There’s a lot of potential in those fics, but honestly, execution varies wildly. Some writers get it right by leaning into the source material’s inherent political and personal conflict—they’ll drop you, the reader, into a situation where you’re, say, a lowborn scribe in the Green council, and the tension comes from the constant fear of saying the wrong thing to Alicent or Otto. The emotional payoff isn’t always romance; it’s survival, the dread of being a pawn.
Other versions feel flatter, where the ‘tension’ is just the character being broody at you. The better ones use the reader’s outsider status as a deliberate tool. You’re not a Targaryen, so every interaction with Daemon or Rhaenyra is layered with power imbalance—that’s where the real emotion simmers. I’ve clicked away from fics that make the dragon-riders too approachable; it breaks the atmosphere. The most memorable one I read had the reader as a dragonkeeper, and the slow, wordless understanding built with a rider felt earned, not forced.
It’s a specific niche. When it works, it’s less about wish-fulfillment and more about navigating a brutal, gorgeous world where a single misstep gets you burned.