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TRUTH

He walks over to the bookshelf and lifts a snow globe up to the light. He stares into the orb at the pre-9/11 skyline of New York City. He is all hard angles, a dark tower against the sherbet-colored plush of toys and downy blankets. His silence is my answer. 

Gray’s working with his father represents a kind of cease-fire. After a troubled adolescence and many years of estrangement in adulthood, Gray and his father have finally come to a demilitarized zone in their relationship. I think Gray likes it there; he doesn’t want to go back to war. I understand this, but I resent it, too. We fight again and again about it, with no resolution.

“You know, I’m not crazy,” I say, apropos of nothing, after a few minutes of silence, each of us isolated by our private, angry thoughts. I just feel I have to assert this.

“I know that,” he says, returning to sit beside me again. He has a look on his face that reminds me he’s s

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