Honestly, I bounced off it pretty hard. Maybe it was the translation I had, but a lot of the famous witty, wine-poem energy felt flat on the page. I know he's a legend, and the historical significance is huge, but as a modern reader mostly into contemporary stuff, I didn't connect. It felt like studying rather than reading for pleasure. If you're deeply into the history of Arabic poetry, sure, it's essential. But for a casual poetry fan looking for moving language? Probably not the best entry point.
The collection really hinges on whether you're after classical form or more interested in a window into Abu Nawas's life and the court environment. The poetry itself is fantastic—witty, surprisingly irreverent at times, and full of that classical Arabic elegance. But 'I'tiraf' translates to "Confessions," right? So there's a thematic thread about regret, aging, and looking back on a life of hedonism that adds a layer of depth you don't always get in diwan compilations. It's not just beautiful verses; there's a poignant, almost autobiographical feel in places.
My copy had extensive notes, which I needed. Some allusions and metaphors are deeply rooted in 8th/9th century Baghdad. Without context, a few poems felt like inside jokes I wasn't getting. For a poetry fan who enjoys the research as much as the reading, it's incredibly rewarding. If you just want a casual, standalone read of perfect verses, maybe start with a more general anthology of his work first.
Absolutely worth it, but treat it like a project, not a book you breeze through. The value is in the layering—the technical mastery of the form, the subversion of traditional themes, the personal voice that cuts through centuries. I spent weeks with it, reading a poem or two a day and looking up the historical context. That slow digestion made all the difference. You start to see the cleverness in how he plays with expectation, praising wine in a culture that forbade it, mocking the pious with a grin. It’s less about individual ‘hit poems’ and more about appreciating a complete, nuanced portrait of a complex artist.
Yes, but get a good annotated edition. The poetry is sharp, vivid, and surprisingly accessible in theme—love, loss, regret, celebration. The ‘confessional’ angle gives it a cohesive, almost narrative pull rare for classical diwans. A standout for me was the melancholy in his later poems contrasting with the famous earlier bacchanalian ones.
2026-07-23 22:10:07
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An English Writer
San Lin Tun
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The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him.
The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar.
The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.
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"This is just for curiosity's sake, right?" His voice was deep, husky, a sensual murmur against my skin that made my pulse race even faster.
Gabriela a young nurse from a small Mexican town, shoulders the world as she strives to provide for her ailing mother and little sister, Maria. An unexpected opportunity emerges when she's offered a job at a prestigious hospital in Al-Qamar. Thrust into the vibrant but unfamiliar world of the Arabian desert, Gabby grapples with her new reality.
But Gabby's life takes a dramatic twist when she crosses paths with a charismatic yet arrogant billionaire Sheikh. Their worlds collide in a whirlwind of opulence and high-stakes power dynamics, their association marked by the Sheikh's emotionally barren, benefit-based approach towards relationships.
A tragic accident abruptly turns the tables when the Sheikh suffers memory loss, casting a shadow of uncertainty over Gabby's future. The once arrogant billionaire stands before her, a man without a past, unraveled and vulnerable. As Gabby is pulled into a vortex of caring for the man who once saw her as a mere commodity, she grapples with the strange affectionate ties that emerge.
With a newfound bond budding and the Sheikh's memory threatening to return at any moment, Gabby is walking on a tightrope of emotions, what happens when the Sheikh's memory returns?
We often anticipate the struggles for survival later in life. But for Iyunade, a nineteen-year old sophomore at the University of Ibadan, life's struggles pre-empts her growth as her struggles suddenly snowballs into her fending for her family even if it requires stepping off bounds.Fate, they say, works in mysterious ways! Along comes Olatunde, the gobsmacking, gorgeous twenty-two year old multimillionaire law student at the University of Ibadan who is beset with issues with his family. At first, Iyunade & Olatunde are oblivious of each others' presence but when their paths keep crossing, circumstamces set the ball rolling as they are left with no choice than to acknowledge each other.What happens when Tunde finds out Iyunade is a sex trader? Will Iyunade be able of turning a blind eye to Tunde's haunting past?Find out how these revealing secrets pan out as the journey of two grown ups from different worlds battle love and the trials of life...
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But one unexpected accident changes everything.
A single drop of her blood awakens an ancient prophecy, sending her three thousand years into the past—where she is mistaken for a witch and hunted by those who fear her.
Only one man recognizes the truth.
Pharaoh Kharef, the most feared ruler of Ancient Egypt.
As palace conspiracies, forbidden magic, and forgotten gods begin to stir, Maritza must find a way back to her own time... or risk becoming the queen history was never meant to remember.
Some destinies are written in the stars.
Hers was written in blood.
Love is something to never be ashamed of, it's okay to fall in love even if that person is someone of the same sex.
That's the way I feel towards the person who showed me how to love.
I love him, I want him and I want to hold him but the problem is... His married.
Leslie Campbell is a young omega who is married to a beta. He is a book enthusiast who became an editor for a successful publishing company and he is assigned to his favorite author, Azrael Mitsuki Bethan, a Japanese American writer who paints the world in white and black.
However, there is one serious problem... Azrael hates omegas especially male omegas.
Leslie is determined to be Azrael's editor but their relationship becomes complicated when forbidden emotions start to develop leaving Leslie in a state to choose between his marriage and his soulmate while Azrael battles with his heart and his conscience.
Heartwarming relationship between the alpha who desires to hate and the omega who knows only how to love.
The day I decided to file for divorce, Dean Potter couldn’t wait to draft the divorce agreement.
Five years ago, he had been forced to marry me, and now he was finally free.
On the day we were finalizing the divorce, Dean arrived with his new flame, radiating delight mixed with a hint of mockery. “Veronica Byrd, look at you—you’re miserable.”
I watched his figure fade into the distance, my vision blurring.
Miserable?
In the next life, it wouldn't happen again.
So you're looking for 'I'tiraf Abu Nawas'? This one can be a bit of a rabbit hole depending on what language you're after. The original Arabic version isn't as widely digitized as some other classics, I've found.
My main recommendation is to check out archive.org. They have a massive repository of public domain and culturally significant texts. I was able to find a scanned PDF of an older edition there after some digging, though the scan quality wasn't perfect. It's readable, though.
Failing that, some regional ebook stores like Neelwafurat or Kotobi might have it for purchase. I'd be cautious about random download links, as they often lead to dead ends or low-quality files. The hunt is part of the fun with these less mainstream works, frustrating as it can be sometimes.
Been a while since I read it, but from what I remember, 'I'tiraf Abu Nawas' (I think it translates to 'The Confessions of Abu Nawas') isn't a single, linear plot like a modern thriller. It's more of a collection of satirical episodes and picaresque adventures centered around the historical figure, reimagined. The 'main plot' loosely follows his life as a poet in the Abbasid court, using his wit and irreverence to navigate the politics of Baghdad, get in and out of trouble, and comment on the hypocrisies of society and power.
He’s constantly drinking, chasing pleasures, getting arrested, and talking his way out with brilliant poetry or sheer audacity. The central thread is less about a specific goal and more about this cycle of transgression and clever escape, using humor to expose deeper truths. It’s less 'what happens next' and more 'what outrageous thing will he do or say now.' The book feels like sitting in a tavern listening to tall tales about this legendary trickster figure.
If you're looking for a tight three-act structure, you might be disappointed. But if you enjoy witty social commentary wrapped in historical fiction and farce, it's a fun, episodic ride. The ending isn't some grand resolution; it kinda leaves you with the feeling that Abu Nawas is still out there somewhere, probably composing an inappropriate verse about the caliph.