The Final Cut
“Possibly. It must have some kind of setting that I don’t know about. I can’t work out how to turn it off.”
“What do you mean?”
“Do you remember how there was some kind of filter that obscured the guys who were doing the torture?”
“Yeah, made them all blurred and shadowy, have you worked out how to do that?”
“Not yet, but that’s how Melissa came out on the film. Everything else in the frame is perfectly in focus, all apart from her. There’s even a moment when it looks like there’s been a double exposure.”
“A double exposure?”
“Yeah, like there’s someone else in the shot, like Melissa’s been superimposed onto another woman, it’s only for a couple of frames but it’s totally inexplicable. Never
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