Christmas Time Is Killing Us Novels & Stories

I've just left the washroom when Vanessa Shallow, who has just returned from her maternity leave, covers her mouth as she laughs at me. "Wow, you really are quick when it comes to bathroom breaks, huh? No wonder your sales performance is increasing by leaps and bounds! I suppose it's all thanks to your ability to take off your pants very quickly!" Vanessa acts as though she's joking as she starts making faces at the male colleagues around us. "Right, I forgot how prideful young ladies are nowadays! They can't seem to accept such truths when spoken in such a blunt manner!" The colleagues burst out laughing in a lecherous way afterward. Their perverted gazes keep clinging to my legs the whole time. As I stare at Vanessa's slightly bloated face, my gaze grows cold. It seems that she's so anxious to get her position as the project leader back that she's willing to shed even her sense of shame and propriety. I take a step forward and speak up. "I'm not as skilled as you are when it comes to such things, Vanessa. After all, not everyone is capable of making Mr. Studdard visit their home every midnight during their maternity leave." As soon as my words fall, the previously rowdy office goes deathly silent.

[YOU HAVE TRANSMIGRATED INTO A VILLAINESS FATED TO DIE.] I was supposed to obsess over the Alpha King, scheme against the heroine, and meet my end at the execution block. Instead, I rewrote the story. I chose Pierre Ashbourne—the neglected second male lead I once pitied as a reader—and spent three years helping him rebuild his dying pack, believing I had finally changed my fate. Then he abandoned me at our mating ceremony for his first love, the heroine. Now, the system has given me only one way home, restore the original ending by pushing the heroine back into the arms of the ruthless Alpha King, Hades. But the more I try to complete the story, the more these leads are getting out of character! What should I do?

Three years ago, Swelina Lott, the mate of Holden Grant, my older brother, had read my diary out loud in front of everyone at the ceremony. Holden, who was also the Alpha of the Silvermoon pack, was enraged after hearing the contents. He personally locked me up in the juvenile wolf prison afterward. After all, my diary was filled with entries proclaiming my love and adoration for him. What Holden doesn't know is that the wardens used all sorts of violent punishments on me in order to correct my behavior. As a result, I lost my wolf there. Today is the day I regain my freedom. Holden and Swelina are already waiting for me at the prison gate. The latter even has a sweet smile plastered on her face. "You're finally released, Anria. Holden and I miss you terribly." Meanwhile, Holden just looks at my skeletal frame while saying icily, "Swelina is already pregnant with my pup. That makes her the future Luna of the Silvermoon pack. I hope that you can make peace with her. "If I hear anything about you fantasizing about me again, I don't mind sending you back to this very prison." Upon hearing his threat, I sink down to my knees instantly. My body starts trembling uncontrollably at the same time. Already, I can feel warm liquid seeping through my pants. I won't do that anymore, Holden. Right now, the only thing I want to do is to stay far, far away from you. The further, the better.

What will you do if your fiancé betrays you, with someone you are completely unexpected and, in fact, really love about? I ran away, to a club owned by a handsome billionaire who was heartbroken and ended up in his bed. Not stopping there, I continued my escape all the way to Italy, with the fetus in my stomach. I thought, after all that chaos, I and I had finally found a new, peaceful life in a place that no one would ever know about. However, the billionaire found me and was determined to take me back, especially after he found out that there were a pair of twins with me. The problem was, I was determined never to come back, and that man also had a fiancee. What should I do?

My son is dead. He dies in a cramped toilet cubicle after having his skull smashed in. My husband, the school principal, arrives on the scene. The first thing he does is carry his true love's son, the one who killed my son, into an ambulance. They hurriedly leave. Before his death, my son tells me, "Don't cry, Mom. I'm not sad that Dad doesn't believe me. It's enough that you do…" I call Joshua Tucker during my son's funeral. He roars angrily, "Kenny had to get two stitches on his arm because of your son! If you keep pestering me like this, I'll beat him up when I get home!" My son? I look at the gaping hole in my son's head, the one that won't ever bleed anymore. I shut my eyes. Yes, he's my son. My son is dead, Joshua. From now on, there's nothing between us.

Three days ago, Julian Sinclair promised me to my face that he would propose to me tonight, at the family dinner. So when the ballroom doors swung open, every eye in the room turned to me, all of them already knowing why. Someone raised a glass, smiling like they already knew the secret. "Congratulations in advance, Donna." I stood there in the crowd, my fingertips trembling a little, waiting for Julian to come to me. But once he was inside, he walked right past me, straight up to Chloe Ross. And then, in front of everyone, he pinned the underboss's silver badge to her chest. "You did good work on the East Harbor cleanup." The room went still for a beat, and then the applause broke out. Chloe looked up at him, her eyes red, as if she'd finally been handed the place that was meant to be hers. I stood frozen, feeling my smile crack apart on my face, piece by piece. Only then did Julian seem to notice something, and he turned back to me. "Don't overthink it." "Tonight belongs to Chloe. Spoiling her moment with a proposal wouldn't be right." "At the next family dinner, I'll hand you the black ring in front of everyone." I looked at him and let out a soft laugh. Julian didn't know. There wasn't going to be a next time. My engagement banquet with the head of the Vaughn family was set for next week.

On Christmas Eve, Adrian Moretti left my father and me on an icy lakeside road because Lucia Vale called and said she was sick. The defibrillator that could have saved my father was in his armored SUV, driven away by the man my father had trusted for seven years. I called Adrian until my fingers went numb. When he finally answered, Lucia was crying on the other end, and his voice held only impatience. “Elena, stop making this dramatic. Wait for the escort car. Lucia needs me right now.” By the time the Moretti men arrived, my father was already gone. An hour later, Lucia posted a photo from the Moretti estate. She stood beneath the Christmas tree in Adrian’s coat, pale and fragile, with his hand resting on her shoulder. The caption read: Christmas feels like home when he is here. I looked at that photo for a long time. Then I liked it and left a comment. Merry Christmas. I wish you both a lifetime together.

On the seventh year after we moved overseas, my 13-year-old daughter, Anna Jackman, is hailed as the internationally renowned piano prodigy. No matter how difficult the song is, Anna is capable of weaving beautiful melodies with it. But there's only one song that Anna refuses to play. It's a seemingly ordinary lullaby. She's worried that she might end up forgiving that despicable man again once she plays it on the piano. So, when said man, Micah Jackman, turns up on our doorstep with a piano that's handcrafted by a master craftsman and asks Anna to play him the lullaby, she just shakes her head calmly in return. "I don't know how to play that song, sir." Micah's eyes redden immediately. He grabs Anna's hand and navigates it to the piano keys. "That's impossible! Aren't you a piano prodigy, Anna? Haven't you always wanted to have a piano of your own? I've already bought you your own piano this time! From now on, if you have any wishes, you should tell me, and I'll grant them for you." Anna draws back her right hand coldly. "It's fine, sir. I can earn my own money to buy my own piano. You should take the piano back to your daughter." Micah feels as though his heart has plunged into the abyss. He immediately pulls Anna into his arms. "What are you talking about, Anna? You're my only daughter!" But Anna looks a little puzzled. "Didn't you say that Ms. Sinclair's daughter is the only one worthy of becoming your child? Didn't you give the piano you promised for me to Ms. Sinclair's daughter?" Having reached that point, Anna just smiles nonchalantly at Micah. "It's fine, sir. Since you like Ms. Sinclair, you can just raise her daughter. I'm already content enough with Mom by my side."

My dad died in a car crash. On the seventh day after his death, I hear him whisper in my ear, "Amara, save your brother. There are cracks in the old stone bridge at the village entrance... It will collapse... He will die." I immediately call my brother, Asher Langford, and he takes a different route out of the village. But that afternoon, the police report that a murder took place on that road. The victim is Asher. My sister-in-law, Delia Winslow, and I bury him in tears. On the seventh day after my brother's death, I hear my dad's voice again. "Amara, keep an eye on Jasper. Don't go to the back of the hill. The dead trees there attract lightning... There will be a thunderstorm in three days." That night, Delia locks my nephew, Jasper Langford, inside the house. But three days later, Jasper falls from a window on the 12th floor. Delia goes insane after losing her husband and son consecutively in such a short time. Holding back my grief, I leave my own son, Billy Calloway, with my husband, Felix Calloway, and help Delia lay Jasper to rest. On the seventh day after Jasper's death, I see my dad holding Billy's hand and looking back at me with a sorrowful expression. He says, "Amara... There are spirits looking for substitutes in the reed marsh in the village. Take care of Billy. Don't go..."

She married him for revenge. They say grief makes you fragile. They're wrong. Six months ago, Carmela Ferrara’s sister Elena died under the protection of the one man that was supposed to keep her safe—Don Gabriele Conti. Her husband. Now Carmela has one goal: revenge. But nothing in the mafia is ever as simple as it seems. Gabriele is dangerous, damaged, and hiding deadly secrets about the night Elena died. And the closer Carmela gets to destroying him, the more she realizes her sister's death wasn't what everyone believes. In a world built on blood and betrayal, where every vow is a weapon and trust is fatal, Carmela must choose: continue her revenge or uncover the truth. Because the real killer is closer than she thinks. And in the mafia, that mistake could cost her everything. Some vows are made to be kept. Others are made to ruin. 'Til vengeance do us part. An enemies-to-lovers, dark, morally gray romance novel built on revenge, betrayal, self-destruction and revenge.