Poetry Book Reviews Novels & Stories

She's a nice girl, even though I'm more likely to remember the entire makeup routine than her name. The will to leave the room evaporates from my body. Strolling around, I find a book in one of the drawers. It's old, and the cover has faded halfway. I know not to judge a book by its cover, but this book looks less appealing than a sandwich without filling. With nothing better to do, I decide to read it. It turns out to be a poetry anthology with different poems. Surprisingly, they're interesting. I read a few before dozing off.

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"There's one in Capitol Hill open until eleven. We could just browse. No agenda." "Okay. Pick me up in twenty." The bookstore is quiet. Soft lighting. The smell of coffee and paper. We split up. An unspoken agreement to explore separately. I find him thirty minutes later in the poetry section, reading with complete focus. "Find anything?" I ask. He shows me a collection by Mary Oliver. "I didn't know I liked poetry. But this is—it's beautiful." "Buy it." "I will." We leave with five books between us. None of them self-help or business strategy. Just novels and poetry and a cookbook.

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An hour later, after searching for anything to help us within books that ranged from brand new to hundreds of years old, I huffed with disappointment and decided to stretch my legs; my pale finger trailed over the spines of books, dust painting my fingertip. Once I reached the poetry section, I smiled brightly. All around me were books from Silvia Plath, Edgar Allan Poe, Emily Dickson, Robert Frost, and many others that were like my old friends. Taking a random book off the shelf, I flipped through its contents. "(...) Sing your death song, and die like a hero going home." ~ Tecumseh "You enjoy poetry too?" A familiar voice spoke behind me, making my heart speed up as I jumped slightly. Turn

"The ones who treated it as philosophy or memoir or trilogy-completion—they were reviewing the book from outside. They were describing what the book looked like from the position of someone who had not been inside the accumulation. This reviewer was inside. Or at least, this reviewer understood what being inside would require." Ernest had looked at the other reviews—the ones that had not found it, the ones that had categorized the book as one of the existing categories and reviewed the category rather than the book. He received these with the equanimity he had learned across eighteen years: the outside account of a book about the inside account was a legitimate response. The outside account

Russell Samurai and Other Stories by William Meikle Stuck On You and Other Prime Cuts by Jasper Bark Poetry collections: WAR by Alessandro Manzetti and Marge Simon Brief Encounters with My Third Eye by Bruce Boston No Mercy: Dark Poems by Alessandro Manzetti Eden Underground: Poetry of Darkness by Alessandro Manzetti If you’ve ever thought of becoming an author, we’d also like to recommend these non-fiction titles: The Dead Stage: The Journey from Page to Stage by Dan Weatherer

Her work at the local bookstore, once a mundane routine, now felt infused with a sense of meaning. She found herself drawn to the poetry section, her fingers tracing the spines of books she had never explored before. She discovered the delicate beauty of Emily Dickinson's words, the raw emotion of Sylvia Plath's verse, and the lyrical prose of Langston Hughes. Each poem, a window into a different soul, resonated with her own experiences, her own struggles and triumphs.

Pulled the book out. It was a slim volume of poems. Contemporary, literary, the sort of thing that wins prizes and sits unread on most people's shelves. But this copy had been read. The spine was cracked at multiple points, and when I opened it, the pencil marks were everywhere — single words underlined, question marks in the margins, occasionally a longer note in handwriting that was smaller and more controlled than I expected. Sharp. Precise. I sat in the worn reading chair and opened to a marked page and read.

“Makes sense.” That surprised me a little. I expected a comment. Or judgment. Or that usual tone he used when he thought something was pointless but didn’t care enough to argue. Instead he just… accepted it. So I leaned into the conversation instead. “This book is actually good,” I said, tapping it lightly. “It’s mostly poetry centered on grief and memory and how people pretend they’re okay when they’re not.” His eyes flicked down to it again. “Sounds depressing.” “It’s not depressing,” I said immediately. “It’s emotional.”