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Raised by a monster from Transamagei since being abandoned at birth, Zea is hunted down and forced to become a part of the Soul Stealers that killed his family and stole his name. Everything he has known no longer exists. Moon is nothing but a demon with a false name and a murderous desire to slaughter and devour anyone who stands in his way of becoming a true Soul Stealer. Having to work with the young Soul who killed his father, Moon must carry out his own Mission to earn his survival; capture the illusive White Wolf and her family. But as the sinister truth behind the capture is discovered, Moon must decide if his life and those of his friends are worth more than what is morally right.

**Story On Hold** In a world where vampires have gone extinct Marinette Sinclair is the last hybrid on Earth. But... she doesn't know it. Marinette has been raised by her billionaire human father and believes the supernatural world doesn't exist. Her life gets turned upside down whenever she gives birth to her child and has near death experience that awakens her vampire side. Not knowing who to talk to and where to turn and getting thrusted into a world she's never heard of while trying to be a new mother and make it on her own... life just got very complicated. On top of everything else, Marinette is still grieving over the loss of her first love and the father of her baby. When Alpha Chase Croft steps into her life... is she ready to accept that it's good to move on with someone else? Will the Alpha be understanding of her situation or struggle with his desire to dominate her in every way he can?

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.