Free Romantic

The Untitled Love Story is a slow-burn romantic drama centered on Eiran, a young man living with amnesia after a traumatic incident, and Theron, a reserved, emotionally guarded man whose life becomes intertwined with Eiran’s through proximity, routine, and quiet care. As Eiran rebuilds a life he does not remember, fragments of his past and secrets Theron tried so hard to keep hidden begin to surface threatening the fragile stability they found. The novel explores love that grows patiently, the weight of unspoken grief, and whether healing requires full remembrance or the courage to choose who you are now.

In a world where judgment is so easily passed, how can love be free and true? Is there a world where two people can freely express their love for one another and show their true color? How can someone so sure about himself become so conflicted about everything because of a stranger he just met?

Tullah Richard, a young woman, left her family to be with Saul, her beloved boyfriend who, unfortunately, turned out to be a drunkard and abusive. Despite enduring his violent behavior, she remained committed to him. However, as time passed, the relationship took a darker turn. Despite the challenges, Tullah, determined to break free from Saul's toxicity, found herself facing a complicated situation when she discovered she was pregnant. Now torn between her desire to leave and the responsibility of impending motherhood, Tullah must navigate a difficult choice. Will she choose to leave despite the pregnancy, or will the impending arrival of their child tie her to Saul? If she decides to break free, will Saul ever find a way to reconnect with Tullah? The story unfolds with questions about whether Tullah can forge a new and happier life without Saul. --- "Saul, please let go of me!" she whispered, her plea audible in the tense air. "Never," Saul's fury was palpable, evident with just a glance at him. "I can't continue this way. I need to leave your life. Please, let go of me," she pleaded, attempting to free herself from Saul's grip. "You are stuck with me, Tullah. All of you is mine," he forcefully pushed her into the basement room, locked the door, and left. Tullah, no longer able to cry, lay quietly on the cold floor. This wasn't the first time she found herself confined, but she was determined it would be the last. Wiping away her tears, she wished for the morning to arrive swiftly, bringing with it the promise of a new beginning for her and her unborn child. ***** Diva_Unsual. nnenneuche84@gmail.com.

With a slight blush of embarrassment, she nods, and her boss smiles. " You know it isn't free, right?" Even though she can't speak, she made up her mind to do it for her grandparents. "yes," she says as tears run down her cheeks. "Okay good, a deal is a deal," he said with a smirk.

Angelina finds herself trapped in a dungeon while she awaits her fate. In order to be free from the dungeon, she has to agree to choose to marry one of the sons of the Lycan king. But, fate plays a role, when she wakes up one morning to discover that the Lycan king had been murdered by his own blood. The question is who?

What happens when you find your mate only for him to tell you he wants his girlfriend. Feeling rejected hurts worse than death. So you run away to be free, but your heart is broken, and you can't stop crying. Will the hurting ever stop? Will it get better, or will you run again?

Karin, a woman in her late twenties wants to prove to everyone that she's not all work, boring and plain but she needs to hatch a convincing plan to pull this through. Will she succeed in her quest to prove that she has a romantic side to her? Johan on the other hand believes he can no longer fall in love again but is ready to prove to the "love of his life" that he is ready to go all the way with someone he deeply cares about. Karin falls in love with Johan but is scared of being rejected; while Johan is unsure of what he feels for Karin, could it be love?

Eros is his name which was derived from the Greek god of love that was also known as "The Cupid". However, his name is a total opposite of him. He hates romance and all kinds of stuff which relates to passionate and intimate love. Other than that, he's also an aspiring mystery/thriller writer who is dreaming to be a famous and successful author someday. But his path to achieve his dream became mysterious, much thrilling and unexpectedly romantic when the cupid which turn out as a ghost named Shawna suddenly appeared in his room and force him to write a romance story for her.

Sophia Greystone, the Alpha’s daughter, has lived a life of torment under the cruel hand of her stepmother. Isolated and broken, she dreams of nothing more than escaping and living a normal life,one free from fear and pain. But with her stepmother ensuring she has no allies, even that dream seems impossible. Her only solace is her best friend, Elera, who convinces her to attend the annual Mating Ball, hoping she will find her fated mate.The one person who could finally free her from her misery. But one reckless night changes everything. The night of the annual Mating Ball. Drunk and desperate, Sophia wakes up in the bed of Damon Blackwood, the most powerful Alpha of the Moonshadow Pack and the only Alpha with two wolves. Overwhelmed, she sneaks away before he wakes, returning to her pack in hopes of forgetting her mistake. Damon vows to search every corner of the world to find her. Will Damon finds Sophia? Will Sophia ever going to feel her mate?

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.