The Queen's Heir
The stars began to fade, but the lights of the mortal city below burned bright and steady, each one a promise of the day to come.
Lysander picked up his sketchpad and drew one final image – Eirene standing beside the olive tree, her hand on its bark, the first light of morning painting her in gold and silver. He knew that this drawing would be one of his greatest works, not because of its technical skill, but because it captured the very essence of what they were building – a world where the eternal and the fleeting, the divine and the mortal, the ancient and the new all came together in perfect harmony.
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