DADDIES AND THEIR GOOD GIRLS
The coarse jute rope hissed as he wrapped it around her upper arms, binding her wrists together before weaving the cord across her chest, securing the knots across her sternum.
The Takate Kote instantly pulled her shoulders back, forcing her breasts forward and thrusting her spine into a sharp, arched posture.
Without breaking his rhythm, Elijah took a second length of rope and began the Futomomo.
He looped the rope around her upper thighs, pulling them wide and securing the knots behind her knees, binding her legs so her center was permanently, brutally exposed.
It took a few minutes of silent, highly skilled work. The tension of the knots was firm, precise, and expertly tied to avoid cutti