Mag-log inThe silence is its own beast. Worse than the betas, worse than Lucian’s voice. I sit on the cot—if you can call a slab of foam and a ratty blanket a cot—hands locked in front of me, staring at the door as if it might suddenly decide to open again.
It doesn’t. Instead, I get the slow tick of water somewhere in the walls, the distant whine of wind through a cracked vent, and the soft, insistent pulse of pain where the silver cuffs bite into my wrists. There’s no window. The only light comes from a bulb in a wire cage above, but after a while it dims and then goes dark, replaced by a faint spill of moonlight through the vent near the ceiling. It splashes across the stone in stripes, turning the cell into a prison twice over.
I breathe shallow, each inhale catching on the memory of the bond breaking. If I let myself think about it, I’d go mad. So I don’t think. I count the ridges in the mortar between stones, the number of times the water drips, the seconds between the sound and the echo. Anything to avoid the reality: I am alone, the bond is gone, and I am nothing to them now.
It’s supposed to be a clean break, according to legend. The Alpha says the words, the bond snaps, and you walk away a little lighter, a little freer, maybe a little sad if you’re the sentimental type. They don’t tell you about the aftermath. They don’t warn you about the cold that creeps in, the way your chest aches with every heartbeat, the way your skin feels too loose and too tight at the same time.
I curl forward, knees hugged to my chest, fists jammed tight under my chin. The silver cuffs burn, a low, steady throb, but it’s nothing compared to the sensation in my ribs. It’s as if something has been carved out with a spoon, leaving only a cavity full of sawdust and loss. I press my hand there, palm flat, as if I can smooth it over. I can’t.
I’m aware of my wolf, somewhere deep inside, pacing the perimeter of my consciousness. It’s restless, agitated, the way it was in the hours before my first change. The silver should quiet it, but instead it just seethes in silence, scratching at the walls of my mind. Every so often, I hear it howl—not a sound, but a feeling, a ghost vibration that shakes my bones from the inside. The urge to shift is there, but the silver blocks it, keeps the wolf caged and me along with it.
I try to sleep, but the cold seeps in too fast. I lie on my side, staring at the grate, counting the breaths that leave my body in a cloud of steam. If I close my eyes, the courtyard replays in perfect detail: Lucian’s face, the crowd’s hunger, the taste of blood in my mouth. Sometimes I can hear the chain between the cuffs clatter, echoing back and forth until it fades into the howling outside.
Denial is easy at first. I tell myself this is temporary, that someone will realize they need me alive, that Lucian will come to his senses and let me out. I even laugh once—short, sharp, a bark—because the idea of Lucian doing anything from the heart is the funniest thing I’ve heard all night.
The next stage is anger. I punch the wall, palm flat, not caring about the scrape it leaves behind. I curse every name I can remember, then make up a few more for good measure. The cell absorbs the sound, gives nothing back. The wolf inside barks and snaps, but there’s nothing to bite, nothing to run from.
Bargaining comes next. I think of Dana, and for a split second I hope she’s the one coming down the hall, keys in hand, ready to bust me out with a wink and a terrible plan. I promise myself that if I survive, I’ll leave this place and never look back. I’ll go south, change my name, live somewhere warm and stupid and wolf-free. I make deals with the Moon, with whatever passes for a god around here. If you let me live, I’ll never ask for anything again. If you let me out, I’ll play by the rules.
It’s a lie, of course. I’d never play by their rules.
Eventually, I run out of stages. I’m left with the numbness, the certainty that tomorrow will be worse, and the day after that will be nothing at all.
The hours tick by. I lose track of how many. At some point, I realize I haven’t moved in what feels like forever. The cuffs have cut grooves into my wrists, the skin there bright red and raw. I touch the edge of one with my thumb, press until it hurts, then let go.
I sit up, shaking, and shuffle to the wall below the vent. The moonlight is cold and blue and impossibly far away, but I stare at it anyway. I think of the woods, the first time I shifted, the moment when I thought the world was limitless and wild and maybe even worth living in.
I survived that night.
I survived the bite. I survived the first shift. I survived Lucian’s rejection.
I will survive this.
I say it aloud, just to hear the words echo. “I survived being turned. I’ll survive being rejected.” The sound bounces off the stone, small and thin but real. I let it sit there, a promise to myself, a curse on everyone who thought this would break me.
I stare at the sliver of moonlight until my eyes burn, until the cold becomes familiar, until the pain at my wrists is just another part of the story.
Let them come for me. Let them do their worst.
I am still here.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







