Non Literary Texts

La vie de Mu Li a subi un changement radical le jour où elle a été reconnue par la famille Mu. Bien qu'elle ait eu du mal à s'adapter au début, elle a découvert qu'elle avait un autre fiancé ! De plus, c'était son ennemi juré qu'elle avait arnaqué d'un milliard ! Non, elle doit rompre ce mariage ! Cependant, quelqu'un l'a plaquée contre la porte et a déclaré : " Tu m'as arnaqué d'argent, et tu veux fuir ?" Mu Li a répondu d'un ton ferme: "Non, je n'ai pas d'argent non plus." "Si tu n'as pas d'argent, alors utilise-toi pour rembourser ta dette." En disant cela, il l'a emmenée de force avec lui...

Chasity Dawson is the shy daughter of a housemaid and Joe Bandit is the school's "Golden boy" and the son of the family her mother works for. One-night Joe texts her, and asks her for a favor that involves a mysterious unmasked culprit, leaving photos of Joe and his family at their doorstep every week for years. This mystery leads to a growing attraction between Joe and Chasity. Along with deadly secrets that were best left alone. Secrets… that could get someone killed.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.

Two exes—who haven’t spoken in years—are forced to swap apartments for a month due to a housing mix-up caused by a mutual friend. She moves into his stylish city loft; he ends up in her cozy small-town house. At first, they leave petty notes criticizing each other’s lifestyle (like “Who needs this many candles?!” and “Why do you own a sword?!”). But soon, they start rediscovering each other—through texts, video calls, and unexpected visits.

Bonjour non bonsoir mes meilleurs En cas peut importe.... Je vous laisse découvrir cette nouvelle aventure vous même.... Et j'ose croire que vous allez pas regretter..

Anna Quinn is an adventurer who loves to travel to new places not only for the sake of adventure, but also to gather information for her novel. Her passion for literature has earned a lot of attention in her literary journey, where she also met her pen partner, Bien Fausto. Both of them are novelists who are dedicated to their craft, but everything changes when Anna discovers a paradise in Kauai and loses herself to a man named Jax. A messed-up situation that will change the way things were used to be. How will these unintentional events affect their lives? Will Anna be able to recover from her mistake, or is this the beginning of a new chapter in her life with another man?

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Saga of Pandora Interrupted continues with this story that follows her daughter Madeline. Madeline finds love in the most profound men. Being a vampire princess has never stopped her from exploring her sexuality but when one relationship gets foul she moves on to another. She never quite finds what she truly needs and desires. Travel through the life of a vampire princess as she matures and grows into the stunning queen she was destined to become alongside the man that she would also die for if it came to having to make that choice. (We hope it doesn't for literary sake) Sexual Content, foul language and some violence.

Raissa était ma meilleure amie qui vivait non loin de chez moi je l’aimais tellement on partagez tout ensemble les tristesses les joies les folies bref les moments de bonheur et aussi de malheur

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