THE GIRL IN THE MANUSCRIPT
Now she gathers it back in her hands and feels its weight, thick and coarse at the roots, soft at the ends — nothing like Mira’s own fine hair that split and broke no matter how much she conditioned it.
Her heartbeat is wrong too. Slow and steady, deep in her chest — she counts sixty-two beats per minute, pressing two fingers to her wrist, watching the pulse move under skin that’s paler than her own ever was. In her real life, her heart had always raced, even at rest, a nervous flutter that made her ribs ache after long days spent editing manuscripts about women who found peace in small towns. Here, the rhythm is deliberate, unhurried, as if this body was built for patience rather than panic
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