Good Horror Books

My best friend, Scarlett Throne, is diagnosed with cancer. After running away from home, she takes her own life. She leaves behind only a testament and a pair of eight-year-old twins, a boy and a girl. "You're the only person I can rely on in this world. I'm not asking you to adopt them, but just make sure they have enough to eat." Out of compassion, I take the siblings in. For the next 20 years, my husband and I have been working hard together to raise them, buying them cars and houses. But one day, my adopted daughter reports my husband for being abusive toward her. Even my supposedly dead best friend suddenly appears and testifies against him. I demand to know why she does such a thing. My best friend, filled with righteous indignation, says, "I see you as my best friend! I've never thought you adopted my children just to serve your husband's perversions!" My husband's reputation is ruined, and he's been thrown in jail. I desperately try to prove his innocence, only to be forcibly sent to a mental hospital by my adopted son. There, I wither away and die. When I open my eyes again, I find myself back on the very day my best friend was diagnosed with cancer.

I check on family businesses in the countryside with my girlfriend, Mildred McClure, in tow. At noon, we stop by my uncle, Barron Cortez's, place for a simple lunch. Just as we are getting ready to leave, his new wife, whom he married just six months ago, Hilda Ross, rushes out and demands that we settle the bill. "Elden, you two just had the Supreme Farmhouse Set Meal, which is 1,888.80 dollars, and your girlfriend picked three organic, pesticide-free tomatoes in the garden. That's 199.80 dollars. "With an 80% service charge, your total comes to 3,800 dollars." Mildred is stunned. "Elden, do we have to pay to eat at your uncle's place?" I start to feel embarrassed, and my expression darkens as I look at Hilda, my supposed aunt, who's barely any older than me. "I've grown up eating at my uncle's place and never paid a single penny. Besides, your prices are downright outrageous!" Hilda calmly whips out a price menu and righteously declares, "That's all ancient history. Now, we're running a farmhouse business where all prices are clearly marked, so everyone pays the same rate. "Barron said you're some big boss in the city. Surely you're not going to stiff us over a little bill, are you?" She steps in front of the gate to block the exit with her body and shoots me a contemptuous look. "Even family settles their accounts. If you don't pay up today, don't even dream about stepping through this door!" While Mildred panics, I laugh in disbelief before taking out my phone and dialing Barron's number. "Uncle Barron, Hilda wants to settle accounts between family, so don't you think it's time we settled our accounts too?"

As I fought a stray dog for a loaf of moldy bread, distinguished guests arrived at the orphanage. They'd come to find the long-lost heir of a wealthy family. After confirming their choice, they donated $100 million to the orphanage and handed out chocolates to every child. My mouth watered as I reached for a box, but glowing messages flashed before my eyes. [Lawrence, show your locket! They're here to bring you home!] [Don't let that impostor steal your birthright. It's yours!] They revealed the truth: the elegant couple were my biological parents, and the poised girl beside them was my fiancée. Yet I clutched my chocolate and ran, aware of their true purpose: they'd come here just for the fake heir. Even if I revealed my locket, they'd not pay me any attention.

In my last life, my sister and I got adopted into two very different worlds. My mom? The "cool" type. Let me perm my hair in elementary school, signed off on a nose job in middle school, and shoved me toward one of Northport's richest heirs right after college. Ella's mom? Hardcore strict. Pulled her out of a fling with some delinquent and married her off to a quiet professor with a just-decent paycheck. Ella hated it. Wanted my life so bad. So when I ended up in the hospital pregnant, she used her shiny doctor title to kill me—and my baby. Then boom—I woke up, and we were back to adoption day. This time, she dove for the mom she thought handed me the dream. What she didn't know? That "cool mom" she worshipped was straight-up a monster.

On New Year's Eve, my daughter was critically ill. As she took her last breath, she said she just wanted to see her father one last time. But I couldn't bear to tell her the truth that her father was with someone else's child, lighting fireworks and celebrating New Year's Eve together. Beside me, calls continued being made, but none of them went through. My daughter passed away with regret in her heart, and I followed her into despair, jumping to end it all. Now that I've been given a second chance to live again, I looked at the man in front of me whose eyes were full of guilt and helplessness. However, my heart remained calm. "Just this once, Mariah. Tonya is sick, and she really needs me—" I cut him off and went to pick up my daughter. "Get out of my sight."

When my husband returned home to visit his parents, I noticed that he forgot to bring back the specialties he had bought. I ran after him, only to find him getting out of a car in a suit. His childhood friend stepped forward to welcome him. They held hands and smiled as they looked into each other’s eyes. They looked like a happy, newlywed couple. Only when my husband saw me standing not too far away did he hurriedly distance himself from his childhood friend. “Her mother’s critically ill, and her mother’s only wish is to see her get married. I’m just helping her.” I simply smiled. I pushed him right back to his childhood friend’s side and started cheering with everyone else. “When’s the baby coming?! I’ll be sure to wrap a nice gift!”

Andrea Reeves, the new hire in finance, is all looks and no brains. On payday, she mistypes my wages in the payroll system, sending only one cent to my account. Because of that, my payment fails when I try to buy Mom's life-saving medication, and she dies full of regret. Before I can confront Andrea, she bursts into tears, smudging her mascara and makeup. "Ms. Walton, I'm so sorry. I accidentally sent your pay to the janitor you fired. The one who's a single mom. Can't you just think of her as your other mom?" Norman Halt, the finance director—and my husband—immediately shields her behind him. "Don't blame Andrea. If you didn't have enough money saved up, why are you pretending to be the dutiful daughter now?" I nearly faint from crying so hard. Wracked with guilt, Andrea shows up at the funeral with an entire marching band in tow. The mourning hall turns festive and lively, leaving my family and friends stunned. I lose it and yell at her to leave, but she looks completely hurt. "It's already so tragic that she dies from an illness. I just want to give her a joyful send-off!" Furious, the asthma I've managed for years flares so abruptly that my hands shake as I take out my inhaler. She slaps it away and screams, "How could you use such illegal substances? That's against the law!" Blue-lipped and gasping, I crumple to the ground. In my final moments, I hear Andrea's tearful voice. "This is all my fault. I'm an idiot… I didn't realize it's just medicine…" Norman covers for her. "It's not your fault. Spread the word that Ms. Walton died of grief over her mother's passing." That night, my body is cremated. My death goes silent and unnoticed. When I open my eyes again, it's payday all over again.

Using an alternative account, I secretly join a cycling group chat that my husband, Liam Johnson, is in. One day, an announcement is made in the group chat. "We'll be organizing a weekend mountain biking activity with an overnight stay, with two people sharing a room. To add some excitement, we'll be drawing lots for room assignments." I can't really understand it. Curious, I ask, "What if a man and a woman end up drawing the same room?"

My fiancé, Conrad Reese, fell in love with his secretary, Kelly Dunn, and insisted on breaking off our engagement. I tried to reason with him. "She doesn't have any power behind her; she can't help you become the heir to the Reeses' fortune. You'd be better off keeping her as your mistress." Kelly, feeling insulted, threw herself off a building in front of everyone. Five years later, after he became the heir, the first thing he did was divorce me, destroying my family in the process. "This is what you owe Kelly," he said. I woke up again, and it was my 22nd birthday. Conrad's grandfather asked me what my wish was. "I hope Conrad and Ms. Dunn… will live happily ever after." I bowed slightly and said, "Please, Mr. Jonathan. I hope you'll let me end my engagement with Conrad."

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.