3 Answers2026-05-04
Note to self: The fallen angels Enoch names? Quality over quantity in terms of a long list of about 20 or so names, and I’m saving the very detailed myths behind each of the primary fallen angels for separate posts. For now, suffice it to say that Azazel is so detestable that he is blamed for virtually everything from war to cosmetics. His-specificity regarding the last is especially strange given his alleged wholesale corruption. Some of the other fallen are mentioned briefly as to make an appearance, such as Armaros and Tamiel. It’s not that their inclusion in the list of fallen is especially significant, but rather the way in which their specific myths have permeated so many areas of human expression including not a few strains of Christianity as well as art and literature and even video games (I fought Azazel in the video game ‘Shin Megami Tensei’) in which he has as much depth as any secondary character.
8 Answers2026-04-08
This idea is kind of fascinating to me. I think it’s because so many cultures have created tragic, powerful female characters who rebel against divine authority. Lilith, of course, but also Morrigan from the Dragon Age games and Raven from the Teen Titans, for example. We don’t have a long enough historical list of these kind of figures, so we keep making new ones in games, books and anime.
This new set of meanings is being written in video games right now. In Bayonetta, the main character is a witch who contracts with a group of infernal demons. Within the lore of Bayonetta, there is much play with angelic and feminine/demonic power. The games of the Shin Megami Tensei series are another great example of this. This series contains a massive cast of demons and deities from every culture and mythology, most of whom are gender-bending or else some re-imagining of a mythological figure.
6 Answers2025-08-28
The novelization includes scenes and internal monologues not shown in the film. Novelizations from this time period often included deleted scenes and backstory information in order to fill out the page count. Although it is not a sequel, such a book could give a more in-depth look at the events of the film. It would be a new perspective on the same material, like a new piece of a puzzle for the fan.
Often out of print, these can usually be found used for a few dollars. These sort of items are a hobby in themselves for film fans. You sometimes find a real treasure that adds more to the beloved film than would be expected even if it’s not “canon” within the film itself. A real, physical piece of a film’s history.
5 Answers2025-05-14
Will the trope ever fade from our collective consciousness? Will future generations not think of The Omen when they hear the name ‘Damian’? It is possible but there are so many other books, games and TV shows since The Omen that use the name Damian that it has taken on a life of its own. Perhaps the biggest chance for the trope to change is if a massive, mainstream work were to present a completely new Damian, so different from what has come before that the new association would stick. But perhaps this new character would simply be the other side of the coin and we would have the devil Damian and the saint Damian. The name Damian has become a trope in and of itself and will likely be forever associated with two different archetypes.
6 Answers2025-04-18
They changed the nature of his final error. In the novel, his error is a minor technical ethical breach that has unforeseen consequences, largely due to the prior errors that he had committed and the toxic environment in which he worked. In the TV series, his final error is a major, obvious, illegal act that he is compelled to commit in an extremis situation. The changes to his errors between novel and TV movie transform his character. In the novel, D klient makes a series of gradual concessions to his principles. In the TV movie, D klient makes one big, very silly, very illegal error. It is far more dramatic for purposes of constructing a TV movie, but far more ‘terriifying’ in a realistic sense of how any stressed professional might facilely invent excuses to slip into similar error. The TV movie error feels like a mere plot point for a crime drama.
12 Answers2026-04-09
My understanding of Azazel is mostly based on pop culture depictions of the demon in things like Supernatural and Hellboy. Of course, there’s nothing that says he has to be a big red demon king, but that’s generally how he’s portrayed. More importantly, Azazel is one of the Watchers, a group of angelic beings who transgress against God, and his transgression is particularly heinous because he changes humanity in fundamental ways. He teaches them metals and cosmetics, which are basically the keys to civilization, but also introduces corruption to humanity. He’s a very complex and intriguing figure, and his ambivalence is part of what makes him so interesting to demonologists. He represents the shadow side of knowledge and progress, a theme that is frequently explored in occult literature. Azazel is typically seen as a particularly malevolent figure, but I believe that his primary significance is as a symbol of forbidden knowledge or, more accurately, enlightened knowledge that’s been corrupted. He’s basically an angel who fell for somewhat murky reasons, and is thus far more interesting than a simple evil being.
5 Answers2025-10-17
I found a really interesting post today about the tiny devil trope which can appear in folklore and culture all around the world. These trickster figures often appear in African and Caribbean folklore as small sprightly characters, and in Slavic folklore there are household spirits called domovoi and leshys which can be benevolent or malevolent. In Japanese folklore there are small oni and also a range of other yōkai that are mischievous or trickster-like.
The little devil represents the inner mischief-maker or shadow in a compact externalized form which is easily dramatized in a story or festival. A child’s fear or even curiosity of breaking rules can be channeled into this form and be made the subject of humor instead of something to be feared. It makes the idea of the little devil less scary and more human, which is strangely comforting to me.
9 Answers2025-08-28
I’ve always been one to look for the reasoning behind the choices of locations for films. The film The Fallen, for example, shot in Jordan where the locations provided an idealized version of the past; a lost, great civilization, that existed in a very harsh and beautiful land. The Czech locations, on the other hand, represented the very corrupt and complicated present of all politics and shadows and decaying institutions. The geographical narrative was without a doubt a huge factor in the film feeling as cohesive as it does thematically. The locations weren’t just chosen because they were pretty, they were chosen to further reinforce the storyline of the film. The heat haze in the desert and the chill fog in the Bohemian woods are not just weather conditions, they also symbolize emotions that the actors had to really experience for themselves and not just pretend to in front of a fan with a green screen behind them.
11 Answers2025-07-19
Most references to missing books of the Bible are couched in terms that suggest that at some point in history the church either censored the Bible or even corrupted it. While this is how many people understand the situation of the so-called Apocryphal books (the so-called deuterocanonical books) not all scholars understand the situation in the same way. The KJV translators worked from a canon that had been previously established, even if that establishment was long and contentious in the early centuries of the church. When the KJV translators were picking and choosing what books to include in their translation they worked from a defined list of twenty-seven New Testament books as determined by the 16th-century Protestant reformers. The Apocryphal books, those considered to be outside of the canon, were the object of suspicion for centuries before the KJV was translated. Jerome even had reservations about including some of them in the Vulgate. In the end, the KJV is merely a snapshot in time of the on-going discussion of the early Christian church regarding the boundaries of Scripture. There was no stealing of books in the dead of night, only a long publicly-debated process of the church working out its theological convictions.
4 Answers2026-07-04
It ends with blood, tears and a glimmer of dawn. Corban is left exhausted but unbroken, surrounded by his comrades. The cost to reach that point is high - the betrayal of Rafe, the sacrifice of Tahir - but Gwynne does not condescend to it; it is not a cheap victory for Corban. The landscape too has changed; the ruins of Drassil are a powerful symbol of both destruction and rebirth. Though Gwynne has laid out the threads for 'Of Blood and Bone', this is a perfectly self contained conclusion to the four books - raw, emotional and admirably human.