publishing a novel

After graduating from NYU, Victory Sinclair had her life all planned out. Well, at least the career part, that is. She has been accepted into one of New York’s leading advertising and media agency and will be joining the agency as a personal assistant to the CEO. Little did she know, a strange twist of fate is about to change the course of her future. An unfortunate accident with Arthur Knight resulted in serious consequences that would alter both their futures. What will Victory do? Would she succumb to pressure or would she follow what her heart tells her to?

Raised by a monster from Transamagei since being abandoned at birth, Zea is hunted down and forced to become a part of the Soul Stealers that killed his family and stole his name. Everything he has known no longer exists. Moon is nothing but a demon with a false name and a murderous desire to slaughter and devour anyone who stands in his way of becoming a true Soul Stealer. Having to work with the young Soul who killed his father, Moon must carry out his own Mission to earn his survival; capture the illusive White Wolf and her family. But as the sinister truth behind the capture is discovered, Moon must decide if his life and those of his friends are worth more than what is morally right.

Rai’s worst day was not the one she woke up blind, but the moment she realized she’d married a monster. For the past seven years, she has escaped Cliff, her corrupt, sociopathic husband who refuses to divorce her. The last thing she needs now is another relationship, but some men are hard to resist. Gideon senses Rai’s apprehension, but that doesn’t deter him. It fuels his curiosity. What starts out as an innocent five-day cruise, soon turns into an attraction that could destroy them both. Cliff is clever, deadly, and resourceful. To defeat him, Rai must find courage and trust Gideon, even though his protective devotion might get them both killed.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.