How Do You Play No More Mr Nice Guy On Guitar With Tabs?

2025-10-22 00:55:25 26

7 Answers

Zane
Zane
2025-10-23 20:18:12
Tired of guessing the chords and wanting something that actually sounds like the record? I love this song and broke it down into simple parts so you can get playing fast. Tune to standard E (E A D G B E), set a metronome around 120–125 bpm, and focus on groove over perfection — that chuggy pulse is everything in 'No More Mr. Nice Guy'. The main thing is the palm-muted rock rhythm with open low E power moves and a few bigger chord hits for the chorus.

Here's a playable riff to start with (really simplified so your timing and feel come through). Play over a steady downstroke palm-mute on the low E and release for the bigger hits:

e|------------------|
B|------------------|
G|------------------|
D|--2-2-4-2---------|
A|--2-2-4-2--2------|
E|--0-0-2-0--0------|

That chunk covers the verse feel: tight, muted low E and a quick move to the D/A shape. For the chorus, drop into power chords: E5 (022xxx) then move to G5 (355xxx) and A5 (577xxx) with open strums on the beats. Soloing over this song usually sits nicely on the E minor pentatonic scale — target the 12th fret box for the higher bends and the 2nd–5th fret box for gritty, bluesy lines. Practice the riff slowly, then speed up while keeping palm muting consistent. Use a touch of overdrive, a little reverb, and don’t be afraid to accent off-beats; that’s where the attitude lives. I always smile when that chorus hits — it’s rude in the best way.
Aiden
Aiden
2025-10-25 00:39:04
If you're trying to nail the groove of 'No More Mr. Nice Guy' on guitar, here's a friendly, step-by-step way I’ve taught friends in jam sessions. The whole track lives on that crunchy rock rhythm and a simple, catchy riff — you’ll play it with a big, palm-muted power-chord chug and occasional open-string punches. Tune to standard E (E A D G B e), set a metronome around 120–130 BPM, and dig into the pocket.

Main riff (simplified, play with palm mute and attitude):

e|-------------------------|
B|-------------------------|
G|-------------------------|
D|--2-2-2--5-4-2-----------|
A|--2-2-2--5-4-2-----------|
E|--0-0-0--3-2-0-----------|

Verse chords (power chords, rock feel): E5 (root on open E), G5 (3rd fret), A5 (5th fret). Play steady eighth-note chugs: mute between hits, accent the first of each bar. For the chorus you can open up to full barre power chords and strum more cleanly, hitting E5 -> C5 -> D5 -> A5 (root notes on low E string: 0, 8, 10, 5). If you want extra color, add the little hammer-on licks on the D/G strings in the turnaround.

My tip: record yourself, then strip back to rhythm only — the lockstep between muted chugs and the snare hits is what makes it addictive. It’s a simple song, but it thrives on attitude; don’t be shy with the right hand. Happy shredding, and this riff always gets me moving.
Ximena
Ximena
2025-10-25 07:26:45
Vintage-rock lovers will appreciate breaking 'No More Mr. Nice Guy' into three clear pieces: riff, verse progression, and salty lead fills. I start with the riff because it’s the hook — once that’s under your fingers, everything else snaps into place. Play with a slight backbeat swing; even though it’s straight 4/4, pushing the groove a hair toward the snare gives it that classic swagger.

Main riff (repeat throughout verses, play with palm mute, accent on beats 1 and 3):

e|------------------|
B|------------------|
G|------------------|
D|--2-2-2-5-4-2-----|
A|--2-2-2-5-4-2-----|
E|--0-0-0-3-2-0-----|

Lead lick (simplified, play over chorus or where you want a hook):

e|-----------------------|
B|--5h7-5-3--------------|
G|-----------4-2---------|
D|-----------------4-2---|
A|-----------------------|
E|-----------------------|

Chord roadmap: verses are E5 -> G5 -> A5 (muted chugs); chorus opens to E5 -> C5 -> D5 -> A5 with broader strums. The lead lick above uses a simple pentatonic move, so it fits right over the crunchy chords. Don’t worry about copying the solo note-for-note — the record’s tone is a lot about phrasing and attitude, so make the fills your own.

I always tell people: groove first, speed later. Nail the pocket and the rest follows — it’s a blast to play live and still a guilty-pleasure banger for me.
Gemma
Gemma
2025-10-26 17:00:07
Grab your guitar and your sense of mischief — 'No More Mr. Nice Guy' is a joy because it’s straightforward and loud. I usually teach this song to beginners as their first riff-based rock tune: it’s just attitude, power chords, and a repetitive lick that locks the band in.

Standard tuning, 4/4 time around 120 BPM. Play the verse with muted E5 chugs (open low E with an optional 2nd-fret double stop on A/D strings for thickness). Shift to G5 and A5 for the turnarounds. For the chorus, strum fuller power chords (E5 -> C5 -> D5 -> A5), let them ring and add a little palm-muted bounce leading into each change. Keep your downstrokes strong and concise.

I always recommend practicing the riff slowly with a metronome and then adding dynamics; it’s amazing how much character you get just by varying attack. It’s a song I never get tired of playing live.
Jack
Jack
2025-10-28 03:07:14
Alright, here’s a compact playthrough that I use when teaching people the essentials of 'No More Mr. Nice Guy'. I keep it casual because the song’s power is in feel, not finger gymnastics. Use standard tuning and crank a little gain — nothing extreme — and stay tight with palm-muted eighth notes for the verses.

Basic chord loop for verse: E5 (0 2 2 x x x) — G5 (3 5 5 x x x) — A5 (5 7 7 x x x). Play these as rock power chords, chugging on the low strings and letting the higher strings stay muted. Strum pattern: mute-eighth, mute-eighth, mute-eighth, full-hit on the & of 4 to push into the next bar. The chorus opens the sound: hit full power chords and let them ring a bit.

If you want the signature riff, use the tab I usually give students (slow it down and build speed). For dynamics, pull your right hand away slightly during verses to keep it dark, then slam during the chorus. I love how simple tweaks make it sound huge, and it’s a perfect jam-room anthem that people always sing along to.
Yasmine
Yasmine
2025-10-28 09:49:10
Quick practical route if you want to nail the song: start by learning two core elements — the muted verse riff and the open power-chord chorus — then stitch them together. The verse is basically tight palm-muted low-E patterns with short moves to the A/D shapes; the chorus is full E5→G5→A5 hits. For soloing, stick to the E minor pentatonic (positions around 0–5 and 12–15) and prioritize feel: bends, vibrato, and space beat fast runs.

Work in 4-bar loops: play the verse riff for eight bars, then switch to chorus for four, and iterate. Use a clean-ish overdrive, set the tone so mids are present, and don’t overdo compression — you want dynamics for the muted-to-open contrast. If you’re learning tabs, slow them with a metronome, then add tempo in 5% increments. I usually practice the riff with a click and a backing track to lock the groove; it’s a simple method but makes the whole thing sound tight and full. Playing this song always pumps me up, so have fun with it.
Nathan
Nathan
2025-10-28 11:56:08
Late-night practice sessions turned this into one of my go-to crowd-pleasers. If you want a version that’s faithful yet playable, focus on the rhythm first: steady eighth-note chugs on the low E with palm-muting, then cut loose on the chord hits. The song’s energy comes from tight dynamics — mute for the verses, full strum for the chorus.

For a small lead lick to pepper around the solo section, try this simple bending phrase in E minor pentatonic that fits the vibe:

e|--------------------|
B|--8b(10)-7-5--------|
G|-------------7-5----|
D|-----------------7--|
A|--------------------|
E|--------------------|

Play that with a medium bend on the 8th fret of the B string and a quick pull to the 5th on the B/G strings; it gives you the messier, rockier character without needing shredding skills. If you’re playing with others, lock in with the drummer on the snare hits — that’s where the groove snaps. Also experiment with letting the low E ring during transitions to create a droning, sinister feel. I like adding a tiny bit of delay on the lead for spacey repeats; it makes solo lines sit higher in the mix. It’s a blast to play and always gets a reaction when the chorus crashes back in — trust me, it lands hard.
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