Marble Pencil Molding

Ivy Sinclaire was born powerful—Heiress to House of Valemont and Manhattan royalty. Power doesn’t stop betrayal from crawling into her life—all cloaked in the form of her husband and her closest friend/ legal counsel. On the night she receives her Woman of Year award in global business, she walks into her office and finds Harry between Vivienne’s legs on her Italian marble desk—the same one she had closed multi-million deals on. The same night, her car crashes in a fiery wreck, and she’s declared dead, but alas! Ivy isn’t dead. She is saved by the one man who’s always wanted her and her nemesis. Chase Sterling. An arrogant billionaire and philanthropist in a tailored suit. A man who’s watched Ivy from the shadows for years. Keeping his distance, waiting for the perfect moment to swoop in and be her hero. “They tried to kill you and they almost succeeded,” Chase scoffs, adjusting his cufflinks. “I shouldn’t have trusted them,” Ivy wipes the tears streaming down her cheeks violently. “So what now?” She looks him dead in the eye. “I’ll give you 30% of House of Valemont. In return, you help me destroy them.” Reborn as Victoria St. James, Ivy returns to New York—unrecognizable, vengeful, and dangerous. With Chase at her side, she sets the stage for a merciless takedown, but as their dark alliance deepens into something twisted and magnetic, the question remains: who’s really in control? Because Chase didn’t just save her… He remade her, and he has no intention of letting her go.

At Manatee high, where wealth whispers through the marble halls and last names open doors, Emma Carter stands out for all the wrong reasons. She’s there on a scholarship — smart, quiet, and completely out of place among the designer uniforms and polished smiles. Her father works long hours as a construction worker, and her mother’s absence still echoes through every choice she makes. All Emma wants is to survive senior year unnoticed. Connor Hayes Charming, confident, and born into old money, he moves through school like he owns it — because, in a way, he does. But behind the perfect image lies someone quietly restless, bored of the shallow routines and expectations his family forces on him. When a class project throws Emma and Connor together, their worlds collide. What starts as polite conversation turns into stolen glances, late-night talks, and moments that make Emma question everything she’s been taught about people like him. For the first time, Connor finds someone who doesn’t care about his last name — someone who sees him. But no everyone is happy about it ,The whispers start. And soon, Emma isn’t sure if she’s part of Connor’s world — or just an experiment in rebellion. As emotions deepen, the line between love and heartbreak blurs. Emma learns that privilege comes with its own cages, and Connor realizes that sincerity can’t be bought. Together, they must decide whether what they have can survive the pressure of judgment, jealousy, and fear — or if love alone isn’t enough to bridge two very different worlds. “Emma and Connor” is a coming-of-age romance about class, courage, and finding where you belong — even when the world tells you that you don’t.

On the day that was supposed to be my wedding—the bride wasn’t me. The ceremony I’d waited for five years for turned into a joke when Valentina, my sister, walked down the marble aisle in a white wedding dress. Her arm was linked with Luca’s — the man who was supposed to be waiting for me at the altar. “I’m sorry, Bianca,” she said softly. “But you are no longer the bride today.” Then she touched her stomach, eyes gleaming with triumph. “I’m pregnant with Don Romano’s child.” Her words detonated inside my skull, and the whole world went silent. As if afraid I wouldn’t believe her, she lifted something glossy up towards the light. A black-and-white ultrasound image. It read clearly: Gestational age — 12 weeks. My eyes burned, tears stinging as I turned to Luca, desperately searching for anything—a denial, an explanation, regret. Instead, he only sighed, weary and resigned. “Bianca, I’m sorry.” he said helplessly. “Valentina doesn’t have much time left. This wedding… it was her last wish.” “I’ll make it up to you,” he added. “We can have another wedding later.” My father, Moretti, stood behind him, wearing the same stern expression he’d worn my entire life. I have never seen him smile at me, not even once. “Bianca,” he said sharply, “Your sister is dying. Let her have this.” My brother nodded without saying a single word, as if that was enough to be a solid answer. All my life, they had chosen her—her tears, her whims, her needs—over mine. Today was no different. Something inside me quietly cracked. Fine. If no one in this family cares about me, I’ll leave.

His fingers were already at the lace between my thighs when he pushed me against the marble vanity, breath hot, voice darker than sin, his arousal pressing against my throbbing core. "Open your legs for me, Mrs Valentino." He didn’t wait. He plunged into me roughly, his mouth trailing down my neck like he owned it. I hated the way my body arched for him. I hated even more that he smirked when it did. I was supposed to be terrified, not trembling for the man who forced a ring onto my finger two days after abducting me. Before Dante Valentino touched me like that... before he whispered filth and promises into my ears, I was Valentina Morrison: a quiet girl, psychology graduate, volunteer counselor blissfully unaware that my entire life was a lie. I didn’t know the truth about my parents. I didn't know my bloodline belonged to a mafia empire that their hands were filled with blood. I only knew one thing the night I witnessed a murder in a Manhattan alley and it was that I was going to die...until he showed up. Dante, the most feared Italian boss in New York. He was ruthless and calculating. He didn't save me, he claimed me. Only because I’m not just some civilian. I'm the last surviving Castellano heir, the one piece of leverage that can rewrite the entire underworld. So Dante forced a marriage to protect me. To control me. To bind me to him in pleasure and law. And somewhere between running from gunfire and running from him, I made the worst mistake possible: I let the devil touch me. I let his hands teach my body a language my mind despises but my body craves. I let him explore me.