Mag-log inThe Nightwind council chamber is a perfect circle, but tonight the geometry is all jagged lines—fear, ambition, the old blood feuds that turn every gathering into a game of knives. I stand with my back to the high windows, letting the moon’s glare bisect the room and paint half the council in white, the other in shadow. They like to think the effect is dramatic, but really it’s just for show. Wolves are pack animals, but in these meetings, every one is out for its own throat.
Wren sits chained to the stone bench at the center, a focal point designed to amplify shame. They left her wrists raw with the old silver, the kind that bites and lingers even after the cuffs come off. She’s hunched, head down, the mop of her hair hiding most of her face. I tell myself I’m glad I can’t see her eyes, that it makes this easier.
The rest of the room is an amphitheater of enemies. Tiered stone, ringed with benches wide enough for a wolf’s bulk and flanked at every cardinal point by a flag—Nightwind, of course, always at north, the others arrayed like the conquered dead. The elders fill the first row, their faces fossilized into permanent sneers. Beyond them, the juniors and the hunger dogs, the ones who haven’t yet learned the grace of stillness. Their energy is what keeps the room alive; it’s also what makes me want to shut it down with a single word.
I don’t look at her. Not directly. If I focus, I can taste the air—Wren’s scent, sour and sharp with pain, barely masked by the detergent stink of the borrowed clothes they gave her. Under that, the deeper, older smell of the chain itself, a warning baked into its molecules by centuries of pack law. Even from here, the bond throbs like a bruise. I keep my spine straight and my hands behind my back, as if posture could deflect attention from the storm in my chest.
The sound in the chamber is a low, grinding hum—elders muttering, councilors passing judgment in half-heard fragments, the shuffle of boots on cold stone. Every so often, a torch gutters in its bracket, the hiss of burning pitch filling the silence where a verdict might fall. They all want the same thing, but no one wants to say it first.
Tessa stands at my left, back ramrod-straight, her face blank as a new moon. She’s been here longer than most, and knows exactly what’s expected: loyalty without question, but not without eyes. Luka lurks to my right, hand resting on his hip in a casual way that fools no one—if the order comes down, he’ll be the first to move, and the last to regret it.
Across the circle, Jace holds his post with less grace. He’s watching Wren, or maybe watching me not watch her. Either way, he’s wound tight, eyes never quite still. I know what he’s thinking: the law is clear. The problem is, so is the bond.
The tension peaks just as the doors blow open with a sound like the start of a storm. Cold air rips through the chamber, torches bowing in their sconces, every head snapping toward the entrance as if on a single string.
Elowen Frost enters without hurry. The wind follows her, wrapping her silver-white hair around her head like a halo of smoke. Her skin is the color of salt, her eyes two chips of glacier, so pale they look almost blind. But there’s nothing she doesn’t see. She walks with her hands behind her back, the long coat trailing, and the silence that comes with her is total—no wolf in the room makes a sound, not even the ones who hate her most.
She is the only one I will not challenge in open court.
Elowen takes her time, letting her presence settle like hoarfrost over every row. The elders shrink back, even the ones who’ve killed seers before. The pups in the topmost benches lean forward, unable to look away. Tessa’s hands flex at her sides, an old instinct, and Luka’s eyes go flat as coins.
Elowen stops at the center, less than a yard from Wren. The girl doesn’t flinch, not even when the seer’s gaze flickers over her like a searchlight. I force myself to catalog every move, every detail, because anything less would be a dereliction of my office.
Wren’s wrists are double-cuffed, chain threaded through the iron rings set into the floor. Her hands are curled into claws, knuckles white, the skin beneath the manacles already puckered and angry. She wears the same too-large coat from last night, but the left sleeve is rolled up above the elbow, a detail that makes me want to break something.
Elowen circles her, slow as the moon. Every few steps, she lifts a finger, as if testing the air or stirring invisible water. The council watches, some holding their breath, some daring to whisper behind their hands. Wren keeps her head down, but I see the muscles in her jaw flex, the way her shoulders tremble not from fear, but from holding still when every nerve wants to fight.
The seer stops directly in front of Wren, so close that the cuffs brush her shin. The two of them are study in opposites: Elowen, all ice and clarity; Wren, a dark, smoldering knot of pain and refusal. The bond between us pulses, a reminder that even now, I am tied to this girl in ways the law never meant to allow.
“Stray Moon,” Elowen murmurs, voice soft but carrying. She doesn’t have to shout; the title is an indictment and a prophecy all at once.
The elders shudder, the words ricocheting through the stone like a curse. Even Luka, who pretends not to care, winces. Tessa glances at me, and for the first time, I let myself look back. She’s asking if I want this to happen. The answer is that it doesn’t matter.
Elowen tilts Wren’s chin up with a single finger. The touch is gentle, but the girl’s body reacts like it’s been shocked. Her eyes flick open, wide and black and so alive it hurts. For a moment, the room vanishes; there is only the circuit between Wren, the seer, and me.
The seer’s lips curl into a small, secret smile, as if she’s found exactly what she came for. She leans down, so close that the tips of her hair brush the girl’s cheek. When she speaks again, the voice is not her own.
“If the Stray Moon dies outside these walls, Nightwind will fall from within.”
The words hang there, suspended in the cold, for a heartbeat longer than nature allows. Then Elowen steps back, her face clearing as if nothing at all unusual has happened.
The council erupts—some in terror, some in fury, all in noise. I let them, just for a second, because that’s the only time I’ll ever get.
Elowen’s eyes find mine across the circle. She nods, infinitesimal, and I feel the command settle onto my shoulders like a new coat of skin.
I look at Wren, really look at her for the first time since the courtyard.
Her eyes are on mine. She’s not afraid.
Neither am I.
The future is here, and it’s got teeth.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







