MasukMonet Palmer had never missed Sunday Mass in her entire life—even after moving in with the Abbotts, she went with the children in towx. On rare Sundays, Richard would join them, quietly, solemnly, always sitting at the far end of the pew like someone visiting a museum, not a sanctuary.
It had been ten years since she walked away from postulancy to pursue a life she wasn’t sure belo.gnged to her. Twenty-nine since she was abandoned—wrapped in a crocheted blanket and a note that only said "God knows her name"—on the stoop of Sisters of Saint Josephine Convent. Now, standing on that same stone stoop, the years folded in on themselves like parchment. She stared at the tall oak doors that had once been her entire world. A thousand memories fought for space in her chest—her first prayer, the sound of Sister Miriam's laughter echoing through the halls, the warmth of Mother Margaret's shawl wrapped around her shoulders during winter Mass. But beneath those memories churned something heavier: shame and uncertainty. Was she returning home? Or just trespassing? Her fingers moved on instinct—three short knocks against the door, each one loud in the silence, each one mirroring the hard thud of her heartbeat. Almost automatically, her eyes flicked downward. She smoothed a crease in her blue tweed dress, adjusting the neckline. That’s when the diamond caught her eye. Four carats. Princess cut. Cold, brilliant, and undeniably heavy. One step closer. "Sister Andromeda." The name hit like a ghost. No one had called her that in a decade. Monet looked up into the leathery, smiling face of Mother Margaret, who stood just inside the doorway as though she’d known Monet would come. In her gray and black habit she was older than Monet remembered but her eyes—those soft hazel eyes—still held the same warmth that had once rocked a child to sleep. "I’ve been waiting for you," the older woman said. A laugh—half relief, half nerves—bubbled from Monet’s throat. A real, honest-to-God grin overtook her face, matching Mother Margaret’s in depth and light. When she stepped inside, the scent hit her first: mildewy books, beeswax polish, rose oil from the altar cloths. Her shoulders relaxed for the first time in days. This was home. --- “Where’s Monet, Daddy?” Richard looked up from his desktop into the big, serious eyes of Meredith. It was the third time in the last two hours she’d asked. “She told you, remember?” he replied gently. “She was going to visit the place where she was raised.” He stood from his chair with a creak in his joints that made Meredith wrinkle her nose. Richard chuckled despite himself. “Is she coming home tonight?” she asked again, softer now. Monet had taken the day off to drive to Boston, and though she’d explained her plans to the kids both last night and that morning, it hadn’t sunk in. Not fully. “Yes, sweetheart. But it’ll be really late,” he reassured her. “She waited to see you both off before she hit the road.” Meredith’s brow pinched. “It isn’t safe for a woman to drive alone at night. We should’ve gone with her.” Richard would have laughed, but the solemnity in her voice quieted any amusement. She was eight-going-on-sixty with her wisdoms. He knelt to her height, resting gentle hands on her small shoulders. “She’ll be fine.” But he wasn’t so sure. The worry had lingered all day, clawing at the edge of his thoughts. She'd assured him she'd be back that same day and he'd nodded in that stoic face he swore like an armor when emotions threatened to leak. “Want some snack and soda?” he offered, eager to shift the mood. But mostly to distract himself from thoughts of Monet. She shook her head, her auburn wavy hair bouncing. “Monet prepped snacks and left them in the fridge.” Of course she had. She’d also left lunch and dinner, for all three of them, leaving nothing to chance. Her quiet efficiency always struck him—not just the competence, but the care behind it. It shouldn't shame him, but it did. He paid her well. She juggled part-time shifts at the hospital and volunteered at schools, yet somehow made time to mother his children like they were her own. She was irreplaceable. And yet… she was leaving, with her replacements lined for him to interview when he could get to it. In her own efficient manner she'd brought in resumes from the hospital and school just like her's. “I’ll really miss her when she leaves, Daddy.” Richard sighed deeply, not shocked that Meredith had read his thoughts. Two pairs of miserable eyes locked. Father and daughter hugged tightly, bound in the same unspoken grief. ______ Back in Boston, Sister Margaret waited until they were alone in the small utilitarian parlor with it's wicker furniture and little portraits of saints. Monet had greeted the new sisters warmly, but it was the older ones who made her eyes sting. These were the women who prayed with her when she felt lost, cheered when she scored in schoolyard games, tucked her in when her nightmares returned, held her when she couldn't communicate her feelings. She hadn’t realized how much she’d missed them. Every scripture, every hymn, every liturgy, every tear-stained journal entry came rushing back as she sat in the quiet parlor, her teacup trembling in her hands. “You’re holding your teacup like it’s a shield, Monet. Are we celebrating today… or comforting?” A watery smile tugged at Monet’s lips. “Both, I think.” “You’re marrying this man… Dr. Benson?” “Yes. He’s good. Kind. Respected. It makes sense.” “Does it feel right?” “I thought wanting a family meant I had to take what came. That I couldn’t be… choosy.” “Wanting to be a mother doesn’t mean abandoning your peace,” the elder nun said gently. “Your heart still belongs to God, child. Ask Him—truly—if He’s leading you to this man, or if you’re just filling silence with noise.” A deep, shaky breath escaped Monet’s lips. “It just… feels like I’m exactly where I’m supposed to be.” Hazel eyes studied her. “With the Abbott family?” “Yes.” It came out tiny. A whisper. But it was the truest thing she’d said all day. “But I can’t continue with the house-playing,” Monet said suddenly, setting her cup down. “I love the kids. Leaving would destroy them. But they aren’t mine. And that’s what I want—my own.” “You want children of your own?” “Children I wouldn’t abandon on cold winter nights while the world sleeps.” The tear came suddenly, a single trail she didn’t bother to wipe. Warm hands reached out, pulling her into the folds of Mother Margaret’s familiar habit. Then, she broke. Sobs wracked her body, her head buried in the safe crook of the nun’s shoulder. “Let it all out, my child.” Monet cried for the mother who abandoned her, for the life she abandoned at postulancy, for Hannah Abbott who'd left three broken hearts, for the children she loved like her own, for the love she wasn’t sure she felt for Kyle, and the ache she definitely felt for Richard. She cried until her breath hitched and her throat burned. Till she was a whimpering mess, Mother Margaret cooed and patted her all through. “You have and always will be my child, Monet Andromeda Palmer,” came the whispered comfort. “Birth mother or not. Don’t ever forget that.” “And in all the ways that mattered you've been a mother to those kids,” Monet shuddered at the words. “And you're not abandoning them the same way you were abandoned.” And somehow, in that sacred space, something inside her shifted. The ache didn’t disappear, but it lost its power to rule her. For the first time in a long time, she wasn’t just holding on. She was letting go. ______ The convent was quiet behind her. The evening sky was a burst of colors cloaking the convent grounds in angelic glow, and Monet tightened her coat around her as she stepped onto the gravel path. Her eyes were still puffy from crying, but her spirit—though tender—felt lighter. Like she’d set something down at the altar, something she didn’t realize had been burdening her all these years. She sat in the driver’s seat of her car, the silence stretching long before she even turned the key. Her phone buzzed in the cup holder. A message from Richard. “Let us know when you’re close. Meredith won’t sleep.” A soft smile touched her lips. She misses me, Monet thought, placing a hand over her chest. The ache that came with the realization wasn’t painful—it was warm. Alive. She didn’t reply immediately. Instead, she stared at the message for a moment, letting it sit with her. Meredith wouldn’t sleep. Carter would pretend he didn’t care, then sneak downstairs the moment the garage door opened. And Richard—he’d pretend he hadn’t been waiting up at all. Her fingers hovered above the screen, then typed: “I’ll be home soon. Tell her to keep the teddy beside her.” PShe put the car in reverse and pulled out slowly, headlights cutting through the early darkness of the rural road. Trees blurred past, and the radio played low—one of those gospel songs she grew up hearing during chores at the convent, now twisted into something sweet and modern. The kind of song that made you think about your life in snapshots. She thought of Meredith’s arms around her waist. Of Carter’s messy fingers in her hair. Of Richard’s unreadable eyes and that faint tremor in his voice the day she said she couldn’t work part-time. She thought of Kyle too, his unwavering support and love, the gentle pressure of his lips over hers, the not-so-gentle demand for commitment. But it was the Abbott house she was returning to. Not his apartment. Not some new city. Home. Her gaze flicked to the rearview mirror—past the darkened road behind her, past the fading lights of the convent steeple, and then forward again. A slow breath filled her lungs. She didn’t know what tomorrow would bring. But tonight, she was going home.Please like, share and comment. 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Florence Abbott did not ask questions until tea had been poured.That, Richard had learned, was how she controlled the temperature of a room—through ritual, through civility, through the refusal to rush toward alarm.The drawing room was familiar in the way inherited spaces were. Not cold. Certain. Tall windows. A marble mantel. Furniture that had never needed to announce its value.Richard stood by the window, sleeves rolled past his elbows. “She spoke to me,” Florence said finally, lifting her cup. “Elara Jacobs.”Richard turned slowly. “You found her.”Florence nodded. “A museum. Predictable. Intelligent. Angry.”“That tracks,” Richard said.Florence glanced at him over the rim of her cup. “And Gabriel?”Richard exhaled once. “No longer pretending. He's hiding something big.”Florence set her cup down. “Then we are past coincidence.”“Yes.”They sat in the silence of people who understood that the word yes had weight.Florence folded her hands. “She believes she is owed restitutio
Elara had chosen the museum because it was anonymous and it was in New York. Museums were good like that—full of people, but not intimacy. Movement without engagement. You could stand in front of a centuries-old painting and feel unseen, which was exactly what she needed after the podcast, after the backlash, after the silence she had not expected to hurt this much.She was halfway through the West African sculpture wing when she felt it. Not being watched. Being recognized.“Elara Jacobs.”The voice was calm. Cultured. Female. Not young.Elara turned slowly.The woman standing behind her did not belong to the museum the way tourists did. She belonged the way benefactors did—tailored coat, posture precise, eyes observant without curiosity. Wealth without noise. Authority without announcement.Florence Abbott.Elara knew her face from photographs. Society columns. Old Christmas features that pretended not to be about lineage while being entirely about lineage.Richard’s grandmother.
Richard Abbott did not confront people on instinct.He gathered facts. He verified patterns. He waited until certainty settled into his bones like a weight inescapable, undeniable.That was how he knew Gabriel Morgan was not a coincidence.The PI’s report lay open on Richard’s desk, pages neat, impersonal, damning in their restraint. Names. Dates. Proximity. Patterns that did not scream guilt but whispered intention.Gabriel Morgan. Private equity consultant. International board appointments. Old-money access without visible origin.And threaded through it all—quietly, repeatedly—Monet.Richard leaned back, fingers steepled, jaw tight.Gabriel had been near the foundations on which Monet once stood. Near the convents. Near the social circles that brushed too close to Stephanie Jacobs’ shadow. Near Elara—long before Seychelles, long before chance could be blamed.Richard exhaled slowly. So this was not curiosity.This was an inheritance. He closed the file and stood. They met.
Juliet Pendleton saw it while standing in her kitchen, barefoot on cold marble, a porcelain cup cooling untouched in her hand.She hadn’t been looking for it. That was the unsettling part.The notification surfaced the way truths often did in her life—uninvited, perfectly timed.Trending: Stephanie Jacobs’ Daughters—A Legacy Reopened. The Jacobs family isn't offering any comments at the moment. Juliet frowned faintly and tapped the screen. She listened. All the way through.She didn’t interrupt it with outrage or disbelief. She didn’t pace. She didn’t curse Monet or Elara or Richard.She simply listened.By the time the episode ended, her tea had gone cold and something sharp and old had surfaced behind her ribs.“Well,” she murmured to the empty kitchen. “So it finally escaped the box.”Juliet had spent most of her life adjacent to secrets that other people believed were buried. Old money had a way of leaving fingerprints on stories even after it washed its hands.Stephanie Jaco
Monet knew who it was before the knock finished echoing on the door. There was a particular rhythm to Mother Margaret’s presence—unhurried, reverent, as though even doors should be approached with care. Monet closes her eyes briefly, breath tightening, then forces herself to stand. She opens the door.Mother Margaret looks smaller than Monet remembers. Or maybe Monet has grown into her grief. The nun’s habit is immaculate, her silver-streaked hair tucked neatly beneath her veil, her eyes warm with something dangerously close to relief.“Monet,” she says softly.That is all it takes.Anger surges—hot, immediate—but it has nowhere to land. It dissolves the moment Mother Margaret steps forward and cups Monet’s face the way she used to when Monet was a child with skinned knees and unasked questions.“You shouldn’t have come,” Monet says, even as she steps aside.“I know,” Mother Margaret replies, and enters anyway.They sit in the breakfast nook in the kitchen. Monet pours tea. Stea
The silence came first.Not immediately—not while the recording lights are still warm, not while the producer is thanking her, not while the sound engineer nods like he’s witnessed something important. Silence waits. It is patient. It always is.It finds her later. In the back seat of the car.In the pause before her phone lights up again.In the way her aunt’s house smells like lemon cleaner and nothing else.Elara presses her forehead against the window as the city slides past. Neon, glass, faces reflected and distorted. The world looks unchanged, which feels offensive. She has just spoken a truth that took her entire life to assemble, and the streetlights don’t even flicker in acknowledgment.Her phone buzzes. She doesn’t check it.She already knows what’s there. She had known before she agreed to the podcast before she sat in that chair, microphone hovering inches from her mouth like a question that had been waiting decades to be asked. Sympathy. Curiosity. Applause. Dis







