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Chapter 1
The Night the Stars Hid. The storm did not knock. It broke the sky open. It came from the north, black-bellied and furious, dragging winter behind it even though spring was supposed to have arrived weeks ago. Lightning clawed across the heavens as though the gods themselves were trying to rip a hole in the firmament and drag something back through. Thunder followed so close it felt like a second heartbeat inside the manor walls. Wynnehold had stood for four hundred years against war, plague, and siege, but that night it trembled. In the birthing chamber on the third floor, the fire had gone out twice. The maids kept relighting it with shaking hands. Blood steamed in the copper basin. My mother’s screams had long since turned to hoarse animal sounds, then to nothing at all. I was born at the exact moment the eclipse swallowed the moon. No one marked the hour. The clock in the corridor stopped at 3:17 and never started again. Later, the priests would call it proof. Later, the midwives would swear the candles bled wax like tears. But in that instant, there was only silence. I did not cry. Old Marit (hands knotted with rheumatism and superstition) lifted me from the bloodied sheets and held me toward the single candle that still burned. The flame guttered, stretched sideways, then snapped upright again as though someone had slapped it. Marit’s breath fogged in the sudden cold. “She’s marked,” she rasped. “Look at the eyes. One storm-grey, one star-silver. Born the moment the moon died. This one carries ruin in her bones.” Lightning forked outside the window, turning the room corpse-white. In that flash every face looked flayed: the two younger midwives clutching their rosaries, the physician wiping his spectacles over and over though they were already clean, my mother—Lady Amalia Wynne—lying spent and pale, her golden hair dark with sweat, her famous beauty cracked open like porcelain. Amalia turned her face to the wall. “Take it away,” she said, voice raw. “I do not want to see it.” It. The physician cleared his throat. “My lady, the child is—” “Take. It. Away.” No one argued with Amalia Wynne when her voice sounded like that. Not even the storm. Marit wrapped me in linen that had been meant for a boy (blue silk embroidered with silver serpents, the Wynne crest). The fabric was too big; I vanished inside it like a secret. Boots in the corridor. Measured, impatient. The door opened without a knock. General Frederic Wynne filled the frame the way an eclipse fills the sky. Rainwater dripped from his black cloak, pooling on the ancient rug. His medals clinked softly when he moved. He smelled of gunpowder and winter air and something metallic that might have been someone else’s blood. He had come straight from the northern border, they said later. A skirmish with Eldorian raiders. He had ridden three days without sleep to be here for the birth of his heir. He looked first at my mother. Something flickered across his face (relief, maybe, that she still lived), then shuttered again. Then he looked at me. I have been told the moment lasted an eternity. His gloved hand rose, hesitated an inch from my cheek. The leather creaked. I learned later that his palms were scarred from holding reins too long, from gripping a sword until the hilt cut. But in that moment the scars might as well have been fear. He studied my mismatched eyes the way a soldier studies a map of enemy territory. “Another girl,” he said at last. The words fell like stones into deep water. Marit tried to place me in his arms. He took one step back, almost stumbling. “My lord—” she began. “Burn sage,” he ordered. “Salt the windowsills. I want no record of the exact hour. Tell the priests the birth was at dawn.” He turned to leave. “Amalia. Are you—?” “I am tired,” my mother said to the wall. “Leave me.” Father’s jaw worked. For one heartbeat I thought he might insist. Instead he gave a curt nod, the same nod he gave captains before sending them to die. He left without touching me. The door closed with the finality of a coffin lid. Marit looked down at me, her wrinkled face folding into something that might have been pity. “Poor wee bastard,” she muttered. “Born with every door already slammed in your face.” She carried me down the servants’ stairs so no one important would see. The corridors of Wynnehold were paneled in dark oak carved with battles my ancestors had won. Their painted eyes followed us. I would learn those eyes well; they never warmed, no matter how many fires burned below them. In the nursery that had been prepared for a boy (blue again, more serpents), Marit laid me in a cradle too large. She lit a sprig of sage despite the general’s orders and wafted the smoke over me three times widdershins. “For protection,” she whispered, though we both knew it was already too late. Then she did something no one else would do for nineteen years. She touched my cheek with one crooked finger, gentle as falling ash. “Listen well, little ruin,” she said. “The world will try to teach you that love is a debt you owe for existing. Don’t believe them. Love is a weapon. Sharpen it.” She left me there, alone with the storm and the silent portraits and the single star that had dared to appear once the eclipse passed. It hung above the manor like a cold white eye, watching. I stared back with my strange, mismatched gaze and made no sound. But something inside me (something small and feral and already wounded) opened its eyes too. And it remembered everything. –––––––––––––––––––––––––––––––––– Years later, when the bards sang of the night the Black Serpent’s Bride was born, they would speak of omens: ravens falling dead from the sky, rivers running backward, a wolf seen walking the battlements on two legs. They never mentioned the simplest truth. That a mother turned her face away. That a father walked out without touching his child. That a storm raged for hours and no one thought to close the nursery window, so the rain soaked the silk canopy above my cradle until it dripped onto my face like tears no one else would shed for me. They never mentioned that when Old Marit came back at dawn to check on me, the sage had burned down to a single coal, and the coal had etched a perfect circle into the wooden floor around the cradle. A circle that looked (had anyone cared to notice) exactly like a serpent devouring its own tail. But no one did notice. They were all too busy preparing for the victory feast. General Wynne had returned from the border with Eldorian heads in sacks, and the king himself had sent congratulations on the birth of a new Wynne heir. No one corrected His Majesty’s assumption that the heir was male. By the time the mistake was discovered, the invitations had already gone out, and my father decided it was easier to let the kingdom believe what it wanted. I was registered in the family bible as “Child, female, unnamed” and then the page was blotted with ink so thoroughly the letters drowned. They named me Elara two weeks later, when the priest insisted a soul could not be christened without one. Elara (short, forgettable, already crossed off the list of names meant for sons). I learned to answer to it the way a whipped dog learns to come when called. But that first night, in the night the stars hid, I had no name at all. I had only the storm, the silent cradle, and the cold white star that refused to leave its post above the manor roof. And somewhere, far beyond the Veil, in a kingdom where the sun had not risen for a thousand years, something ancient stirred in its sleep. A serpent with eyes like molten emberstone opened one lid. It tasted the air with a tongue made of shadow. And it knew (before even I did) that the wheel had begun to turn again. The eclipse had chosen its sacrifice. The curse had found its next bride. And nineteen years from now, on the night of the next black moon, I would be delivered to the monster who waited beneath an eternal midnight sky. But that was nineteen years away. For now, I was only a silent, unwanted girl with strange eyes and a heart already learning how to break without making a sound. Sleep, little ruin. The dark is patient. It will wait. Turn the page, reader. This is just the beginningElara’s POV.The palace changes the instant Lyriel says the name.One moment the corridors are quiet, dim violet light and distant echoes.The next, alarms ring through the stone like screaming bells—deep, bone-rattling chimes that make the moonflowers wilt and Sael’s fur bristle with real flame.Guards pour from every archway, wings and claws and blades flashing.Lockdown.The word ripples through the air like a command.Lyriel grabs my wrist, wings flaring wide.“We have to move. Now.”We run.Sael races ahead, yipping warnings at corners.Behind us, the shadows on the walls twist and stretch, reaching.I feel them—cold fingers brushing the back of my neck.We burst into my chambers.Lyriel slams the door and presses both palms to it.Runes flare silver across the wood, sealing it.She leans there, breathing hard.“He’s inside,” she whispers. “Kael is inside the palace.”My blood turns to ice.“How?”“Impossible,” she says, voice shaking. “Draven wove barriers c
Defiant Shadows.Draven.The night after the walkI stand in the courtyard long after she disappears inside.The false stars above me pulse like they’re mocking my heartbeat.I told her to go to her chambers before I did something we would both regret.I lied.The regret is already here, gnawing at the edges of everything I thought I had buried.She laughed at dinner.Not the polite, hollow sound the court makes. A real laugh —short, surprised, bright as a blade.It caught me off guard so completely I nearly dropped my glass.I have not heard anyone laugh like that in centuries.I hate her for it.I hate myself more for noticing.I finally force my feet to move.The corridors are empty, silver torches flickering low. My boots echo too loud. Shadows trail me like obedient hounds.Except one.One shadow lingers at the corner where her corridor branches off, stretching longer than it should, darker than the rest.I stop.It does not.I narrow my eyes.“Return,” I command.The shadow quiv
The Long Table Elara The evening after the court confrontationLyriel leads me back to the chambers she prepared earlier —the ones with the starlit bath and midnight silk bed. Sael, the fox cub, trots at my heels, yipping every time his tiny paws slip on the polished obsidian floor.The door shuts behind us.I lean against it and finally let my knees shake.Lyriel watches me with those fractured-glass eyes, wings folded tight.“You were magnificent,” she says quietly. “Reckless. But magnificent.”I laugh, it comes out brittle.“Magnificent gets me threatened with ruin and ashes.”She tilts her head. “It also gets you noticed. The court has not been this alive in centuries.”Before I can answer, lightning crackles in the air.Mireth materializes in the middle of the room, hair wilder than before, smelling of ozone and satisfaction.“My ferocious girl!” she crows, sweeping me into a hug that smells like rain on hot stone. “The entire kingdom is talking about you. You cal
Damned Traditions.Elara—I wake to lightning and fresh bread.The door is wide open. Violet dawn spills across moonflowers that weren’t there when I fell asleep. A woman stands in the doorway balancing a silver tray like she’s about to declare war with pastries.Tall, wild silver-black hair crackling, eyes like colliding galaxies, gown made of living stormclouds.“Good morning, my ferocious little star!” she sings. “I am Mireth, queen of this gloomy pile, and your new mother whether you like it or not. Eat before you faint and ruin my plans.”I sit up slowly. “You’re the queen?”“Guilty. Also part-time goddess of minor chaos. Sit. Eat. Tell me how you made moonflowers grow in a tomb.”She notices the bruises on my wrists.Lightning snaps across her knuckles.“Who chained you?” she asks, voice suddenly soft and deadly.“Everyone,” I answer.“Names,” she says. “I collect them for kindling.”I spill everything —throne room, blood ritual, my father’s new title, Seraphine’s engagement, t
CAGED.Draven’s POVI have done this ninety-nine times.Ninety-nine cages rolled through my gates.Ninety-nine trembling girls in white.Ninety-nine times I have looked at them and seen Aveline’s ghost wearing a new face.Tonight is the hundredth.And I am already breaking.I stand on the balcony of the west wing, claws digging into obsidian stone hard enough to leave grooves. Below, the procession winds through the outer courtyard like a funeral made of moonlight. The cage-wagon is beautiful (black iron gilded to hide the bars). The girl inside is a blade of ivory and silver fury.I watched her arrive.I watched her lift her chin and tell me to kill her quickly.I laughed —gods help me, I laughed because no one has ever looked at me like that. Not in a thousand years.Not since Aveline begged me to run with her instead.I sent the girl to the worst room because I am a coward.The west wing is a ruin (walls cracked from the last time Kael and I tried to murder each other, windows shat
Chapter 8Kingdom Of Eldoria ElaraNine days.Nine days in a stone box beneath Highmont Palace where the only light is a torch that never quite reaches the corners.Nine days of chains that burn cold, of water that tastes of rust, of bread hard enough to break teeth.Nine days of silence so complete I start talking to the black scale just to remember my own voice.It answers, sometimes.Not in words. In heat. In pressure against my ribs like a second heart trying to crawl out.I keep replaying the throne room.Every face. Every cheer. Every lie.Most of all, I replay my family.Father’s voice, ringing false: My daughter volunteers herself…Mother’s perfect tears that never smudged her paint.Seraphine’s sapphire tiara already gleaming in her hair like she was born to wear it.Isla whispering my name until the doors shut.On the fourth day a guard shoves a broadsheet under the cell door.I unroll it with shaking fingers.The headline is in letters an inch tall:GENERAL WYNNE APPOINTE







