FAZER LOGINElara has nothing left. Her brother is gone, her parents gambled away what family she had, and her dream of dancing professionally is slipping through her fingers. Then the richest man in the country makes her an offer: move into his mansion and make his four estranged grandsons love each other again. The job sounds simple until she meets them. A ruthless CEO who never loses. A doctor with gentle hands and a guarded heart. A gamer who hides behind a screen. And the fourth young master, the one who corners her in dark hallways, stands too close, and speaks in a voice so low it makes her forget what she was about to say. He claims he can't stand her. But his eyes linger on her lips when she laughs. His hand catches her waist when she stumbles, and he lets go a second too late. Every glare feels like a challenge, every near-touch like a dare, and every night under the same roof makes it harder to pretend she isn't burning for him. What she doesn't know is that the man who keeps pulling her close and pushing her away is the idol she has adored for years, the voice she has fallen asleep to, the one who secretly watches every move she makes on stage. As the walls between them crack, so do the secrets his family has buried, and one of them could destroy him. How long can two people keep resisting what they both want? And when he finally stops pretending, will she be ready for a love this hungry? Slow-burn, sensual and full of laughs, this is a story about healing a broken family and falling, helplessly, for the one man she was never supposed to touch.
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*"Make my grandsons love each other again, and I will give you more money than you could spend in ten lifetimes."* The richest man in the country said it like a command, but his eyes were begging. She sat across from him in a study the size of her family's entire house, and for a moment she forgot to breathe. He was old now, and tired in a way money could not fix. Behind him hung a photograph of four small boys in matching suits, shoulder to shoulder, smiling as though nothing could ever break them. "That was taken before the crash," he said quietly. She knew the story. Four brothers, his sons, had boarded a plane for a business meeting and never returned. They died on the same day, as close in death as they had been in life. Their sons inherited the company, the fortune and the grief. They did not inherit the friendship. "They hate each other," the old man said. "And I do not know why." Hatred like that always had a reason. Behind the marble and the family name, each cousin carried a story no one else knew. Then he named the amount. Her parents' debts. Her dance group's dream. A future with no struggle in it. She should have asked questions. Instead, she lifted her chin. "I'll do it." For the first time that day, the old man smiled. "Good. You will need courage. They are not easy boys." --- On moving day, she stood at the gate and stared. The house was a palace dressed as a home, its glass throwing the sunlight back in gold, its chandeliers falling like waterfalls of light. The housekeeper led her through it. Downstairs, two rooms stood side by side behind wide glass doors, and beside them a third, so much larger it seemed a kingdom of its own. Upstairs was one enormous room, and across from it, a smaller one. "That is yours." The bed was draped in silk, and the window opened onto the garden. It was the loveliest room she had ever seen, and it felt like a room in a house where she was not quite welcome. "And the young masters?" "The first is the CEO. He has the largest room downstairs. No one knows what he does in there. He hardly comes out, except for breakfast and personal needs." The housekeeper's voice lowered. "The second is a doctor at the family hospital. The third, a gamer, runs the family game club. They have the rooms side by side." "And the one upstairs?" "The fourth young master. He stays indoors and speaks to almost no one. When he is offended..." She hesitated. "It is better not to offend him." *And my door,* she realized, *faces his.* --- That afternoon, the first three young masters were out. Only the fourth remained, shut away behind his door. The silence pressed on her, too vast and too empty. She knew only one thing that could fill a silence like that. She was the leader of a five-girl dance group, and she had founded it for a single reason: a musician. He had once been the most beloved voice in the country. His mother, a dancer, had taught him everything, and together they performed one last love song so tender that it became his most famous work. Then she died. He stopped singing, stopped dancing, and pulled every song he had ever made from the world. A few fans had kept his music like a secret treasure, and they kept dancing to it, as though dancing could bring him back. She was one of them. Next month, her group would perform his last song on a concert stage. She had rehearsed every turn until she could do it in her sleep. She owed him that much. She connected her phone to the speaker in the living room, turned the volume as high as it would go, and the first note filled the house. She began to dance. --- Upstairs, behind a heavy door, a chair scraped back. The fourth young master had not left his room since morning, and he did not like noise. He liked it even less when it rattled the walls of his own house. His jaw tightened beneath the black mask that covered the lower half of his face. *Who is making that racket?* He came down the stairs with long, irritated strides, one hand sliding along the rail, his eyes cold and half-lidded. He was headed for the living room to put an end to it. He never reached the bottom step. --- She had come to the final sequence, the one she had practiced a hundred times: a long slide across the floor, a spin, then a deep backward arch, trusting the air to hold her. Her bare foot slid a little too far across the polished marble. The arch became a fall. She gasped, her arms flying out, and then something solid caught her: an arm locked around her waist, a hand braced at the small of her back. The room tilted. They went down together onto the couch. When the world stopped spinning, she was lying across him. Her palms rested on a hard chest. His hand had slipped beneath the hem of her top and settled against the bare skin of her waist, and the heat of it traveled through her entire body. Her hair had fallen around them like a curtain, shutting out everything else. Neither of them said a word. His breath came warm and uneven through the thin fabric of his mask, brushing her lips. His thumb pressed once into her skin, slowly, almost against his will, and a shiver ran down her spine. She should have moved. She knew she should have moved. She looked up instead. His eyes were dark and sharp and only inches from hers, and they were not looking away. They dropped to her mouth, lingered there, then rose to meet her gaze again. The music played on, but she could no longer hear it. She could hear only her own heartbeat, and beneath her palm, his, as loud and as unsteady as hers. His arm should have let her go. It tightened instead. The air between them grew thick, as if the whole house were holding its breath. Somewhere deep in her mind, a small voice reminded her of what the housekeeper had said: *It is better not to offend him.* She had been in this mansion for three hours. She had signed a contract worth a fortune. And she was lying across the one young master no one dared to touch, and he was not pushing her away. His eyes searched her face, slowly, as though he were trying to understand something he had no name for. His lips parted."Marlow Junction," said Kai, reading the screen of his phone with the grim satisfaction of a man who had found a villain. "That's where they've stopped the train. Forty minutes from here by road. Maybe fifty, if the motorway's kind." "The motorway is never kind," said Elara. "Then I'll be unkind back." They stood on the empty platform under the red letters of the arrivals board. Behind them, a cleaner pushed a mop in slow, philosophical circles. Elara's phone showed 8:19. Yuna, on the other end of the line, was breathing carefully, like someone trying not to cry in a carriage full of strangers. "They're letting people off at Marlow," Yuna said. "The announcement says buses will come eventually. I don't think eventually is going to be today." "Stay on the platform," said Elara. "Don't move. Don't board any bus. Someone is coming." "Who?" "Kai." A pause. "The boy who threw a canapé at me once?" "At a stranger," said Kai, offended. "It was a misunderstanding. I'm a changed man.
The X-ray said sprain, not break. "A bad one," Julian told them in the waiting room at midnight, still in the coat he had thrown on over his pajamas. He had driven Ji-an to the hospital himself, with Mina in the back seat gripping her hand. "Grade two. She's in a splint. No weight for three weeks, no dancing for six." Ji-an, in a wheelchair with her foot propped up, was crying quietly into a tissue. "I'm so sorry. I'm so sorry." "Stop it," said Elara. She crouched in front of her and took both her hands. "You are the best thing that ever happened to this group, and you will be the best thing that happens to it next year. Tomorrow you're going to sit in the front row and heckle us." "Supportively?" "Extremely supportively." Ji-an laughed through her tears. Behind them, Mina cleared her throat. "There's someone we could ask," she said. "Yuna." Elara went still. Yuna had been the fifth dancer for two years. She had left eight months ago, when her mother fell ill and she moved ba
At five in the morning, the conservatory smelled of wet earth and orchids, and Elara was bleeding into her sock. It was a very small amount. She sat on the edge of a stone planter with her left foot in her lap and the tape unwound, frowning at a blister the size of a coin. The glass walls were still dark. Beyond them, the garden lay gray and silent, and somewhere in the old house above her, the clock struck the hour with the weary politeness of a clock that had seen everything. Two nights of almost no sleep. Eight hundred repetitions of the same bridge. A closing slot, a second song, and four thousand tickets sold to people who wanted a masked stranger more than they wanted her. She pressed her thumbs against her eyes. *Breathe.* "You're bleeding on a hundred-year-old floor." She did not jump. She had, she realized, been listening for the sound of the door. He stood in the arch between the conservatory and the corridor, in a dark sweater with the sleeves pushed up, black mask i
Elara stepped back from the door. The handle finished its slow turn, and the latch released with a small, definite click. The door swung inward a hand's width, then wider, and lamplight spilled into the corridor in a long gold wedge. He stood in the opening with one hand on the frame. A dark shirt, sleeves pushed to the elbows, the black mask in place. In his other hand he held the paper bag she had left on the floor, folded flat and neat, the way a person folds something they do not intend to throw away. "I don't litter," he said. "I didn't say you did." "You were thinking it." "I was thinking you ate the sandwich." "I was hungry." A pause. "It was adequate." She pressed her lips together so he wouldn't see her smile. Behind him, she caught a slice of the room: the corner of a piano, a desk buried in paper, a lamp throwing its warm circle across the carpet. His eyes followed hers there, and he shifted half a step to block the view. "Don't look at the desk." "I'm looking at


















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