They shattered her once with lies. Tried to erase her a second time with betrayal. But some flames don’t die—they learn how to burn back. Alina Cross had it all—or so it seemed. A perfect marriage. A promising future. Until one night tore everything apart. Blood on the pavement. A name whispered like a curse. And then… silence. But fate doesn’t forget what the world tries to bury. Rescued by a man with shadows in his eyes and secrets in his touch, Alina awakens with a new face, a new identity, and a purpose more powerful than pain. As unfamiliar figures from her past resurface—one with answers, one with loyalty—she begins to see the truth behind the lies she once lived. This time, she isn’t the woman who lost. everything. She’s the woman with nothing left to lose. And she knows exactly where to aim the blade.
View MorePOV: ALINA / KAIAIt starts with a knock. Not on my door, but on my mind. The kind that isn’t real at first. Just a pulse. A feeling. Like something has shifted.I am in my home office with the lights of and the blinds half-drawn, the glow of my laptop screen cutting across the dark like a scalpel. I haven’t slept in thirty hours. I haven’t blinked in five. I’m still rereading Margot’s message."He moved on Ruth."Ruth.Her sister Her family.I read it again. Out loud this time. But my voice sounds foreign. Fragile.The words blur, not from tears. From the pressure behind my eyes. Something in my chest twists and locks.Theo is across the room, arms crossed, quiet. He has been watching me. Not like a friend. Like a soldier waiting for the order to strike.I speak first."Tell me everything."He steps forward, but slowly. Like he knows I might shatter if he rushes it."It was quiet. Calculated. Rourke’s signature, mostly digital. They tripped one of our buried security protocols, an
POV: MARGOT8:12 a.m.I don’t change out of my robe. I’m still barefoot when I sit down at the dining table with a second cup of coffee and pull out my personal burner.One call. One number.Angela Crowley.She is not just the regional SEC director. She is a careerist, media-friendly, and if I put her in the right room at the right time, with the right optics, she becomes untouchable. And that’s exactly what I need. Not for me.For Ruth.The phone rings three times before her assistant picks up."Ms. Dewitt," he says, sharp. "I was told you might reach out.""Good. Let her know I will be at Primrose on 5th at 12:30 p.m. today. I’m reserving the back window table. I want this public. I want it documented. And I want it loud."He hesitates, but then: "I’ll confirm with her in ten.""Make it five.”I end the call and before I can take a sip of my coffee, it pings again.Alina."Your call last night triggered Theo’s alerts. Rourke. Former CIA. Red-level threat. Confirmed hit on Ruth’s loc
POV: MARGOTIt’s 12:41 a.m. when my phone rings but I don’t pick up right away. I am lying in bed, half-asleep, staring at the ceiling and pretending not to be waiting for the universe to kick start again. But when I see the caller ID, I sit up."Ruth."Her name lights up my screen, and a sick feeling clamps down on my gut before I even answer. My sister never calls this late. Ever. She hates phones. Hates attention. The last time she rang me after midnight, it was about Mom’s stroke."Ruth? What's wrong?"Her voice shakes. “Someone broke in."I am already throwing the blanket off. “What? Are you okay? Were you hurt?""No. I wasn’t home, I was at the volunteer center. I came back and… my place is a disaster. Not ransacked like a robbery. Just... weird. Creepy. They didn’t take anything, M. They just tore things up. Photos. My journals. That picture of us from the boardwalk? Ripped. Drawers dumped out. The floorboards were... pried. What the hell is going on? What have you gotten me in
POV: NATHANIEL I’m still staring at the photo.It’s been hours.Everyone’s gone home. The office is dark except for the screen in front of me. I haven’t moved. Haven’t blinked, maybe. My throat is dry, chest tight. That damn image is still right there. I rub my eyes again. No message. No threat. No name. Just the picture. And it’s sitting in my private email. One no one is supposed to know exists. Encrypted, off-grid, created back when I still thought secrets could be buried. That inbox doesn’t even get spam.So who the hell found it?And why Alina?I grab my phone. Scroll. My contact list blurs until I land on a name I haven’t touched in five years: Rourke.He picks up on the second ring.“Cross.”“I need you. Are you free?”“Always. Price?”“Double.”Silence. Then: “Send me the file. I will move.”I shoot the picture over. Then I add a note: Find who sent this. Discreetly.I don’t ask questions. Rourke’s the kind of man who could make a person disappear without blinking. He used t
POV: NATHANIELThe email pings at exactly 2:14 a.m.I should be asleep but I am not.Sleep has been like a stranger recently.So, here I am in my study, pacing in the dark, half dressed, with a glass of whiskey that is already warm and useless. There is something clawing at me tonight. A tension I can’t name. Like something is about to snap but won’t tell me when. The silence feels rigged.It is something I am used to now. The unrest. The tension. The constant waiting for the next shoe to drop.My life has moved from blissful peace and control to desperate survivalWhen I hear the ping, I grab my phone out of habit, not interest. I am expecting some spam or another desperate board member needing reassurances. But when I open it, I freeze.No subject. No message. Just one attachment.I open it.My mouth dries.It is a photo. An old one.Our old family portrait. Me. My mother. My father. All of us lined up like some twisted American royalty. Except, someone has tampered with it.My mo
POV: ALINAIt starts with a file. Quiet, cold, and unassuming. But the weight of it, the intention behind it, feels like a match held over gasoline. I don’t send it from my Ashen account. I use a burner line, a secure drop, routed through layers that Theo set up for moments just like this. Clean. Untraceable.The request goes straight to the SEC. Not flashy. Not loud. Just a nudge. A gentle suggestion to take a closer look at Cross Industries’ last two fiscal years. Not the whole thing. Just one division. The one Nathaniel inherited directly from his father. Buried in those ledgers are the ghosts of a dynasty—one bloated by power, sealed with blood money, and dressed up in sleek suits and speeches about progress.I don’t need them to dig deep. I just need them to start.Once that fuse is lit, I switch tabs. Open another burner.I attach a photo. One of their old family portraits. Nathaniel standing behind his father, his mother sitting on a velvet chair like she owned the goddamn wor
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