Is First Principles Of Thinking Used In Manga Creation?

I've been watching anime for years, and I always notice how some stories feel fresh while others follow the same tired tropes. First principles thinking could totally shake things up. Instead of relying on clichés like the overpowered protagonist or the childhood friend romance, creators could break down what makes those elements work and rebuild them in unexpected ways. Take 'Attack on Titan' for example—it deconstructs the shounen formula by asking fundamental questions about freedom, war, and morality. If more anime applied this approach, we'd see fewer cookie-cutter isekai and more unique worlds like 'Made in Abyss,' where every layer of the abyss is built from first principles of exploration and human curiosity. This method could push anime beyond fanservice and into deeper, more thought-provoking narratives.

I’ve always admired how top publishers seem to have this uncanny ability to innovate and stay ahead of the curve. After digging into their strategies, I realized a lot of it boils down to first principles thinking. Instead of just following trends or copying what others do, they strip problems down to their core and rebuild solutions from the ground up. For example, when everyone was fixated on print, some publishers asked, 'What do readers truly want?' That led to digital platforms and interactive content. It’s not about incremental changes; it’s about redefining the game. This mindset lets them create groundbreaking works like 'The Martian' or 'Harry Potter,' which didn’t just fit into existing genres but reshaped them. By focusing on fundamental needs—storytelling, engagement, accessibility—they’ve built empires.

I've always admired how Elon Musk approaches problems by breaking them down to the most fundamental truths and reasoning up from there. Take SpaceX, for example. Instead of accepting the high cost of rockets as a given, Musk asked why each part was so expensive and figured out ways to build them cheaper in-house. Tesla's battery production follows the same logic, questioning every assumption about materials and manufacturing. It's fascinating how this mindset leads to innovations others don't even attempt because they get stuck on 'how things are usually done.' This approach isn't just for tech giants either – I've seen small startups revolutionize local markets by applying similar thinking to logistics or food production.

I've always been fascinated by books that break down complex ideas into their most basic elements. 'First Principles' by Thomas E. Ricks does this brilliantly, especially when it comes to historical decision-making. Another favorite is 'The Great Mental Models' by Shane Parrish, which simplifies thinking frameworks in a way that's both practical and profound. For a more scientific approach, 'Thinking in Systems' by Donella Meadows offers a deep dive into how systems function at their core. These books have reshaped how I approach problems, stripping away assumptions and focusing on foundational truths.

I've noticed that first principles thinking can really shake up how books sell. Breaking things down to the basics is all about understanding why people buy books in the first place. It's not just about pretty covers or big names—readers want stories that hit deep, make them feel something, or teach them something new. When publishers or authors use this approach, they strip away all the usual marketing fluff and focus on the core: emotional connection, curiosity, and value. For example, 'Atomic Habits' by James Clear didn’t just sell because of catchy ads; it sold because it tackled habit formation in a way nobody else had, making readers think, 'I need this.' By drilling down to the fundamental reasons people read—escapism, learning, emotional resonance—first principles thinking can uncover gaps in the market and create books that truly resonate.

First principles thinking in novel writing means breaking down storytelling to its core elements and rebuilding it from the ground up. I approach it by stripping away tropes and conventions to ask: What makes a story compelling? Character desire, conflict, and transformation. For example, instead of defaulting to a 'chosen one' plot, I might start with a raw human need—like belonging—and construct a unique narrative around it. This method helped me realize even fantastical worlds need emotional truth. When drafting, I constantly question why a scene exists, whether dialogue serves character or plot, and if themes emerge organically. It’s labor-intensive but leads to fresher stories. 'The Martian' by Andy Weir is a great example—it reduces survival to basic problems and solutions, making sci-fi feel startlingly real.

I think first principles thinking can totally revolutionize movie plots by stripping away clichés and digging into the raw, foundational elements of storytelling. Take a typical superhero movie—instead of rehashing the same origin story, first principles would ask: What fundamentally makes a hero? Is it power, morality, or sacrifice? Movies like 'The Dark Knight' already do this by exploring Batman’s ethical dilemmas rather than just flashy fights. By breaking down themes to their core, writers can create fresh conflicts, like in 'Inception,' where dreams aren’t just settings but the entire framework of the plot. It forces audiences to engage deeper, beyond surface-level tropes. First principles also help world-building. 'Mad Max: Fury Road' doesn’t waste time explaining its apocalypse; it assumes scarcity and survival as givens, making every action feel urgent. This approach cuts filler and amplifies tension. Even rom-coms could benefit—imagine a love story where the 'meet-cute' isn’t accidental but rooted in a primal need for connection, like 'Eternal Sunshine of the Spotless Mind.' When you rebuild plots from the ground up, you get stories that resonate harder because they’re honest, not just clever.

As someone who's obsessed with storytelling across mediums, I've noticed TV writers often use first principles thinking without even realizing it. They strip down complex narratives to their core emotional truths, rebuilding them in fresh ways. Take 'Breaking Bad' for example—it’s fundamentally about a man’s descent into darkness, but the writers deconstructed typical antihero tropes to create something groundbreaking. Similarly, 'The Good Place' started with the basic question of what makes someone good or bad, then built an entire philosophical comedy around it. This approach helps avoid clichés and keeps stories feeling original while staying emotionally resonant.