Which Character Stars In The Eenadu Paper Cartoon Strip?

2025-11-07 08:03:50 263

4 Answers

Finn
Finn
2025-11-08 00:35:50
I’ll be blunt: whenever I flip through an old 'Eenadu' bundle, it’s 'Budugu' that makes me pause. That kid’s commentary on family life and silly adult logic was pure gold. The strip wasn’t trying to be flashy; it just nailed everyday moments and made them funny and oddly warm.

I love how accessible the humor is—no dense references, just simple setups that hit emotionally. It’s the kind of strip you can re-read years later and still snort at. Makes me want to hunt down more vintage compilations and frame a couple of favorite panels for my wall.
Mitchell
Mitchell
2025-11-10 13:32:42
I get a little giddy talking about classic Telugu strips, and the one that pops up for me from 'Eenadu' is 'Budugu'.

Growing up, 'Budugu' felt like the neighborhood kid who’d say exactly what everyone was thinking but was too honest to filter. The character was created by Mullapudi Venkataramana and often paired with Bapu’s distinctive art in various publications, and over time readers associated that cheeky kid persona with newspaper cartoons too. In 'Eenadu' the strip leaned into everyday family and social quirks—Budugu’s observations hit that sweet spot between innocence and savage truth, which is why it stuck with me.

Even now, when I stumble across a reprint or a reference online, I smile. The strip’s tone is timeless: playful, satirical, and oddly comforting, like catching up with an old friend who still knows how to roast you gently.
Oscar
Oscar
2025-11-10 19:57:16
Looking back, the presence of 'Budugu' in 'Eenadu' always felt like a cultural touchstone. I approach comics partly as storytelling craft, and the genius of that strip was how compact each episode was: a few panels, a tight setup, a witty payoff, and sometimes a real bite of social commentary. Mullapudi’s writing created a voice that read effortlessly childlike yet knowingly ironic, while the illustrations captured subtleties—raised eyebrows, a skeptical slouch—that sold the joke.

From a craft perspective, what fascinated me was how the strip managed tone and rhythm. It could switch from slapstick to melancholy in seconds, or squeeze in a political jab without derailing the humor. If you study newspaper strips, 'Budugu' is a neat case study in balancing relatability with pointed observation. I still borrow a lot of pacing tricks from those little panels when I sketch out my own comic ideas, and seeing those reprints always sparks a creative itch.
Kyle
Kyle
2025-11-11 00:12:16
I used to tear out the comics page whenever my mom bought 'Eenadu', and the strip that stood out more than once starred 'Budugu'. That kid character had such a vivid voice—sarcastic, curious, and kind of brutally honest about grown-up nonsense. It wasn’t just jokes; the strips often commented on social habits, traditions, and family dynamics in a way that made adults laugh and kids feel seen.

What I liked most was how the humor didn’t feel mean-spirited—Budugu could be sharp without being cruel. The artwork that accompanied the stories gave the expressions so much life; a single panel could say more than a paragraph. Even today I’ll point friends toward old 'Budugu' strips when I want to show classic Telugu comic sensibilities.
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