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The Year Of The Witching

*The Year of the Witching* follows a young woman uncovering dark secrets in a puritanical society, where repressed truths and supernatural forces intertwine, challenging her faith and the oppressive structures around her.

Junior Year

This is a story containing three points of views; the protagonist, Alex, her unrequited love, Cole and the new student, Asher. Alex planned to go on with her unrequited love for Cole till she graduated high school but Asher figures out her secret and says he can help her get Cole. Alex accepted this offer without a second thought as to why he wanted to help her and they become close friends, partners-in-crime; She finally has Cole, living the life she's only dreamed about but why does she feel unsatisfied and it doesn't help matters that Asher confesses to her.

62 Chapters

Senior Year

Senior Year. Oh the joy of being a senior. Even though they have been seniors for a year and some months, they are still yet to discover that its not that easy. Trying to balance school life with personal life is not as easy as it seems. Especially now that they have been burdened with the school responsibilities and some have begun facing some huge family issues. Dive into the world of a group of struggling teenagers, filled with romance, drama, heartbreak, tragedy and betrayal.

7 Chapters

Last Year of Seventeen

When Henry made a deal with his best friend to make their school's notable Ice Bitch– August, fall in love, he didn't expect that he'd come to respect her instead. And just when he wanted out of the bet, the Ice Bitch found him and made a counter offer. Now with August in his team, the two of them set out an elaborate plan to make their peers believe that the original bet was still in motion. But what started as an easy mission turned complicated when even their own hearts got entangled in very real emotions to what was supposed to be a very fake scheme.

Not enough ratings

22 Chapters

A YEAR WITH THE BILLIONAIRE

Isabella needs a huge sum of money for her aged grandmother's surgery. She has nowhere to go for help and she decides to seek help from her Billionaire boss, Jayden. Jayden doesn't believe in marriages and happily ever after but he needs a wife so his mother would stop pestering him when he eventually proves to her that marriage isn't for him by getting divorced after a year. Isabella comes to him for help at the right time; a contract is signed and there will be no strings attached. After a year, they will both go their separate ways. What will happen after a night of drunken passion between them? Will Isabella be able to endure his cruelty for just one year or leave before the stipulated time for their marriage to end? Will Jayden find Isabella or let her go with his seed growing inside her?

9.3

101 Chapters

New Year Surprises

Jane had no idea that the new year would be the biggest and most significant change of her life for her, she will finally understand what true love is and she will discover that her happiness has been there all the time but she had never noticed it for being stuck in her past. Travis takes the reins of what he truly wants and goes for it no matter what or anyone ... if he doesn't make his first move, someone else will probably do it and he's not willing to be the spectator again. But not everything is rosy, there will be many tests that they must overcome and do their part to cope with every situation that fate places on them. Because that's what life is all about, overcoming, learning, and adapting with each other, forging a bond so strong that nothing and no one can break, make mistakes and fix them and discover that things that are taken for granted take an unpredictable turn changing it. everything. Do you dare to discover what happens in a whole year for these two?

65 Chapters

One Year Bride

"The bride is welcome to enter the altar!" I smiled calmly as I took my father's hand, walking towards the altar where a man was waiting for me. A man in a black tuxedo wrapped around his athletic body. There's nothing wrong with him, the only thing wrong is that he's wearing a mask! But I really don't care! As long as that man can help me save Wendy, my half-sister who I should hate but in reality I really love. Besides, I only need to be in this marriage for one year, yup, let me call myself the 'one year bride'!

48 Chapters

Who Is The Protagonist In 'The Year Of The Witching'?

4 Answers2025-06-29 19:47:37

In 'The Year of the Witching,' the protagonist is Immanuelle Moore, a young woman caught between two worlds—her oppressed life in Bethel and the dark legacy of her mother’s witchcraft. Immanuelle isn’t your typical heroine; she’s fierce yet vulnerable, grappling with the weight of her lineage while navigating a puritanical society that shuns her. The novel paints her as a storm of contradictions: devout yet rebellious, fearful yet courageous. Her journey unfolds like a shadow creeping across a moonlit field, slow but inevitable.

What makes Immanuelle unforgettable is her raw humanity. She doesn’t wield magic like a weapon at first; it simmers beneath her skin, tied to her emotions. The woods call to her, the same way her mother’s journal whispers secrets. Bethel’s atrocities force her to confront her power, but it’s her compassion—her refusal to abandon even those who hate her—that truly defines her. The story molds her into a figure of reckoning, but never loses sight of her heart.

Is 'The Year Of The Witching' Part Of A Series?

4 Answers2025-06-29 07:47:50

I dove into 'The Year of the Witching' expecting a standalone dark fantasy, but it left me craving more—thankfully, it’s the opening act of a duology. The sequel, 'The Women of the Witching Wood,' continues Immanuelle’s battle against Bethel’s twisted puritanical reign. The first book’s cliffhanger—her coven’s fate hanging by a thread—demands resolution. Henderson’s world feels too rich to abandon after one book; the sequel delves deeper into the coven’s lore and the monstrous Darkwood’s origins.

What’s brilliant is how the duology structure mirrors Immanuelle’s duality—human and witch, outcast and savior. The first book sets the stage, the second burns it down. Fans of atmospheric horror and feminist revenge tales will find both books essential. The pacing rewards patience; the sequel answers lingering questions about the Mothers’ prophecies and the coven’s buried history. It’s rare for a sequel to surpass the original, but this one does—more witches, more blood magic, more defiance.

What Is The Main Conflict In 'The Year Of The Witching'?

4 Answers2025-06-29 10:59:33

In 'The Year of the Witching,' the main conflict is a haunting clash between rigid religious dogma and forbidden dark magic. Immanuelle, our protagonist, lives in Bethel, a puritanical society ruled by the Prophet’s iron fist. The tension ignites when she discovers her link to the witches of the Darkwood, whose legacy the church demonizes.

As Immanuelle uncovers her mother’s bloody past and the town’s hypocritical secrets, she’s torn between loyalty to Bethel and the pull of her ancestral power. The witches’ curses—plagues, blood rain—mirror the town’s sins, forcing her to choose: uphold the oppressive order or embrace the wild, dangerous truth. The conflict isn’t just external; it’s a visceral battle within her soul, questioning what’s truly monstrous—the witches or the men who fear them.

Does 'The Year Of The Witching' Have A Sequel Planned?

5 Answers2025-06-29 23:42:24

I've been following the buzz around 'The Year of the Witching' closely, and from what I gather, author Alexis Henderson hasn't officially announced a sequel yet. The novel wraps up its main arc pretty definitively, but there's plenty of room to explore Immanuelle's world further—especially with the rich, dark lore of Bethel and its surrounding woods. Henderson's interviews suggest she's open to revisiting the setting if inspiration strikes, but for now, she's focused on other projects.

The book's cult-like followers (pun intended) are definitely hungry for more, though. The blend of horror and feminist themes left a lasting impression, and the ending hints at unresolved tensions in Bethel's society. If a sequel does emerge, I'd bet it delves deeper into the witches' history or introduces new threats from the Darkwood. Until then, fans can dive into Henderson's other works or similar gothic fantasies like 'The Once and Future Witches'.

How Does 'The Year Of The Witching' Explore Witchcraft Themes?

4 Answers2025-06-29 10:20:16

'The Year of the Witching' delves into witchcraft with a raw, feminist lens, painting it as both a curse and a liberation. The protagonist, Immanuelle, inherits a legacy tangled with dark magic—her mother’s witchcraft stains her existence in a puritanical society. The forest, a recurring symbol, isn’t just eerie; it pulses with ancient power, where witches commune with vengeful spirits. Their magic isn’t sparkly spells but blood rituals and whispers that twist fate. The book contrasts patriarchal religious oppression with the wild, untamed force of witchcraft, suggesting rebellion is woven into its very essence.

What’s striking is how witchcraft mirrors societal fears. The town’s hatred of witches reflects real-world persecution, yet the narrative flips this—their magic becomes a tool for truth-telling, exposing hypocrisy. Immanuelle’s journey isn’t about mastering spells but embracing her identity, even when it terrifies her. The coven’s magic is visceral: storms brew from anger, curses manifest as plagues. It’s less about cauldrons and more about the cost of power, making witchcraft feel urgent and deeply personal.

What Time Period Is 'The Year Of The Witching' Set In?

5 Answers2025-06-29 18:11:21

'The Year of the Witching' is set in a dark, pseudo-historical period that feels like a twisted version of colonial America. The story unfolds in a rigid, puritanical society called Bethel, where superstition and religious fervor dictate every aspect of life. The setting mirrors the 17th or 18th century, with its isolated villages, patriarchal structures, and fear of witchcraft. The woods surrounding Bethel are dense and untamed, much like the wilderness early settlers feared. The time period isn't explicitly stated, but the lack of modern technology, the clothing descriptions, and the societal norms all point to an era where fear of the unknown ruled. The blend of historical vibes and supernatural horror makes the timeline feel both familiar and unsettlingly alien.

The novel’s atmosphere is steeped in gothic dread, amplifying the sense of timeless oppression. The protagonist’s struggles against theocratic control and hidden curses could easily fit into any period where women’s voices were silenced. The ambiguity of the era works in the story’s favor—it could be the past, or a dystopian future regressed into fanaticism. The lack of concrete dates lets the themes of power and persecution resonate beyond a single historical moment.

What Merchandise Features The Witching Hour Aesthetic?

3 Answers2025-08-30 21:10:49

I get a little giddy whenever the shop window dims the lights and leans into that midnight vibe—witching hour aesthetic is basically a merchandising goldmine. Think wearable items first: velvet cloaks, oversized cardigans in charcoal and plum, moon-phase scarves, and cropped black leather jackets with embroidered constellations. Jewelry tends to be a big draw—delicate crescent-moon necklaces, chunky obsidian rings, charm bracelets with tiny cauldrons and tarot suits, and hairpins shaped like moths or tiny keys.

Home goods are where I lose hours. Candles poured into matte black tins or skull-shaped jars, beeswax spell candles in deep indigo, incense bundles with names like 'Midnight Graveyard' or 'Witch's Market', and apothecary jars labeled with dried lavender, mugwort, or rose petals. Wall decor includes moon phase tapestries, brass crescent wall hooks, and vintage-style botanical prints—bonus points if they come framed with distressed wood. For people who love fuzz, there are plush familiars: black cat plushies with embroidered eyes, little owl cushions, and mushroom-shaped pillows.

Nerdy merch overlaps a lot: tarot decks with occult art, enamel pins of pentagrams and tarot suits, tarot cloths with velvet and fringe, grimoires and lined journals with occult embossing, and tea blends packaged like potion kits. If you enjoy media tie-ins, you’ll find items inspired by 'Little Witch Academia' or moody gothic games like 'Bloodborne' that lean into the same color palette. I have a shelf of mismatched candles and a little moon lamp that comes on at 11:11—quirky but perfect for late-night reading sessions.

How Do The Relationships Develop Between Characters In 'The Witching Hour'?

4 Answers2025-04-04 07:00:14

In 'The Witching Hour' by Anne Rice, the relationships between characters are deeply intertwined with themes of family, legacy, and the supernatural. The Mayfair witches, particularly Rowan and Michael, form the core of the narrative. Rowan, a neurosurgeon, discovers her witch heritage and is drawn into the mysterious world of the Mayfair family. Her relationship with Michael, a contractor with psychic abilities, evolves from a chance encounter to a profound bond as they uncover the dark secrets of the Mayfair legacy.

Rowan's connection to her ancestors, especially Lasher, a powerful spirit tied to the Mayfair family, adds layers of complexity. Lasher's influence over generations of Mayfair women creates a tension between love, control, and destiny. The relationship between Rowan and Lasher is particularly fascinating, as it blurs the lines between protector and manipulator. Meanwhile, Michael's role as a protector and his growing love for Rowan bring a human element to the story, grounding the supernatural elements in relatable emotions.

The novel also explores the dynamics within the Mayfair family itself, with its long history of power struggles, secrets, and tragedies. Each character's relationship with the others is shaped by their shared history and the weight of their legacy. The interplay between past and present, the living and the dead, creates a rich tapestry of relationships that drive the narrative forward.

What Time Does The Witching Hour Start In Fiction?

3 Answers2025-08-30 21:04:02

Nighttime has always felt like the part of the day that fiction borrows to get mysterious, so the 'witching hour' is one of those flexible storytelling tools that authors and filmmakers bend to their mood. For a lot of classic folklore and Victorian-era tales, midnight — the exact turn from one day into the next — is the canonical moment. I tend to picture a slick streetlamp flickering at 12:00, a cat padding across a windowsill, and then everything that’s ordinarily hidden slipping into the open. You’ll see this in countless gothic novels and older horror films where midnight equals the thin veil between worlds.

On the other hand, modern horror and pop culture sometimes pick 3:00 AM — the so-called 'devil’s hour' — because it’s the ironic mirror of 3:00 PM, the traditional hour of Christ’s death in Christian lore. That inversion gives 3 AM this creepily specific potency in shows and books that want demonic or anti-sacred overtones. Then again, many urban fantasy writers ignore a clock entirely and go for atmospheric timing: an hour after dusk, the first sigh of moonrise, or the witching period around Samhain (All Hallows’ Eve) when the veil is said to be its thinnest.

I love that flexibility because if I’m writing or explaining a scene, I can choose what the hour represents — ritual precision, eerie loneliness, or cultural dread. If you’re crafting a story, decide whether the moment should feel ritualistic (pick a sharp time like 12:00 or 3:00) or more mood-based (use moonrise or the last hour before dawn). Personally, I like the ambiguity; it lets me keep one foot in folklore and the other in whatever weirdness I’m dreaming up that night.

How Does The Witching Hour Affect Characters In Horror?

3 Answers2025-08-30 16:32:34

Nighttime has always felt alive to me in the way a stretched canvas starts to shimmer under moonlight — and in horror stories the witching hour is the part of the canvas that suddenly moves. I tend to think of it first as a narrative hinge: it’s the moment writers use to flip characters into a new register of fear or possibility. Practically, that can look like sleep-deprived paranoia where a protagonist’s inner voice becomes unreliable, or like folklore rules materializing—doors that were locked open, mirrors that reflect other faces, whispers that come from the walls. I got goosebumps reading 'The Witch' late on a stormy night; the ritual timing made every creak feel like a signal, not just house noise.

On a character level, the witching hour often externalizes inner conflict. A timid character might become reckless because the hour loosens social constraints; a morally upright one can be seduced by promises that only the night seems to offer. It’s also perfect for witches, spirits, or cursed objects to assert themselves without the “rational daylight” pushback. In games like 'Bloodborne' or 'Silent Hill' the hour becomes environmental — fog, altered gravity, changed enemies — forcing players and characters to adapt or be consumed. I love how creators use it both as a literal danger and as a mirror for personal darkness, making the supernatural feel inevitable and intimately personal, like something that’s always been waiting in the margins of ordinary time.