Mag-log inThe double doors spit us into the open air, the night colder than any room I’ve ever sat in. The courtyard is packed—wolves on every step, every flat surface, even the rooflines where the youngest brats have climbed for a view. All of them pointed one direction, eyes hungry and white-rimmed in the torchlight, chins high so the breath comes out like foggy confession.
The banners are out for spectacle: every house and bloodline’s, layered in blues and grays and bone-white, but ours—mine—dominates. The Vale wolf, all jaw and hunger, stitched in silver on midnight blue, frost riming the snarl. Wind snaps the canvas so the edges whip like whips, sharp and angry.
They’ve salted the dais, a low semicircle of stone raised just enough to put me over the crowd. It’s cold up here; the wind slices through the wool and into my marrow. The back of my neck prickles with static, old instincts screaming that too many eyes are too close for safety.
I scan the rows: the old guard in front, faces mapped with the scars of every rule enforced and every debt collected; then the betas and their seconds, chins up, hands clasped behind backs in a show of unity. Behind them, the rest—the workers, the omegas, the children who couldn’t be kept in their beds. The line of their bodies points at me like a river’s current, but it’s the silence that’s loudest. Not a cough, not a shuffle. Just waiting.
Jace waits at my right, chin tucked in, stance perfect. He gives a barely perceptible nod.
I step forward, let the crowd see the set of my jaw, the bite of my voice. “Bring her,” I say.
Two of the guards move to the corridor, boots crisp on stone. The mate-bond, which had dulled to a background hiss, spikes so suddenly I flinch. There’s no warning—just a sharp, radiant pulse that swamps every other sense for half a second. I steady myself against it, refusing to show the tremor.
They bring Wren out through the old service door, the one used for deliveries and garbage. The symbolism isn’t subtle, but it’s effective. She looks smaller than I remember—barefoot, coat hanging open and slipping off her left shoulder, the raw skin at her wrists gone red from the shackles. The bandages on her arms have already bled through; the white turns rusty, then brown. She smells of pain and sweat and the stubborn, bright acid of her own refusal to break.
They make her kneel at the base of the dais. Jace tenses, but I keep my face flat. She tips her chin up anyway, refusing to give them the satisfaction, eyes locked on mine. The mate-bond howls between us, loud as the full moon’s scream. It rattles my teeth, lights up my gut, almost drowns out the taste of metal in my mouth.
I try not to look at her, but there’s nowhere else. Her eyes are a punch: defiance, hate, some other thing I’m not ready to name. They make it hard to breathe.
I clear my throat, taste old blood. The words come out perfect anyway.
“Nightwind,” I say, and the word thuds through the air. “You know why we’re called tonight.”
A ripple: shoulders squared, attention doubled. Even the brats on the roof freeze.
I pace the dais, hands clasped behind my back. Every movement calculated.
“Last night, our territory was violated. Not by outsiders, not by the lost, but by our own.” My gaze cuts to Wren, then snaps back to the crowd. “By someone who carries the wolf, but not the blood.”
A murmur—subdued, but definite. I sense the debate begin: is she wolf, or just the mistake the law was written to correct?
“In our history, we have survived by drawing the line. Bloodline. Pack. Law.” I let the words echo, each heavier than the last. “We don’t tolerate dilution. We don’t reward the accident of a bite. We survive because we’re ruthless when we need to be.”
Jace is watching me, expression granite. He knows I’m off-script, but only by a hair.
“Tonight, tradition says we should cleanse the blood.” I look at the elders, every face gone sharp. “Tonight, I would honor that, but—” My voice catches, just enough to make the air in the courtyard crackle.
I taste Wren, raw and vital, alive in a way that has no name in the old laws.
“She ran,” I say, voice hoarse. “She survived the first shift, the hunt, and the cull. That’s not luck. That’s will.” Another ripple, this one confusion. “We are taught to destroy what the moon does by accident, but we’ve never seen an accident like this.”
The wind shifts, brings the scent of pine smoke from the kitchen chimneys. It mixes with the musk of hundreds of wolves, the tang of sweat and anticipation.
I step to the edge of the dais, voice dropped to the register I use for private warnings.
“There’s something else,” I say. “A thing none of you know, but you’ll all feel it soon enough.”
I look down at Wren. Her hands are fists, white-knuckled despite the blood loss, but her jaw is set. Our eyes lock. The mate-bond surges—a punch and a caress, all at once. My pulse stutters, then doubles.
I turn back to the crowd, let them see the mask drop for half a breath. “The mate-bond is real.” The words are a stone thrown into a frozen lake: silence, then crack, then chaos.
The crowd erupts, not with sound but movement—a hundred tiny shifts, bodies reorienting, mouths opening then snapping shut, the urge to speak stamped down by discipline or fear. The elders lean in, old eyes gone cold. The young wolves stare, mouths open, as if the idea is obscene.
I raise my hands for calm. “I have not chosen this. The moon does not ask.” My voice is steel now, every syllable precise. “But I will not pretend it didn’t happen. And I will not pretend I am above the law.”
A pause, the longest yet.
“The law says a turned wolf cannot live,” I say. “But the law has never met this wolf.” My gaze finds Wren again, and this time I let the mask crack, just a little, just for her.
The silence stretches, full of the metallic taste of blood and the weight of every life in the yard.
I finish the line, voice flat as the winter sky: “Tonight, I choose the law. But tomorrow, I will question it.”
I step back, letting the words do what they must. The banners whip in the wind, frost falling like confetti. The crowd absorbs it—some faces harden, some go soft, some look away.
I look at Wren one last time. The bond is a wound, a promise, a curse. It burns hotter with every second I don’t move.
“Take her inside,” I say, not loud.
Jace signals the guards. Wren stands, unassisted, and walks ahead of them, never flinching, never bowing.
The crowd parts for her, and for the first time in a thousand years, I think I see the law blink.
The wind carries her scent after, sharp and clean, and I breathe it in like medicine.
Tomorrow, I tell myself. Tomorrow, the world will be different.
Tonight, I hold the line.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







