LOGINChris is a struggling college student who becomes a gigolo in order to pay for his tuition fees. He encounters Rodrigo, a ruthless mafia king pin who loves venting his anger and frustration through sex. In his encounter with Chris, he realizes he enjoys something he doesn't enjoy from his other female companions, he decides to order for Chris's private services. Chris is exposed to a world of ruthlessness, hot, hard and raw sex and a lot of money while Rodrigo begins to understand what it means to show compassion and truly care for someone through his encounter with Chris.
View MoreChris’s POV
Look, before you judge me, understand something first: I didn’t have a choice. This world hasn’t exactly been kind to me. The day I was born, my mother died bringing me into it. Ever since then, my father has treated me like a curse he never asked for. Every bruise, every beating, every drunken rant always comes back to the same thing. You killed her. For a while, my aunt kept me going. She paid for my education, bought my books, made sure I ate, and reminded me that maybe my life could become something better. She was the only person who ever truly loved me. Then she died too. After that, it was just me. Me paying tuition. Me paying rent. Me surviving. Now I’m in college with nobody to lean on except myself, and honestly? Survival doesn’t leave room for pride. That’s why I took this job. Sex work pays well. Better than most dead-end jobs people love suggesting when they’ve never had to choose between eating and staying in school. So if you’re judging me for doing what I need to survive, maybe that says more about you than it does about me. It was June twenty-ninth when I walked into Esteban’s office begging for work. “This ain’t no gay bar, kid,” Esteban snapped, a cigar hanging from the corner of his mouth. “Our clients come here for women. Men pay to fuck women. That’s how Silver Slippers works.” “Please, Esteban,” I said quickly. “You know damn well there are closeted clients out there. All you gotta do is make the option available. Give me one month. If I don’t bring in customers, I’ll leave.” He leaned back in his chair with an irritated sigh. “Kid—” “Please.” My voice cracked before I could stop it. “I’ve got bills to pay. You know my dad’s useless. I need this.” And I hated how desperate I sounded. I was practically on my knees begging this pot-bellied bastard who sat comfortably on piles of money made from other people’s desperation. Silver Slippers was the biggest sex house in town. Rich businessmen, street junkies, politicians, “faithful” husbands — anybody could walk through those doors as long as they could pay. The house guaranteed strict confidentiality. No names. No leaks. No questions. Funny thing is, I’d never even had sex before. Not once. Whoever touched me first — whether they fucked me or let me fuck them — would be my first time. And before you ask why I didn’t just get a “normal” job at some burger joint or coffee shop, let me save you the speech. Those jobs barely pay enough to survive, let alone cover college tuition. Silver Slippers paid its girls more money in a night than I could make in a month elsewhere. I needed real money. I needed a future. “Fine,” Esteban finally grunted. “A few nights. I’ll spread the word that we’re offering male services now. If you get at least ten requests in two weeks, maybe we’ll talk about making this permanent.” Relief hit me so hard my knees nearly gave out. “Thank you, Esteban. I swear you won’t regret it.” “Promises don’t make me money, kid,” he muttered. “Bring in the dough, then we’ll see.” “Yeah,” I said quietly. “Deal.” And just like that, my life changed. I left his office later that night with my chest tight and my thoughts spinning. The neon lights of Silver Slippers glowed behind me as I stepped back into the filthy streets I’d spent my whole life trying to escape. Maybe this would ruin me. Maybe it would save me. Either way, I didn’t have the luxury of turning back. Mom… I know you probably wouldn’t approve. But I hope you understand.Chris’s POVThe first thing I feel when I wake up is warm. The second thing I feel is safe. The third thing I feel is guilty for feeling the first two, because apparently my brain can't let me have nice things without serving a side dish of self-loathing with it.I blink at Aubrey's ceiling — still blue, still aggressively calm, still covered in those tiny glow-in-the-dark stars that she probably thinks are quirky but I think are surveillance devices planted by aliens who want to study human sleep patterns. Two days. I've been here two days, eating her food, wearing her clothes, crying on her shoulder like a broken faucet. Two days of her texting her mom vague lies about "staying with a friend" while I take up space in her life like a human-shaped tumor.And now I'm going to repay her kindness by sneaking out to confront a billionaire psycho who got me fired.I sit up slowly. Aubrey's already gone — class, proba
Chris’s POV The question hangs in the air like smoke. I could lie. I should lie. Normal people don't dump this much trauma on their friends at one in the morning. Normal people say "it's complicated" and change the subject. But I'm so tired. I'm so fucking tired of carrying this alone. "Yeah," I say. My voice cracks. "Yeah, he has. A lot. Since I was a kid. Physical stuff, mostly. When he's drunk. When he's high. When he's... when he's angry." I swallow hard. "And sometimes... sometimes it's worse than hitting." Aubrey goes very still. I see the moment she understands. I see it land on her face like a physical blow — the widening eyes, the hand pressed to her chest, the way she stops breathing for a second. "He looks at me," I continue, and now I'm crying, now I can't stop, "and he sees my mom. I look like her. Everyone says so. And he blames me for her death. He blames me, Aubrey. Like I chose to be born. Like I chose for her to die. And when he drinks enough, when he gets high e
Chris’s POVThe first thing I notice about Aubrey's apartment is that it looks like someone lives here.Not survives. Not endures. Not treats every square foot like a temporary holding cell between disasters. Lives. The walls are this soft blue that somehow manages to be calming instead of depressing — the color of a sky that hasn't personally wronged me. Slices of baby pink peek out from corners like she's trying to balance the vibe between "chill" and "I have a personality." Band posters everywhere. Song lyrics I don't recognize scrawled in frames. The whole place smells like vanilla and safety and money that didn't come from letting strangers touch you.I stand in the middle of her studio like an alien who just crash-landed on Planet Normal. My hands are still shaking. My mouth still tastes like my father's blood. And I'm staring at a throw pillow shaped like a cloud thinking: This is what stability looks lik
Chris's POVPanic floods my system like gasoline. I can't breathe. I can't move. I can't —I bite him.I don't decide to. My body decides for me. I lunge forward and sink my teeth into his ear, hard as I can, until I feel the cartilage give, until I taste blood — hot, coppery, obscene — filling my mouth. He howls, a sound that will haunt my dreams for the rest of my life, and reels back, clutching the side of his head.I don't wait. I scramble to my feet. I run.I don't grab my phone. I don't grab my wallet. I don't grab the shoes that are by the door or the jacket that's hanging on the hook. I just run.The hallway blurs. The stairs are a nightmare of tripping and catching myself and tripping again. I burst through the front door of the building and into the night, and my legs just keep going. I don't know where I'm going. I don't have a destination. I just know that if I stop, if I slow down, if I think for one s












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