2 Answers2026-03-19
I just have to talk about the three main characters of Mortal Follies first. Lysander is the immortal noble with an attitude problem, a spoiled rich boy who’s done everything and is bored with it all. Maelys is a complete wild card in a cloak, with magic as unpredictable as her speech. And then there’s Lady Varellia, the princess of winter, all icy calm on the outside but molten lava on the inside. Together, they create a sparky dynamic: Lysander’s jaded cynicism is matched by Maelys’s wide-eyed optimism, while Lady Varellia plays at chess with all of their emotions as pawns. Even in very small roles, the minstrel Orpheus is tragicoically lovable, for one. Each of their storylines are a tangle of betrayal, reluctant alliances, and slow-burning romance that makes for a completely unputdownable book.
6 Answers2026-01-19
For me, the dual protagonists were Elara and Kaelen. The way their initial enemies turned into enemies-turned-allies, and possibly even more than that, was at the heart of the story. Elara is a book-smart, naive dreamer who has no idea how to cope in the brutal politics of the dream world, while Kaelen is a cynical harden veteran, full of survivor’s guilt. It was really wonderful to see Elara slowly soften Kaelen up, and to see Kaelen slowly temper Elara’s ideals and help her to see reality. The dialogue between them was all wonderful, really – very, very sharp, with lots of subtext, and I could really see their relationship grow by brick, slowly but painfully. The rest of the cast of characters played around the edges of the two, and really, the story lived and died on the readership of these two characters. I fully believed in them both.
11 Answers2026-05-26
When it comes down to it, so much of an omega’s journey is tied up with the brothers as well. A good omega character can redefine what it means to be an omega in her world, and use her perceived weaknesses to her advantage to outsmart her enemies or even form alliances with other pack members that the brothers hadn’t considered. Sometimes the omega can even challenge the brothers’ rather archaic pack traditions. Using the brothers as a sort of measuring stick for her growth, she can either change them, join them as an equal, or form a completely new path for herself and force the brothers to follow along. Really, the story is hers, and the brothers are just the sort of immovable object that meets her force.
Your potential for greatness as an omega makes the alpha brothers more interesting than they would be on their own.
7 Answers2025-11-11
I don’t see this as a story about individual heroes. The real structures at play here are the system of royalty, the system of magic, and the system of prophecy. The main characters are the ones trying to tear down these systems, trying to preserve them, and trying to exploit them for their own gain. Kihrin is a wrench in the works, trying to throw a spanner into the machine. Emperor Sandus is trying to keep the whole system running at top speed no matter the cost. Relos Var is trying to build an entirely new system. Their different personalities reflect their fundamentally incompatible views on how to run the world.
7 Answers2026-07-23
His bond with the Demon Sealers’ will in the Demon Immortal Pagoda is sealed as he faces the accumulated will of his predecessors. This relationship and the trial by fire that it entails is a rite of passage for the young immortal. The bond that is forged here formally anoints him as the true successor to the Pagoda, burdening him with the hopes and hatreds of his predecessors. It is the point where his personal journey definitively merges with the historical narrative, and whether he wants it or not, he is now locked into the larger war.
9 Answers2025-05-29
I’m about halfway through this book and, so far, I have yet to get my head around it. There’s the obvious ‘bad guy’ of the corporate-suited Voss, but there’s also something very uneasy and almost human in the deeper parts of the forest that doesn’t like either protesters or loggers. Then there’s the Sheriff of the local town who’s absolutely useless and, seemingly, of no help whatsoever. He’s against the protesters, of course. Some of the older members of the forest-dwelling communities are their own worst enemies, playing games of secrecy and old scores which prevent them from uniting against this outside threat. This feels less like a straightforward fight against a single big bad and more of a complicated web of opposing forces, some of them human, some of them possibly even ancient and natural. I shall have to see how the story develops and whether or not it manages to form a cohesive whole around a single ‘villain’. At the moment, though, the ambiguity of it all is perhaps the most compelling thing about the book so far.
9 Answers2026-06-15
Pip is more important than is given credit for. Without Pip, Arthur would have no way to know whether or not a given magical herb is safe to use, or which parts of various monsters are edible. Pip serves as a connection between Arthur’s down-to-earth knowledge of the physical world and the magical world in which he finds himself. Thus, while Pip can be laughed at, he is more than just a joke. He is a very important plot device and a symbol of the alliance between human ingenuity and the natural/magical world. The main quartet of characters are all important in terms of narrative function, and are all balanced against each other.
12 Answers2026-07-26
So long as it is clear what the criteria for the souls in this fantasy world are (were they all killed in the same bus crash, or is this some sort of sort-of converging meta-world for the condemned and the fixated and the accidentally-killed-with-unfinished-business? I think the book secretly hints at some sort of convergence-point for this world in its past), then it is an incredible and wonderful place.
7 Answers2025-06-29
It reads like a secret world has been revealed to me. Geeta’s voice is so clever, wry, observant and secret in its pain. Through Geeta I get to know Saloni, the trouble maker and loyal friend; Farah, different kinds of oppressed people and how they cope; Preity, a total shock to the system. The village, full of minor characters, is also a main character, scrutinizing the four. But as for the four of them, their slow, maddening, sometimes painful growth into friendship is the real plot. And the ‘bandit queen’ is just the framework through which they experience this growth and are tested.
4 Answers2026-03-24
Richard III in ‘The Sunne in Splendour’ is one of my favorite characters because he is so far removed from the normal perception of the man and he is actually a very well rounded and intriguing protagonist. The character of Edward IV and Elizabeth Woodville are also really great in this novel, and the characters that support them such as the tragic Anne Neville and the treacherous Buckingham are also fantastic. Truly Penman brings history to life with his character development.