Who Are The Top Giantess Manga Authors To Follow Now?

2025-11-07 10:52:23 266

4 Answers

Liam
Liam
2025-11-08 01:31:14
Lately I've been treating giantess manga like a lane of indie music: there are a few chart-toppers but the most interesting stuff comes from underground creators. Rather than name a long list (which rotates fast), I catalogue people by style — the ones who excel at comedic scale contrast, the ones who nail sensual atmosphere, and the ones who build proper narratives. Historical context helps too: the genre moved from niche doujin mixes to dedicated short-serial webmanga thanks to platforms like Pixiv and Booth, and that’s where new voices surface.

I use a different strategy: scan recent Comiket and Doujinshi Expo roundups, subscribe to a couple of translation blogs that spotlight size-play works, and maintain a small Twitter list of artists I want to watch. That mix points me to reliable, talented creators who regularly update. I reserve my follows for artists who post both finished pieces and process sketches — it tells me they’re in it for the long haul. Honestly, the scene’s dynamism is my favorite part; it keeps me checking back every week.
Jack
Jack
2025-11-09 07:37:54
I usually answer this with a quick, practical list of places and habits because specific names can bubble up and fade fast. Start by searching the Japanese tags '巨大娘' and '巨女' on Pixiv and Twitter; that alone surfaces the current top creators. Follow Comiket circle reports and join a few Discords or Twitter lists focused on size-play — community curation is much faster than manual searching. I also keep an eye on Pixiv Fanbox and Booth releases, since serious creators use those to sell polished doujinshi.

For mainstream crossover, I follow Hajime Isayama because 'Attack on Titan' renewed interest in giant characters, and that ripple effect influences many independents. All in all, I'm happiest when discovering a small circle who consistently improves with each release; it feels like finding a new favorite band, and I stick with them long-term.
Quincy
Quincy
2025-11-10 13:48:10
If you're digging through the Giantess scene right now, I lean into a mix of mainstream and indie sources to find the creators who actually move the needle. For a big-name example that brought huge mainstream attention to giant-sized figures in recent years, I follow Hajime Isayama because 'Attack on Titan' revitalized how people see giant women (Annie, anyone?). Beyond that, the real bread-and-butter lives on Pixiv, Twitter, and Comiket circles where contemporary doujin artists regularly drop short manga and one-shots under tags like '巨大娘' and '巨女'.

I split my follows into three buckets: veteran mangaka with occasional giant themes, active doujin circles who specialize in size-play, and up-and-comers on Pixiv or Fanbox. I support many creators directly on Pixiv Fanbox or Booth when possible — it’s the best way to keep them making more. If you want names, look for artists trending under those tags during major Japanese events; the same handful tends to resurface with improved art and longer stories. Personally, watching that grassroots scene evolve has been way more rewarding than just chasing big titles, and it keeps my feed fresh and surprising.
Rosa
Rosa
2025-11-12 00:07:27
Catching new giantess creators often feels like treasure hunting, and I enjoy the chase. I mostly find my favorites through community recommendations and tag surfing. On Pixiv I filter by 'popular' for the '巨大娘' tag, and on Twitter I follow translators and circle accounts who retweet neat doujin releases. Patreon and Pixiv Fanbox are gold — many artists post work-in-progress panels and small exclusive chapters there.

I also pay attention to Comiket/Comic Market release lists and event summary tweets; the same circle names pop up year after year and that consistency signals quality. If you prefer polished, longform storytelling, check mainstream series that include giant characters as side plots — they often inspire doujin creators who expand those themes into full giantess works. I appreciate supportive communities that uplift lesser-known artists, and that’s where I find my favorite surprises.
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