch sight of a very happy family of four—Ricky, Micky, my husband, Corbin Stallone, and his first love he could never forget, Ingrid Lacelle. Ricky and Micky both run into Ingrid's arms, cozying up to her and calling her "Mommy". Meanwhile, Corbin gently kisses Ingrid's forehead with a doting expression on his face. I join the crowd of envious onlookers, watching the beginning of the end of my marriage.

On our fifth wedding anniversary, my husband, Damian Pyke, once again left me for his first love. He said, "Taking care of a child alone isn't easy for Waverly. You're both women—can't you show her some understanding?" Not only was I willing to understand Waverly Benson, but I was also ready to step aside entirely so they could raise her child together. So, I packed my bags and applied for an overseas architecture program through my workplace. However, he eventually regretted it, crying and begging me not to go.

My husband was tall and handsome, but he had no money to pay his debts. During the five years of our marriage, I sold my house and car for him. We then moved to a dark and humid basement that was only 300 square feet in size. When I got pregnant, I wanted to go for checkups, but he said that there was no need for it, as it was a waste of money. So I gave birth to a baby with a congenital heart condition. In order to get the money for his surgery, I worked three jobs every day. At that time, I noticed that my husband bought a mansion worth 40 million dollars for an influencer, and I finally realized that my husband was no orphan, but the son of the richest man in the country.

Raven has endured a rough life with her father dying when she was 11 years old. Her mother blamed her for his death which led to her being mentally and physically abused by her mother. She may be the best warrior in the Rising Ash pack, but as a female they don't recognize her as anything other than a breeding mare. Hoping to find her mate when she turns 18 and leave the pack, she gets a big shock that derails her plans. Allistar is the top warrior of the Opal River pack and is hoping to soon find his mate. He lives with parents who always find fault in everything he does and refuse to show him love so he is hoping his mate can show him that love he is missing. Yet, things don't always work out how you want. Now both are part of a prophecy and destined to save all werewolves. Will they still get their happy endings they crave or will fate stand in their way?

I'm wrong, Xavier is wrong. I should have killed him, and he should have been the end of me, therefore we shouldn't have been together. With murder and blood, we began. We began with games and sexual gratification. What we have is a complete catastrophe. However, we can't stop. Either I will destroy my mate, or he will destroy me. I was raised as an assassin, dressed as a man with a male wolf, and sent on a mission to kill Xavier the Alpha with a female wolf. However, the moon goddess pulled a prank on me when I was mated to the Alpha, whom I must kill in order to gain my freedom. What will transpire once Xavier understands that Hazel is not who he thought she was. As he realizes that the one person he trusted is out for his life, would he try to accept the mate bond or destroy her?

The aloof CEO and his childhood sweetheart bring the tragic novel's female lead to an orphanage to adopt a child. All the children pounce on the childhood sweetheart, saying, "Mommy, pick me! Pick me!" The viewers' comments come flooding in. "She can't birth her own child, and now even the orphans don't want her. The tragic female lead is truly pitiful, humiliated by both her husband and his childhood sweetheart!" "The childhood sweetheart keeps winning—spoiled by the CEO, and the orphans scramble to call her 'Mom.' The female lead is nothing but a piece of decor." "It's not tragic enough! Make her even more miserable! It's even better if she cries on the spot so that later, when the CEO recalls this scene, he'll have to work double time to win his wife back!" I glare at the comments, feeling so mad that my short legs push me forward, landing me right in front of the ignored female lead. I tug at her sleeve. "Missy, can you make stew?" The female lead freezes up. "I… I can." My eyes light up with joy. "That's it then! That's exactly what I love. I'll go with you!"